Ordovas is a private gallery dealing in the best of 20th century and contemporary art with a museum -
quality exhibition programme.
Not exact matches
«Revolution of the Eye» is one of the few museum
exhibitions to highlight television's artistic ambitions and the
quality and depth of some of its early
programmes.
signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial
programme, and the
quality of her
exhibitions... Through this letter, we assert our attachment to the CAPC and to the
programme of its current director.
An open letter signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial
programme, and the
quality of her
exhibitions... Through this letter, we assert our attachment to the CAPC and to the
programme of its current director.
With an independent
exhibition programme, in collaboration with Moderna Museet and its own international contacts, this high -
quality museum shows contemporary art's most important artists and modern classics alternated with a selection from Moderna Museet's rich collection from 1900 and onwards.
Since the launch of its galleries in 2003, Prefix ICA has been consistently lauded for the outstanding
quality of its
exhibition programme, having received more than twenty awards from the Ontario Association of Art Galleries for its
exhibitions, installations, and publications, as well as the art direction for its print promotions.
Alex Sainsbury has established a widely admired
programme here that regularly includes museum
quality examinations of important but neglected 20th century artists and movements, as well as unexpected delights like his
exhibition of Seth Siegelaub's textile collection in 2012.
We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial
programme, and the
quality of her
exhibitions.
The space provides
quality education and presents an
exhibition programme open to the public.