Sentences with phrase «quality films from»

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It was easily my favourite year for movies overall since I started this blog, because for the first time ever there were so many high quality films from which to choose that I could genuinely ignore all those awkward early year films that technically count as 2013 movies in the United States.

Not exact matches

Sometimes, films leak straight from the studios, which send out hundreds of pre-release DVD «screeners» to awards guilds, reviewers and other industry professionals; these can be used to create high - quality bootlegs.

While Pixar has had some misses in recent years, it is still known for high - quality animated films, from «Toy Story» to «Up» to «Coco.»

«Despite Starz content from Disney and Sony representing some of the highest quality film content on Netflix's streaming service, we believe Netflix has seen little overall pushback from subscribers since Sony content was pulled from the service more than 2 months ago in the related, but separate dispute between Sony and Starz... Our current 2012 estimates factor in a ~ $ 300M / yr Starz deal.

Noah seems to work as a film because of a plot that is paced to move along, convincing special effects, and quality performances from name brand actors like Russell Crowe and Anthony Hopkins.

Specifically, the Columbus, Ohio - based manufacturer of high - quality plastic film has drawn great interest from Brook & Whittle through its EarthFirst line of films made from renewable resources.

Unless you create or film videos for a living, most of the footage of on - track action that F1 fans put online will be a bit shaky, wobbly, poor quality, filmed from a phone or chucked into Movie Maker.

Scotchcal Opaque Graphic Film Series 80 from 3M presents converters and signmakers with an excellent quality, highly durable and competitively priced coloured cast film.

These high quality, self - adhesive films feature Comply Adhesive from 3M for easy, fast, bubble - free application.

Apart from the cinematic qualities that won it four Academy Awards, this film pulls off the difficult feat of presenting abstract mathematics on - screen — the idea called the Nash equilibrium, which had won the film's protagonist, John Nash (played by Russell Crowe), a Nobel Prize in Economics in 1994.

The founders, Stephanie Danan and Justin Kern both hail from the world of film (one a producer and the other a screenwriter, respectively), which makes sense given that there is a cinematic quality to their collections — the individual pieces tend to move beautifully.

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Of course it would take more than a small independent film to truly set Washington apart from the pack, and many saw her performance in the 2001 romantic drama Save the Last Dance as one of the few redeeming qualities in the otherwise forgettable teen drama.

The Potter films have never gotten the accolades that Lord of the Rings did, but from the beginning, I've seen the two fantasy series of comparable quality.

This is a hard quality to capture on film, although we all know it from real - life, and Hansen - Love accomplishes it repeatedly.

The films» rampaging innocence and invention seem worlds apart in quality from most of what passes these days as family entertainment.

Another distributor that goes for the quantity and quality approach, Magnolia had one of the year's most popular documentaries in Blackfish and one of critics» favorite foreign films in The Hunt, even as its percentage of films receiving positive reviews dropped from 50 % in 2012 to 45 % last year.

But many of those films appear to be major question marks (for both quality and financial success) from this early vantage point, including the upcoming LEGO Movie, the Wachowskis» Jupiter Ascending, Tom Cruise vehicle Edge of Tomorrow, a new Godzilla remake, and Wally Pfister's Transcendence.

Just three of the studio's 15 films received positive reviews from critics (and one of those, only by a nose), putting Universal in the bottom half among the major distributors in terms of quality — not surprising, given that its 2014 slate wasn't exactly deep in Oscar - worthy films.

The year ahead will bring another very large slate of films (at least 17) for Fox, though every potential quality film like new works from Alejandro González Iñárritu (The Revenant) and David O. Russell (Joy) seems to be balanced out by likely critical duds such as yet another Alvin and the Chipmunks film.

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The unfamiliarity wears off swiftly since the quality of the riffing is superlative here, exhaustively poking a particularly primitive film pulled from the overflowing 1970's vault of celluloid shame.

Universal's specialty films division had a lousy 2014 (in terms of quality), and rebounded only slightly in 2015, increasing its average Metascore by over 3 points and its percentage of films with positive reviews from 25 % to 45 %.

After earning a D — grade from us in 2012, Roadside rebounded with a huge increase in film quality, led by stellar scores for documentary Stories We Tell and the Robert Redford vehicle All Is Lost.

