Sentences with phrase «quality facsimiles»

A museum - quality facsimile will cost thousands of dollars.

To experience Tōhaku's works as though they were in a Buddhist temple, visitors to Japan Society Gallery have the opportunity to sit barefooted and on the floor in close proximity to an uncased, high - quality facsimile of Tōhaku's famous painted pine trees screen.»

The purpose of this collaboration is to produce high - quality facsimile objects and reproductions of Richter's art.

Not exact matches

But in order to reap the fruits of the so called long tail economy, serious investment in digitisation is needed, and in a small language area there's rarely enough demand to justify the slow and costly process of producing high quality, reflowable texts from facsimile originals.

From about 75 % and up, many low - quality tree facsimiles are swapped for the real thing, making their up - close appearance visible at long range.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.