Sentences with phrase «quality film photography»

-- Individually numbered Certificate of Authenticity — PremierCell Presentation of high quality film photography on heavy cardstock featuring two 35MM film cells cut from the movie reel.

Not exact matches

Canadian Rodney Graham has won deep respect for the rigorously intellectual quality of his art, which ranges through photography, film, video, music, sculpture, painting, and writing.

Whether your usual work is filming weddings or you're looking for the best camera for real estate photography, everyone searching for camera drones wants a quality device capable of getting great pictures and video.

On the surface is a film that shimmers in sunshine and fun; the photography draws the spectator into the beauty and holiday tranquillity of Pantelleria, and the energy and quality of the performances, particularly Ralph Fiennes» hurricane of exuberance, provide a crowd to gather around the pool with and to be entertained by; a crowd who can seduce and disgust with equal measure.

Troell give the color photography a burnished palette to evoke the quality of faded photos and the idealization of memory and creates a beautiful film about hard lives and resilient people and the power of photography to bring hope and beauty to both.

The camerawork by director of photography Adam Uhl is rather washed out, adding a sort of raw, amateurish quality to the film.

This doesn't necessarily mean he was always ahead of his time: one of the best things about Eyes Wide Shut — evident in such artisanal qualities as the old - fashioned sound track, the grainy photography, and the exquisite color balances (such as the dark blue lighting of a bathroom behind one of Kidman's monologues)-- is that it isn't a film of the 90s in most respects but something closer to what movies at their best used to be.

Artists were drawn to holography, hailed as a medium of the future that turned space inside out, for its spatial, volumetric, and sequential qualities, and to the creative possibilities it offered in contrast to photography, film, and early video.

Among other similarities, the works in this exhibition all explore particular qualities of light, or hard light (a film / photography term used to describe a lighting situation that casts a sharp, clearly defined shadow), that contribute to the development of fragmented, or broken, ambient narratives.

It was not until the 1950s that color film offered an accessible artistic medium; prior to that time color photography was a medium primarily confined to fashion, advertising and low quality family snapshots.

Projects include workshops, seminars, discussions, exhibitions, and presentations that contribute to the formation of artists and the general public through high quality proposals coming from visual arts, photography, film, dance, and performance.

Reinhold Misselbeck, the director of the department of photography and video at Museum Ludwig, who was curator of the current show, wrote of Mr. Hockney: «He is well aware the media, like photography, video and film, are losing the documentary quality hitherto attributed to them because of digital manipulation and that they are converging more with painting in their relation to reality.»

Reupke already drew on qualities of stock photography in her film 10 Seconds or Greater from 2010, and in Wine & Spirits, she has more fun with constructing her locations and drawing out her shots so that they can be «open» for interpretative meaning — and sellable, commodified.

With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Cphotography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim CPhotography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Collections.

«Seeking to serve as an associate photo editor, offering extensive knowledge of digital and film photography and graphic design to contribute to high quality publications.»