Sentences with phrase «qualities of his paintings create»

Not exact matches

Since 1981, we have created many successful Canadian business leaders while pleasing 100,000's of homeowners with quality interior and exterior painting services, and providing summer employment for students.

«Color psychology can help you choose paint colors that create the right mood in a room, affecting not just your own feelings, but those of everyone who enters the space,» according to Debbie Zimmer, a color expert at the Paint Quality Institute.

The findings, which have been reported in Nature Communications, reveal that the h - BN layers form the strongest thin insulator available globally and the unique qualities of the material could be used to create flexible and almost unbreakable smart devices, as well as scratch - proof paint for cars.

Recently renovated, the Carlemany Hotel offers a new concept of city accommodation; it has been decorated paying attention to details, using high - quality materials, splendid fabrics, sculptures, paintings and warm colours in order to create a refined atmosphere, while the latest technology and contemporary design blend to offer an ultimate comfort.

We do the wine tasting and then have a discussion of our art - creating process, tell stories about the landscape scenes we paint, show them how we hand - prepare painting surfaces in the studio, talk about the quality, locally ground paints we have on our palette.

Braman creates abstract geometric sculptures and paintings in a distinctive color palette of rich pinks, blues, and purples, in which she simultaneously foregrounds the formal qualities of her materials while referring to her own personal narrative.

There's something about the quality of the brushstrokes, the layers of paint and glaze creating depth, and the use of forms that can conjure dreams of a cityscape that feels like his work belongs to both contemporary abstraction and the heyday of Abstract Expressionism.

He has disturbed the original image by painting or carving into the printed background, enhancing the atmospheric quality created by the view of this vast, unpopulated landscape.

Her paintings are created with a delicate quality using color pencil and thin glazes of acrylic on paper.

The title of the show references the electric color phthalo blue or Phthalocyanine, a synthetic pigment that Lozano favors in his paintings for its brilliant and intense quality intended to create a euphoric mood in the space.

Romberg's Dirty Geometry subverts the strict, systematic, straightforward qualities of geometric forms pioneered by Wassily Kandinsky, the Russian artist and art theorist credited for creating the first purely abstract paintings.

Using many layers of painting media, washi paper, and marble dust on panel, an exquisite surface quality is created that evokes ancient walls or tablets.

The paintings I had created were a surface lacking the quality of illumination which the slides possessed, a lack of illumination which often diminishes the paintings I see today in comparison to their on - screen «reproductions».

Jong Oh (born 1981) creates minimal sculptures made of hand - painted string, delicate jewelry chains, tiny nails, stones, Plexiglas, metal rods and weights and an occasional graphite line that suggest basic geometric shapes and respond to the natural qualities of light and space of a site.

Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.

The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression not of the world as it is, but as it is remembered.1 While the artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did not discriminate between the most significant details of memory and the most obscure.

Past recipients of the J. Paul Getty Medal have included Harold Williams and Nancy Englander, who were honored for their leadership in creating today's Getty; Lord Jacob Rothschild, for his leadership in the preservation of built cultural heritage; Frank Gehry, for transforming the built landscape with buildings such as the Walt Disney Concert Hall; Yo - Yo Ma, for his efforts to further understanding of the world's diverse cultures; Ellsworth Kelly, for paintings and sculptures of the highest quality and originality; Anselm Kiefer, painter and sculptor noted for his powerful work and complex subject matter; and Mario Vargas Llosa, Peruvian writer, politician, journalist, college professor and recipient of the 2010 Nobel Prize in Literature.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

She taught those who attended how to create a value scale as well as how to represent the basic qualities of value by painting a white ball with one light source by only using a dollop of white acrylic paint and a dollop of black acrylic paint.

The abstract qualities of these paintings don't directly compete with the representational elements but work together to create a vibrant tension.

Asserting that abstraction «is always about something... what it is about is beyond confines of language,» Sarah Braman creates abstract geometric sculptures and paintings on pieced - together plywood panels, in which she simultaneously foregrounds the formal qualities of her materials while referencing home, family life, and nature.

In our case we chose to create — or suggest — a dialogue between historical works on paper, abstracts from 1968 to 1988 by Eugene James Martin (1938 - 2005), and bring them into a conversation with small - scale paintings by three abstract painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality in their work.

Pollock's incorporation of chiaroscuro throughout the painting creates a ghostly quality reminiscent of El Greco's compositions.

This is one possible journey through the work, during which we might dwell on shapes and lines, variations of touch and tone, alerted to qualities of paint as space is mapped and atmosphere created.

These have an increased focus on surface quality and low relief, and demonstrate fusion of sculpture, painting, and ceramics into one form to create a dynamic work.

