«Run All Night» is proof that
quality action films don't really need to reinvent the wheel each time out as long as they make it spin this smoothly.
Not exact matches
Unless you create or
film videos for a living, most of the footage of on - track
action that F1 fans put online will be a bit shaky, wobbly, poor
quality,
filmed from a phone or chucked into Movie Maker.
More an
action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch
quality, but the
film lacks strong meat — of the emotional and bloody zombie - cannibal sort.
Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video
quality of the
film is higher than the time period of the
action allows it to appear.
Indeed, for all the striking technical
qualities the animated medium brings to Anderson's work, the
film feels like less of a departure than it might have done — not least because it retains the jangly, high - spirited ensemble feel of the director's live -
action films.
Director Brad Bird, who is most famous for directing
quality animated
films like «The Iron Giant» and the Pixar flicks «The Incredibles» and «Ratatouille,» fully delivers with his first live -
action outing.
Even while spending
quality time with John, Emily, President Sawyer, Finnerty, and the head of White House security, Martin Walker (James Woods), you still know what's coming, but Emmerich doesn't just hand over the
action as quickly as most
films, giving «White House Down» an impressively effective build before unleashing the ultimate display of DC destruction.
It's also somewhat of a box office risk given the current CGI
action - based
film craze at the moment, however, the superior
quality of the
film speaks for itself as well as the box office.
It is in no way a bad
film and it is, moreover, one of the better
action films of recent cinematic efforts, far outstripping anything such as the Jason Statham release, Safe, for example; that
film was just a rehash of multiple other
action pictures but delivered with one tenth of the
quality.
A
film with so little
action should not be as tense as this
film is, and it is a testament to the
quality of all angles of the production that a predominantly real - time drive down a highway is as gripping as this
film often is.
Unfortunately, The Bourne Legacy noticeably lacks the
quality script and thrilling
action sequences of that first
film.
Struck by Lightning, a
film deeply indebted to the written word, advocates not so much for the
quality of writing but for the
action itself.
No matter the
quality of Gibson's performance therein, the
film's dissection of a fractured soul can only reinforce audience reservations about a screen icon now better known for obscene and violent telephone calls than manic
action movie roles and Oscar - winning epics.
These
films give an aura of respectability and complexity to an otherwise disreputable genre, and Annihilation is basically Predator for people who think Predator is dumb, but without any of the
qualities that actually make Predator good (structure, pacing,
action, coherence).
«We're always on the eye out for a hole in the marketplace, and there's a death of
quality action - thrillers out there right now, so we felt the audience for this
film was being underserved both theatrically and digitally.»
Getting into the actual contents, video
quality of each
film was very good, with the Jurassic Park III being the best of the lot in that respect, although in terms of story and script, the first entry, Jurassic Park, definitely stands as providing the best combination of
action, adventure, and emotional impact.
For almost the whole
film, all of the
action takes place within the house; this has two far - reaching effects that speak to the
quality and complexity of the
film as a whole.
If the static shots and deadened rhythms of the big - budget fantasy
films John Carter and the first two Chronicles of Narnia entries are any indication, the
qualities of animation may not so easily translate to live
action.
It will be hard for a
quality film to emerge from the endless rewrites and extensive reshoots (not to mention crazy run - ins with the law), but when Brad Pitt stars is in a zombie
action movie, you have our attention.
They also feature rich characters and abnormally (for an
action film) strong emotion, and what makes Face / Off a Woo
film through and through are these two
qualities.
Regardless of the
quality of the surrounding
film, Luc Besson can still be counted on for at least one moment per movie that does what he does best: blending high - concept, stylish stupidity with rock - solid
action beats.
And they have a real facility for
action: from that first water - bound set - piece, the choreography is consistently strong, with a crunchy, weighty (if sometimes arguably too violent, for a
film ultimately aimed at kids)
quality to the hand - to - hand combat.
It's a good looking
film, and entertaining, with
quality special effects, well - shot
action, and some nifty twists along the way, but at the end of it,
film buffs aren't likely to think, «Wow!
This isn't just great
action, it's terrific character development, and while the technical aspects do leave a lasting impression, it's really the
quality screenwriting by Cameron that allows the
film to pay off in a large way as the
film heads toward its explosive conclusion.
Music from the
film accompanies the
action in a synthesised, albeit lower
quality form, but it's at least interactive and adapts to reflect what's happening on screen.
Our Team produced top
quality assets for live -
actions blockbuster
films Dark of the Moon and Age of Extinction as well as for Transformers: Earth Wars the mobile title from Space Ape Games and Backflip Studios.
What Needs Improvement: Merida's animated hair
quality does not equal the
film, dodge as unlockable item instead of a basic
action
Between the
quality of his performance and the sheer
action entertainment of the story, this
film deserves more praise than it gets.
From what we have seen of this new footage, it looks as though the
film will uphold the
qualities that have made the Assassin's Creed franchise special, such as the intense
action sequences, the unique storytelling, and of course the complex history as Demond Miles grapples with his assassin lineage by way of the Animus.
Beyond anything else, these performances are driven by an idea of spontaneity and improvization: the
quality of the
filming equipment is not an issue, nor is the apparent absurdity of the
action.
In drawing from the music and art movements of the region as well as merging the distinct
qualities of
film and video to explore how the physicality of materials or
actions is transferred into digital space, the artist also wants to break down the hierarchy of expertise.
Only instead of
filming his latest movie on Hollywood -
quality rig, Steve Soderbergh is turning to Apple's iPhone to capture all the
action.