Sentences with phrase «quality films over»

Not exact matches

And many, many sequels aren't executed with the thought or care of their far - superior original films, especially in series that have stretched over many years — as one sees in the chasm of quality between «The Terminator» (1984) and «Terminator Genisys» (2015).

The film world was soon buzzing over the imminent introduction of a true cinema - quality digital video camera, not to mention one that would go for maybe a 15th the cost of a traditional camera.

The attack shut down most of the studio's network for more than a week and hackers have released sensitive data over the Internet, including employee salaries and Social Security numbers along with high - quality digital versions of several unreleased films.

It also skips over recent Pixar films, simply because those movies have done well to establish a reputation for high quality entertainment and storytelling.

«Glenroy has proven over time to be an outstanding supplier of high - quality film that is both consistent and predictable.»

A study published in the Royal Society of Chemistry's Journal of Materials Chemistry A shows that the technique produces high - quality crystalline films with precise control over thickness across large areas, and could point the way toward mass production methods for perovskite cells.

The only advantage I'd say I have over you is that I caught onto this quality of his work earlier simply because I've got more time to focus on his films than you.

Paramount has chosen quality over quantity for the Blu - ray release of «The Fighter,» with a strong collection of bonus material headlined by an audio commentary with director David O. Russell where he discusses the filming of the movie and how it compares to its real - life subjects.

The film does look decent too, with atmospheric scenery and the editing is already an improvement over most SyFy movies in terms of quality.

However, many other films of varying quality were made using the «Django» moniker over the years, and Tarantino's appropriation of the brand smartly capitalizes on its malleability by turning western mythology inside out.

It won't win any awards for originality, but with quality visuals, outstanding voice acting, and challenging gameplay, Over the Hedge is guaranteed to entertain and delight young and old alike, and should make the perfect companion piece to the upcoming film.

Universal's specialty films division had a lousy 2014 (in terms of quality), and rebounded only slightly in 2015, increasing its average Metascore by over 3 points and its percentage of films with positive reviews from 25 % to 45 %.

The film's frequent longeurs, compulsive over-explicitness and unshakably morose hero seem like so many insistently «literary» qualities, ostentatiously laid over a cute, cartoonish vision that suggests not so much Anne Tyler as the affectionate quirkiness of «The Mary Tyler Moore Show.»

Truth succeeds in creating a riveting atmosphere that makes the audience a part of the investigative process of journalism, effectively carrying us over a series of triumphs and downfalls inherent in the field, and this procedural look at reporting and its intrinsic risks is undoubtedly the strongest quality of the film.

Even while spending quality time with John, Emily, President Sawyer, Finnerty, and the head of White House security, Martin Walker (James Woods), you still know what's coming, but Emmerich doesn't just hand over the action as quickly as most films, giving «White House Down» an impressively effective build before unleashing the ultimate display of DC destruction.

The film exhibits a fresh quality that makes it awfully difficult to believe this film is over three decades old.

It's unfortunate that we've gotten so few Lonergan films over the course of such a long time, especially when you can't turn around without another superhero extravaganza smacking you in the face, but if it takes this long for him to consistently deliver at this level of quality, then it is damn sure worth the wait.

I know that may be stating the obvious with a Blu - ray release, but keep in mind that commonly some blu - ray releases can look worse than their dvd counterpart due to over saturation or abuse of DNR or just lack of a quality transfer or original quality film to work with.

He has rapidly emerged as simply one of the most exciting filmmakers working today, over the space of a mere three harrowing, excoriating but unquestionably brilliant films that tackle adult subjects with unflinching humanism, even as they utterly refuse to compromise in their depictions of emotional and physical brutality — qualities that make him peculiarly suited to tackling something as potentially explosive as a slavery drama.

For any film expecting to hold its audience's attention for well over two hours — as this one does — such a quality is virtually a must.

And while the camera swings with lively verve and the lush, picturesque setting lends a dreamy quality to the film, the many colorful characters are still stuck in a story that feels like it's over 100 years old.

Though Darren Aronofsky's latest film doesn't excite me as much as some of the projects he's departed over the past few years, it's encouraging to see a director of his quality being given the money required to do a big movie like this the right way, especially after the disaster of «The Fountain.»

Paramount gives this influential film a highly satisfying 25th anniversary Blu - ray that wins you over with great picture and sound plus a hearty supply of high quality extras.

«The Exorcist» has enjoyed even greater longevity in the Industry, from the still - chilling 1973 original film adapted from William Peter Blatty's book and directed by William Friedkin to the many sequels and prequels of varying quality that have ensured over the past 43 years.

If this were a straight to DVD Steven Seagal movie I might have thought it was ok but for a competition film at Cannes this is embarrassing proof that they pick names over film quality for their lineup.

Fatal Instinct is a major disappointment, a film that takes quantity (of source material) over quality (of jokes).

Nineteen films over 10 years — and while not all of them have been great and a few have even been not that good, as a whole they have maintained a general sense of consistent quality and entertainment value that is impressive in its own right.