Despite some intermittent pacing issues and some horrendous sound quality problems during the first 30 minutes, the film delivers on all other fronts, with superb performances from its excellent ensemble cast (especially protagonist Cliff Curtis) and a nuanced script that tackles its complex story line on multiple levels.

Spectre is a decent Bond film, and it retains the qualities of what we expect from the series, but it's not on the level of greatness we expected given the previous films.

But, though we graded Lionsgate a «D» in 2015 — a year in which just three of its films received positive reviews from critics — the quality of the studio's output actually appears to be increasing, albeit slightly.

Universal's specialty films division, Focus Features had a wildly disappointing 2014 from a quality standpoint (especially compared to its successful 2013), despite the presence of an Oscar best picture nominee (The Theory of Everything).

The movie is on film stock of such poor quality, one might be excused for believing it was lifted from Soviet military surplus supplies circa 1978.

Andy Fickman, whose one quality credit is Reefer Madness: The Movie Musical [also starring Bell], seems to have no idea how to pace the film and his transitions from scene to scene are either too clever by half, or just awkward.

This year's biggest downer — which is not to take away from the qualities of the film — «Amour» represents a change for director Michael Haneke, whose «Funny Games» is a remarkable thriller about the takeover of a household by two psychopathic youths and whose «The White Ribbon» looks at mysterious goings - on in a feudal village in Germany prior to World War I.

The picture and sound quality is fantastic, as is to be expected from Criterion, presenting the film in its original aspect ratio and providing a print which is clean but natural - looking.

From major studios to independents, from big budget to small, the quality of films this year was excellent and the entertainment, artistic and substantive value hFrom major studios to independents, from big budget to small, the quality of films this year was excellent and the entertainment, artistic and substantive value hfrom big budget to small, the quality of films this year was excellent and the entertainment, artistic and substantive value high.

Obviously a cold war parable, the film arguably has as its best quality its sound design, which finds through an ominous thrum of silence a rattlesnake rattle in the noise the baddies produce once they finally emerge from their smouldering crater.

Peter Bradshaw: With new offerings from Audiard, Haneke and Loach, this year's festival will be another feast of quality film - making.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

Pictorially speaking, this is the most accurate small - screen rendering in recent memory — the film's colour and contrast look exactly as I remember from the cinema, while there's been no digital compensation for the soft - focus quality of DP Robert Elswit's images.

Basically everything from the original film has been brought back, upgraded with better quality video (and a drone to boot!)

The Way Way Back may occasionally waver in terms of credibility and originality, but that doesn't stop it from being a modest crowd - pleasing film for those viewers just looking for some quality laughs and bittersweet, heart - felt moments of people who find their own path, however awkwardly, that resonate.

Powell has scored most of Liman's previous films, which have varied in quality from The Bourne Identity through to Jumper.

2012 Festival Films Not everything from Sundance, Tribeca, SXSW and Cannes have made it to theaters yet, but we can certainly attest to their quality while we wait for them, and you'll be hearing more from these films through us and others throughout the year.

It's not hard to pinpoint where the difference in quality between the two Vacation films comes from; although they have a solid comedy hit under their collective belt (Horrible Bosses), writer / directors John Francis Daley and Jonathan M. Goldstein just don't compare to the team of Harold Ramis (Ghostbusters, Caddy Shack) and John Hughes (Ferris Buller, Breakfast Club) working in their heyday.

Virgil's journeys have a picaresque quality, which can make the film feel overly precious — look, here's the drunkard figuring himself out, stumbling from one microcosm of the struggles of his people to another.

The film signals this nightmarish quality literally from the start.

On its own, «MU» is a success because of a smart script, simple, but relatable humor, and its honesty — all qualities missing from most other recent animated films.

And even that, admittedly, stems perhaps more from the baity media angle it offers, being a collaboration between Palestinian and Israeli directors, than the content or quality of the film itself.

Like many big - screen dramas about serious issues, the strengths of the film come primarily from the quality of the acting and the believability of the resolutions.

The first of these marks the most significant gap in quality from the original film.

Indeed, seeing how director Alan Taylor (Thor: The Dark World) is the one calling the shots on Terminator: Genesis - drawing from a script written by screenwriter / producer Laeta Kalogridis (Avatar, Shutter Island) and writer / director Patrick Lussier (Dracula 2000, Drive Angry)- it's difficult to gauge just how this film is shaping up, as far as its artistic quality goes.