Sentences with phrase «quality of a film score»

I think game scores and game composers, they're notoriety and their success and elevating the idea of the game scores more to the level of quality of a film score — that's going to continue to grow as the interactive aspects of the music grow.

Not exact matches

As always, the quality of those films varied widely, taking in films that were among the year's best (including drama 45 Years, 2015's # 2 overall film) and among the year's worst The Human Centipede III, which scored lower than all but one film last year).

Powell has scored most of Liman's previous films, which have varied in quality from The Bourne Identity through to Jumper.

It was the first of four collaborations between Thompson and composer Jerry Goldsmith, coming before The Reincarnation of Peter Proud, Caboblanco and King Solomon's Mines - none of them is a great movie but the quality of the scores go to show the affection Goldsmith must have had for the director (who also made films scored by Dimitri Tiomkin, Bernard Herrmann, Franz Waxman, Elmer Bernstein, John Williams and John Barry - an unbelievable fact which I doubt could be matched by any other director).

Here, his score functions as something like the sieve of the page — watching a film with his soundtrack suggests an approximation of the literal detachment of reading a book; as Candyman unfurls, defenses fall away and the fable - like quality of the story gains a kind of archetypal weight.

Re-teaming with Nick Cave, who was also behind the script for Hillcoat's debut «Ghosts... of the Civil Dead,» the story takes on the mythic qualities of some of Cave's best work, helped in no small part by his score with fellow Bad Seed Warren Ellis — probably our favorite of the musician's film work.

Tinker, Tailor, Soldier, Spy is a rather frustrating film to review as it's a piece of immense quality, boasting impeccable performances, a strong sense of tone and a stellar score, but, in the end, there's just no denying that this simply isn't a film for me.

The «organic» quality of the sound work also bled into the film's score: Bigelow hadn't originally planned to have music in the film, but when that idea changed, Ottosson and composer Marco Beltrami («3:10 to Yuma») worked together to blur the line between sound and music.

Hans Zimmer's all electronic score is also something quite beautiful, enhancing the endearing quality of a film peppered with a series of grueling sequences, such as Chappie's being abused by a group of callous youth before he's physically butchered by Jackman's cruel antagonist.

And yet, for all of its wealth in terms of performances, cinematography, scoring, and period, the one inescapable quality lacking that keeps True Grit a good film with great moments, rather than a purely great one, is the muted emotional punch.

The breakneck pace and scuzzy desperation of Connie's quest gives the film — which takes place entirely over the course of one night — a certain fun - house quality, enhanced by the delirious close - up cinematography, aggressively stylized lighting, and synthesizer score.