In their place are a single high -
quality film camera and the aspiration to do more than broadly entertain a narrow young target demographic.
Not exact matches
The
film world was soon buzzing over the imminent introduction of a true cinema -
quality digital video
camera, not to mention one that would go for maybe a 15th the cost of a traditional
camera.
These adventurous feats are
filmed using tiny, wearable, high -
quality cameras that have gained exposure — particularly because of the rising popularity of video - sharing websites such as YouTube.
Stand - alone
film and digital
cameras are still the gold standard if you're looking for the best image
quality.
Whether your usual work is
filming weddings or you're looking for the best
camera for real estate photography, everyone searching for
camera drones wants a
quality device capable of getting great pictures and video.
Previously described techniques of fundus imaging often proved difficult to repeat, partly because video capture using Apple's built - in
camera app in the iPhones can not independently control the focus and the exposure during
filming, which results in glare and poor image
quality.
David Ayer's presence behind the
camera has been a major talking point; for all the
qualities of his previous
films, he is essentially a workmanlike gun - for - hire, who occasionally seems lost in the more fantastical elements of the DC world.
Steve Carell is an undeniably funny guy, but not in that «carry a bad
film to success» way that Carrey was able to do earlier in his career, When you realize that Carell got more laughs in the miniscule amount of screen time he had in Bruce Almighty than he does in the 90 minutes he is in front of the
camera for this sequel, that's really all you need to know in terms of this
film's overall comedic
quality.
In an age where inexpensive, high -
quality digital
cameras have nominally evened the playing field between the big and small screens, Louis CK's show is one of the precious few that has any right being called «cinematic,» unfurling as a series of short
films united by their maker's curiosity regarding family, pop culture and the contours of his narrow worldview.
And while the
camera swings with lively verve and the lush, picturesque setting lends a dreamy
quality to the
film, the many colorful characters are still stuck in a story that feels like it's over 100 years old.
The use of photographs - within -
film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century
camera and anachronistic darkroom give him in a few short hours prints of a
quality no photographer achieved before about 1920.
A drama of this nature demands the finest
quality film but what comes across is hazy, resembling a digital print or one shot largely with a handheld
camera intent on extreme close - ups.
Presented and remastered in 4K from the original
camera negative, the 1080p presentation of the classic
film has a 1.66:1 widescreen aspect ratio and a restored LPCM Mono track, both of which are of very high
quality.
The
film was shot using a Red Epic
camera, and a lot of focus was put on creating high picture
quality.
What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of
quality» — was the stamp of the personal and the element of danger they discerned in his
films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling
camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.
Swimming Pool is the sort of
film that could only work when filled with talented people, and with its
quality cast on - screen and the inventive minds behind the
camera, it's very much the thinking person's mystery - drama.
Though introduced as footage Raven captured with a handheld
camera during production, most of it is either standard set B - roll or higher
quality film of Raven shooting away.
Shot with ponderous long - takes and minimal
camera movements, Durkin's
film has an airy
quality that works well with the uncertainty of its central character.
The
film was shot on three - perf 35 mm stock to allow for smaller magazines and therefore lighter
cameras / increased mobility; according to Greg Carson's worthwhile supplemental featurette, «Obtaining Cover: Inside Code 46», director Michael Winterbottom purposely avoided digital video because he wanted the crispness of celluloid, and yet there is often a PAL - like
quality to the image here that considerably softens definition and shadow detail.
Universal's DVD is a decent transfer of the
film - the soft focus cinematography yields a less - than sharp transfer, and some of the night shots are slightly grainy, in spite of Schrader's deliberate use of in -
camera opticals to preserve image
quality.
This detailed and high
quality unit includes: * 26 lesson plans (with 13 differentiation strategies) * 44 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (6 sheets) * Copies of 17 full DVD packages (of various genres) to offer pupils choice for their controlled assessment Unit's lessons include: * Huge introductory quiz - history of
film; the
film industry;
film terminology;
camera shots;
film genres * Mapping
film gratifications * Mapping generic and genre - specific DVD package features * AfL activity - improving a controlled assessment response * Step - by - step analysis of DVD packages (CA practice) * Designing a DVD package based on a
film trailer (CA practice) * Writing a critical commentary (CA practice) * Formal controlled assessment
This detailed and high
quality unit includes: * 15 lesson plans (with 13 differentiation strategies) * 93 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (21 sheets) Unit's lessons include: * Introduction to the AQA GCSE Media Studies course requirements * Introduction to the four key concepts * Activity focused on pupils» own consumption of media texts * Detailed research into the history of the media - creating a timeline of people, technology and institutions * Applying Maslow's Hierarchy of Needs to
film media * Introduction of
camera shots, angles and movement *
Film terminology «speed - dating» to introuce key media language * Analysing a mise - en - scene * Analysing a
film trailer: genre conventions and audience appeal * Creating genre - specific typography and writing a commentary * Analysing logos and slogans * Exploring stereotypes in the media * Music industry terminology and genre features * Analysing a CD album sleeve: genre conventions and audience appeal * The history ofvideo gaming * Video gaming genres and gratifications * Analysing a video game cover: genre conventions and audience appeal
When you dig your fingernail underneath the
film of the
camera and peel it off the Adam the picture
quality will be greatly enhanced.
The
quality of the voice work varies greatly, with many peripheral characters playing to the
camera like exaggerated horror
film stereotypes but Crane's solid vocal performance and the high
quality of the soundtrack and the environmental sounds more than makes up for this minor niggle.
As multiple
cameras circle around the objects, presenting different perspectives on the same figures, Tan varies her
film format, flipping between 35 mm and Super 8, and between high - definition digital and
camera - phone
quality.
The formal
qualities of the
film are forefronted: Dean uses a limited palette, a slow and steady pace, a static
camera position, and very long shots.
Gehr's 1970
film Serene Velocity is frequently cited as one of the premier examples of Structural
film, a movement characterized by a fascination with the material
qualities of
film itself and a foregrounding of the experience of seeing as mediated by the
camera.
Filmed with drone
cameras and moved by hidden performers, the haptic
quality of the sculptures recedes into the background in service of the overall appearance of the
film, allowing the sculptures to become temporary actors in the
film.
He has employed various kinds of
cameras over the years, «from low - resolution mobile phones to high -
quality roll -
film apparatuses», though most of the photos were taken with a focal - plane shutter
camera, the Nikon FE2.
To
film in 4K, open up the
Camera app, select Settings then Resolution and
Quality.
So, like a Fujifilm
camera with one of its
film filters turned on, you know you're getting detail and
quality that's worthy of the brand, but it's not entirely faithful to reality.
«Osmo Mobile 2 offers the best in smartphone stabilization at an affordable price, and Ronin - S brings the
quality of DJI's professional gimbal technology to a new form factor that is perfect for run - and - gun
filming using your favorite DSLR or mirrorless
camera system.»