I'm offering high -
quality line editing, copy editing and proofreading at competitive rates, with a focus on self - published fantasy fiction.
Not exact matches
They say the Gatekeepers (agents, slush readers, and first -
line editors) are there for a reason, ensuring that new product is of the highest possible
quality, that they've ensured that booksellers aren't loaded down with crap (and said brick and mortar booksellers are in complete agreement, only accepting books from major, established publishing houses), and that they and their staffs produce a truly professional final product, handling
editing, design, and marketing so the author only has to worry about the words.
Self - pub, of course, doesn't reduce the onus to have due critical faculty of one's own writing, of getting external proofing (including proof -
editing as well as
line -
editing) and of keeping the
quality high.
Inevitably it's by cutting corners somewhere along the
line; whether that's by pulling a pre-written thesis from a pile and making a few
edits or having the work done by a low - paid writer in India,
quality is going to suffer.
This isn't so much proofreading or
line -
editing as story
quality.
If I was
editing a
line of books that allowed me to pick what I thought was
quality and top story - telling and that I liked, I would be publishing at least eight of the twelve novels I saw in each of the last five novel workshops.
With affordable, easy - t0 - calculate rates of $.02 per word, and
quality line -
editing and copyediting services, your manuscript will be ready for prime - time in no time!
To get a high
quality self - published book, you should pay for general
editing, structural
editing,
line editing, cover design, a barcode, and ISBN number, proof copies — all out of your own pocket.
Work across the institution with units and departments in different geographic locations to lead the
quality writing and
editing of proposals, letters of inquiry, concept papers, and reports for institutional donors in
line with the deadlines;