Sentences with phrase «quality exhibition space»

Developers Henderson Land are building a 24 - story building in Hong Kong with the goal of leasing to high - end gallerists looking for quality exhibition space.

Not exact matches

Further rise in the quality of participants In the international section, over 265 exhibitors from outside China showcased their latest solutions and technologies for the beverage and liquid food industry on around 23,000 square meters of exhibition space.

Novotel Wollongong Northbeach is a high quality beachside conference venue that offers meeting planners an array of flexible conference space, from a large pillarless ballroom to smaller meeting rooms with natural light and executive boardrooms along with ample space for exhibition booths and trade displays.

New York, NY — Korean artist Jong Oh creates minimal sculptures that respond to the natural qualities of light and space of a site, and in the case of his third solo exhibition with MARC STRAUS Gallery, a light - filled two - story room.

His current solo exhibition at the South London Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.

50 percent of galleries presented at the show have exhibition spaces in Asia and the Asia - Pacific region, showcasing a strong combination of high - quality works from the East and the West and underscoring Art Basel's commitment to the region.

The space features high quality contemporary art exhibitions featuring work from internationally recognized artists, University Faculty, University Students and MFA Thesis project exhibitions.

Art Bermondsey Project Space; V&A, London Three complementary exhibitions reveal the calming qualities of trees and their rich symbolic possibilities

The additional gallery space enables Skarstedt to expand on its core program of museum - quality, historically researched exhibitions from modern and contemporary masters.

Deschenes» photographs often take on sculptural qualities in their three — dimensional configurations and materiality, and also in the way they occupy the exhibition space.

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

This solo exhibition by London - based, Kenyan - born artist, Michael Armitage, brings together a new body of work that draws on the chapel - like qualities of the SLG's main space.

Curated by LeVine, Urban Alchemists will occupy a 2,200 square - foot space within Goldman Properties» Wynwood Walls — a project that began in 2009 as an open - air art park, which will expand its permanent exhibition this year with the addition of several new murals and museum - quality works of art.

That unique space, in a gritty, quirky, historic mill building, was where we learned to be gallerists, where we became known for putting together quality exhibitions by local and international artists, and for making art accessible and approachable.

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.

Across over 1500 square meters of exhibition space, this comprehensive retrospective's spatial scenography will echo the conceptual dynamics of the works, lending the exhibition the quality of a Gesamtkunstwerk — harmonious yet full of dissonances.

Even so, there is a special quality about these California abstract painters that carries not only a classical context in terms of pictorial space but also a certain unpredictable eccentricity, which the Hammersley exhibition at Ameringer McEnery Yohe expresses paradoxically on both a modest and heroic level.

Hillyer Art Space 9 Hillyer Ct NW Washington DC Tel: [phone] Hours: Tue - Fri 12 - 6, Sat & Mon 12 - 5 Hillyer hit the DC arts scene in 2006 with two key goals: offering quality exhibitions and programming to the public, and highlighting under - represented artists from around the world.

This exhibition celebrates Larry Bell, a legendary founder of the California Light and Space movement in the 1960s, and premieres his exiting new walk - through installation entitled Pacific Red, which explores the optical and reflective qualities of red glass.

Please understand that these policies exist to provide all students, faculty and exhibiting artists with a uniform quality of space for their exhibitions.

In this exhibition, Robert Irwin, a pioneering artist of the «Light and Space» movement, continues his ongoing interest in the perceptual qualities of -LSB-...]

In this exhibition, Robert Irwin, a pioneering artist of the «Light and Space» movement, continues his ongoing interest in the perceptual qualities of light, experimenting with rhythm, texture, densities, temperature and tonal relationships.

We accomplish this through affordable studio space, quality curated exhibitions, and programming such as critiques, town halls, figure drawing classes, film screenings, and so forth.

Beginning with Andy Warhol Works on Paper from the Early 60s and Andy Warhol Guns at the gallery's first townhouse space on 76th Street the gallery has always sought to mount quality exhibitions.

Now more than ever, there are high - quality galleries, sophisticated museum shows, performances, temporary exhibition spaces, pop - up events, and charity benefits — all to entice visitors away from beach and food.

A cynic might say that galleries with cavernous exhibition spaces are compelled to fill their walls with over-sized works and that the quality of the art often does not justify their square footage.

Para Site Art Space — Hong Kong Jockey Club Curatorial Training Programme is a seven - month course, which introduces the participants to the state of today's international contemporary art, enabling them to navigate the art world confidently and realize exciting and high quality exhibitions in the future.

And in creating each exhibition, it is the site - specific qualities of the space that are the most powerful component.

For the opening, The Pulitzer Arts Foundation has put on view three concurrent exhibitions of works by Alexander Calder, Richard Tuttle and Fred Sandback that operate at the intersection of art and architecture and speak also to the essential qualities of Ando's building; space, form and light.

Supercaliforniagilisticexpialibodcious Human Resources By Lorraine Heitzman Through September 10th A cynic might say that galleries with cavernous exhibition spaces are compelled to fill their walls with over-sized works and that the quality of the art often does not justify their square footage.

About Hillyer Art Space Hillyer Art Space is a contemporary gallery dedicated to serving the public with quality exhibitions and programming.

The Quality of Presence is a group exhibition that employs Walter Benjamin's seminal text The Work of Art in the Age of Mechanical Reproduction as a point of departure, and extends Benjamin's argument of a diminishing «aura» of an artwork to the architectural space that encompasses it.

By focusing on small mundane objects and the quality of lighting, his abstracted photographs of office spaces, domestic environments and exhibition spaces highlight the strained relationship between self and place.

About: IA&A at Hillyer (previously Hillyer Art Space) is a contemporary gallery dedicated to serving the public with quality exhibitions and programming.

Still, the eight large paintings in The Chapel, Armitage's new exhibition at South London Gallery, his first major solo show in a public institution, which he says was inspired by the chapel - like qualities of its principal space, are what we might call «museum - ready».

For the most part the works are single block colours and Poli has themed the exhibition accordingly, placing like colours together to create cube like areas of viewing space that reflect the abstract quality of the works.

(If that's not enough, those same qualities can be used to describe Aki Sasamoto's «Delicate Cycle», the concurrent exhibition in the institution's notoriously difficult basement space.)

Small scale, artist focussed organisations are important to Arts Council England and Gasworks has an impressive track record of supporting artists at key moments in their careers, through providing quality, affordable studio space and career defining residencies and exhibitions.

The exhibition project «SUBSTANCE (for Julian) `, at The Suburban, Chicago aims to inform the viewer about two issues addressed as parallel realities of perception — on one hand the notion of a profound play with the qualities of the existing space and simulteanous, the memory of fellow artist Julian Dashper who passed away about six weeks ago and who also exhibited at The Suburban in 2008.

To remind us of the history of the artist's studio, its multiple roles as work space, refuge, stage, gallery and subject, the Gagosian Gallery has mounted not one but two museum - quality exhibitions, «In the Studio: Paintings» in its space on West 21st Street in Chelsea, and «In the Studio: Photographs» at its flagship gallery on the Upper East Side.

This has less do with quality, interest, page space or anything else than the simple fact that the exhibition is packed to the rafters, and in the generous confines of Mass MoCA's sprawling campus, housed in an old textile mill in North Adams, this is really saying something.

The space provides quality education and presents an exhibition programme open to the public.

Jeffrey Weiss, in his essay in the exhibition catalogue, notes that these bands, because they border the central field only on the left and right sides, allow «for a complex play of color and value in pictorial space, since the quality of being «in front» or «behind» is less dependent on what could have been a simple device: the color border as a stark optical frame.»