Over the past 10 days, we were extremely impressed by the high quality of the work presented, but in the end we were the most moved by the following 5 films.

The disc presents scene - specific commentary by film professor and Melville expert Ginette Vincendeau, who talks over three extended sequences from film in what is more audio essay than commentary, offering an overview of the film in the context of Melville's career and discussing the major themes and stylistic qualities of the film as a whole.

Considering that it was shot in just over a fortnight with a novice writer / director at the helm makes Whiplash all the more amazing an achievement, proving yet again that throwing all the money in the world at a project counts for little or nothing if the writing and performances aren't up to scratch and this film oozes quality from the off.

It's difficult to imagine anybody involved with this project having real, honest conviction in the quality of the material (one hopes, at the very least, that this was just a paycheck for the otherwise enormously talented Kristen Wiig), and it's even more difficult to reconcile the film's tepid, warmed - over look and feel with Berman and Pulcini's still - great American Splendor, a film Girl Most Likely couldn't be less like.

The breakneck pace and scuzzy desperation of Connie's quest gives the film — which takes place entirely over the course of one night — a certain fun - house quality, enhanced by the delirious close - up cinematography, aggressively stylized lighting, and synthesizer score.

However, the common belief now is that Paramount «dumped» Cloverfield Paradox on Netflix over concerns about the film's quality, whereas its deal with Netflix for Annihilation was more of a pure business decision motivated by concerns that Garland's movie is «too cerebral» to achieve crossover appeal.

Even though In A World... may not change the lock men have on the voice - over movie trailer industry, the quality of Lake Bell's film proves she may hold a dominant voice in the film world itself for years to come.

Ejiofor, a commanding presence in many films, including «12 Years a Slave,» adopts a frazzled, jumpy quality that doesn't wear well over the course of almost two hours.

While some may be disappointed that The Falling is rather more literal - minded than it initially appears, Morley's decision to privilege the lived experiences of her adolescent protagonists over their symbolic qualities sets her film apart from the fascinated, but remote, gaze of Weir's classic.

While there are a number of laugh out loud anecdotes from the likes of Jim Jefferies, Stephen Merchant and Christopher Guest, the quantity over quality approach of this film lacks the depth suggested by its title.

In fact, the Mk 416 Sennheiser is a preferred mic not only among professional voice - over narrators but among independent film / video makers as well, because of its sound - limiting quality.

Xrays can readily be emailed to referral practices and quality is much improved over film radiology.

Audio is something long looked over by all except the die - hards, but now we're finally starting to see some appreciation for sound with digital streaming companies slowly but surely abandoning the horribly low quality 256kbps compression methods, while the introduction of Blu - ray and now 4k Blu - ray discs has resulted in a marked improvement for films and games.

20 Challenge runs 450 + items, including 160 new unlockables Uber secrets 10 Playable Characters 100 + enemies with new designs Over 50 bosses, including tons of new and rare bosses Mystic Runes Upgradeable shops Integrated controller support for popular control pads Analog directional movement and speed Tons of feature film quality animated endings Over 100 specialized seeds 2 - Player local co-op Over 100 co-op characters Dynamic lighting, visual effects, and art direction All - new game engine @ 60 FPS 24/7 All - new soundtrack and sound design Multiple Save slots A bunch of achievements

He has made nine feature length films and over one - hundred and thirty short films including Tonsler Park (2017), The Island of Saint Matthews (2013), Erie (2010), Quality Control (2011), Ten Five in the Grass (2012), Ears, Nose and Throat (2016), Spicebush (2005), Stone (2013), Pictures From Dorothy (2004), Century (2013), Fe26 (2014), Sound That 20014), Sugarcoated Arsenic (2013) with Claudrena Harold, Emergency Needs (2007) and the eight - hour long film Park Lanes (2015).

The Bruce High Quality Foundation: Ode to Joy, 2001 — 2013 is a retrospective of over fifty works by The Bruce High Quality Foundation, a Brooklyn - based artist group whose production includes subversive and often humorous installation art, live performance, film, and social sculpture.

Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.

Volume Eleven's rather unprepossessing quality was in stark contrast to the adjacent film, shot in crisp digital video, which follows an unnamed protagonist as he wanders through an abandoned airport over the course of a week, having been stranded there mysteriously for years.

He has employed various kinds of cameras over the years, «from low - resolution mobile phones to high - quality roll - film apparatuses», though most of the photos were taken with a focal - plane shutter camera, the Nikon FE2.

There's an extensive selection of public domain feature films available, but video quality is universally extremely poor as users generally prefer low filesize over high bitrate.

AMC also believes that promising essentially unlimited first - run movie content at a price below $ 10 per month over time will not provide sufficient revenue to operate quality theatres nor will it produce enough income to provide film makers with sufficient incentive to make great new movies.

Responsible for presiding over the creative conceptualization and distribution of content with progressive experience in editing and directing film and video production while ensuring the highest quality.