According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.

Using dark blues, bright whites, and occasionally high - key colors, the artist creates outstanding letter - like forms that push forward with a slight pulsation, especially depending on the quality of the light that illuminates it, while the painted field as a whole changes under different viewing conditions.

However, unlike Schapiro, Meyer didn't join the Pattern and Decoration movement, but instead went on to create lyrical all - over compositions in diluted oil paint, inspired by the translucent qualities of watercolor.

Combining the empirical qualities of technology and the subjective nature of painting, Finch created light boxes that produce an aesthetic experience of the fleeting, temporal nature of the observed world.

The Form of Color is Swain's first solo museum exhibition in California, and is comprised of interlocking, modular paintings created specifically for the Museum and the quality of light in Santa Monica.

She stands out among contemporary painters as one who created great loveliness on canvas with imagination and a fineness of sheer painting quality which is a joy to study.

Talking about his work, Richard said: «I always strive to create an atmosphere in whatever I produce, at the highest possible quality and using a knife, brush, canvas and a very limited colour palette of oil paint or pastels, usually alla prima, mixing only on the canvas.»

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

In order for students to feel comfortable expressing themselves with a particular medium, they often have to spend plenty of time messing with the stuff they are interested in shaping - be it car parts, plastics, plaster or paint - before they may be ready to create high quality works.

Returning to motifs from his paintings, Scott's prints are a continuation of the artist's interests and themes explored throughout his career, all created with an undeniable meditative quality.

Moving through the galleries, there is Mark Rothko's Light Cloud, Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 — 01.

Unlike his Pop Art predecessors however, whose work still retains a kind of optimistic freshness of the postwar era in which they were created, Prince's joke paintings display a sarcastic quality that is more suited to the postmodern world.

They do harken to the formal qualities of her paintings, but her ability to wrest relationships between layers, and to create new kinds of textures, is eye - opening.

In Abstraktes Bild, Richter uses pastel blues and yellows to create soft geometrical shapes that flow in and out of each other resulting in a fluid composition of immense atmospheric quality, half way between a landscape painting and an abstraction.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

The artist employs thick layers of acrylic paint and pumice to create colorful, spatially complex paintings with a distinctive tactile quality.

Interested in a painting's potential to function as the very embodiment of the object it depicts, Kahn has also developed works in which the shaped stretchers combine to create the form of an actual object, while a synthesis of hand - drawn motifs and words epitomize its essential qualities.

Central to the success of his work, therefore, is a tension between strictly ordered, «objective» zones of powerful colour and a looser, more subjective «edge»: each of the vital boundary lines of each defined, resonant stripe or square in a Scully painting has a distinct quality — and these variations create a plurality of painterly incident and accident within an apparently systematic arrangement.

While the other Abstract Expressionists were mining their own feelings, intuitions and subconscious emotions and using them to create works that were deeply personal and rife with hidden meaning, Kline made work that was about the formal qualities of painting, such as paint, brush stroke, composition and color.

These include works that expand the practice of painting via digital design methods, as exemplified in the art of Michel Majerus or Corinne Wasmuht, and others who create large - scale, seductive photographs, such as those by Andreas Gursky, Trevor Paglen and Wolfgang Tillmans, which seem to question the indexical quality of the medium.

Working from small, meticulous studies to create what appear at first glance to be whimsical, offhand doodles, Lasker combines references to painters like Phillip Guston, Robert Ryman and Jackson Pollock with graffiti and cartoon imagery, investigating the various qualities of painting itself.

His career seemed to move inexorably toward creating an extra dimension, as his paintings took on the sculptural quality of shaped canvases and pushed into the gallery space, becoming more and more three - dimensional.

Viewed aesthetically, the composition of the piece — the weight of the letters fluctuating with each line, the spacing between the lines methodically decreasing as the text progresses, the winding italics creating rhythmic markers on a background of «ghost text» from the same selection peering through a thin overcoat of white paint — encourage appreciation of the textural qualities of the written word.

Absurd Entry Has the Qualities of «Nothing» Yet Again a Turner Prize - Winner Is Creating Controversy Western Mail (Cardiff, Wales); December 11, 2001; 700 + words... behaviour torturous - others, the Turner prize judges for one, would deem it... a gallery painted white at the Tate Modern in London, illuminated only by... beloved North Wales landscape, says Turner prize judges and the majority of the...

Although the Rothko paintings in The Phillips Collection were not created to be displayed as a group, their combination in a space that has all the qualities of a sanctuary set a standard for future commissions for the artist, including the Holyoke Center at Harvard University, 1961 - 62, and the Institute of Religion and Human Development (the Rothko Chapel) in Houston, 1964 - 67.