Sentences with phrase «quality of her work evokes»

The tactile quality of her work evokes the experience of geology and natural phenomena.

The pluralism in Devine's work is reminiscent of European painters like Gerhard Richter or Sigmar Polke, and the deadpan quality of his work evokes a kind of comedic response as well as a sense of resignation.

Not exact matches

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.

Limiting her expression to a single line with each implement, made with her left hand and then her right, the works have a mesmerizing quality, evoking measurements of time, such as seismographs or EKGs.

For the past forty years, he has created works in metal, steel and paper that evoke a powerful and spiritual quality, grounded in the very essence of the material itself.

The straightforward nature of the paintings is deceptive, as the works evoke different moods depending on the quality of light and context of the site presented.

Through their formal qualities, along with personal, cultural, and technological references, the works evoked questions about the physicality of the art object.

Knickerbocker discusses qualities and approaches in the works in terms of day - «stability, continuity, a kind of plotline managed through repetition, a plan» - and night - evoking «the shifts, the shadows, the objects, the sweep of the brush... all [conspiring] to suggest working in the moment, without the help of a blueprint.»

The works evoke the original attention span demanded by the source media but then splice it with the quality of viewer attention required by the final art form.

Totemic in form and looming from high above the viewer, the scale of the latter renders the photograph more intimate than inscrutable by contrast, while the enigmatic quality of the small work heightens, by proximal suggestion, the quasi-religious solemnity evoked by its neighbor.

In the large photograph unscharfer Rückenakt (Out - of - Focus Nude Back), 1994, the slightly blurred contours of the naked male body possess a painterly quality reminiscent of Gerhard Richter's works; it is only at second glance that a vulnerability evoking life at the margins of conventional society becomes evident in this image of a kneeling man with dirty feet, who is seen from above and contained in a narrow pictorial space.

Working intuitively, the artist translates both the fixed and mutable qualities of a singular object or grouping before her — shape and form, texture, colour, shadows and highlights, the play of light across a surface — into abstract compositions that evoke a specific atmosphere.

Whereas one critic described his art as demonstrating a luminosity that evokes a «tranquil, almost spiritual» quality, another related his work to the drama of Baroque art, in the way that he was drawing with color, using strokes that «built up to a pictorial climax.»

Through their formal qualities, along with personal, cultural, and technological references, the works evoke questions about the physicality of the art object.»

The washed layers of paint evoke a wistful and airy quality but it subverts convention as Hipple incorporates everyday objects into her work such as Q - Tips, duct tape, bed sheet, etc..

Her vintage - looking works embody both the beauty and eerie qualities of skeletons, while evoking the spirit of the life they once had.

His «Five» - the paintings being «One» through «Four» - evokes the dream of lingering, intangible meaning for the work on the walls, a quality that can no longer be willed into abstract work, if it ever could be.

I hope that this aspect of my work also evokes the transitory quality of living organisms, combining traces of history, the present and the future, in the patterns that make up their surfaces and forms.

A further visceral quality runs through MacMurray's work, evoking the body and bodily, and pieces such as «Oracle», where rubber dairy hose appears to grow out of the wall like veins or hair, encourage a response that is at the same time seductive and repulsive.

From the 1960s are Charles Green Shaw's Black on White against Yellow (1968), in which Shaw revived the polygon from his art of the 1930s to create a new minimalist statement, Leon Berkowitz's Cathedral, No. 11 (1968), a work by the Washington Color School artist in which imperceptible shifts of color and an emanating luminosity produce a meditational quality, and Betty Parsons's Miami (1966), which evokes the artist's enthusiasm for Native American art, while demonstrating the influences on her work of the leading abstract painters of the era, whose art she championed at her gallery on 57 th Street.

While her dramatic, lushly painted works possess an active, gestural quality that connects her work to New York School artists such as Willem de Kooning, Franz Kline, and Philip Guston, her work also evokes the paintings and pastels of French Impressionists through their vivid palette and frequent references to nature.

Rothenberg's expressive mark, typically bridging figuration and abstraction, shifts across these works to evoke such disparate qualities as the silhouette of a dark bird at night, the flutter of gathered wings, and a luminous aquatic glow.