Sentences with phrase «quality of his paintings which»

I need to honor and embrace them and even exaggerate the pictorial, emotional and psychological qualities of these paintings which are mine alone.

Not exact matches

Canadian Rodney Graham has won deep respect for the rigorously intellectual quality of his art, which ranges through photography, film, video, music, sculpture, painting, and writing.
The findings, which have been reported in Nature Communications, reveal that the h - BN layers form the strongest thin insulator available globally and the unique qualities of the material could be used to create flexible and almost unbreakable smart devices, as well as scratch - proof paint for cars.
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Some grouses are there like some panel gaps and the paint quality, which though is really good with respect to Maruti standards, but still some faint amount of orange - peel effect can be seen if observed closely.
The truck sports its original color combination of Frost White and Mariner Blue paint which is high - quality and shines beautifully.
One mistake was that, by focusing on cigar butts selling for low single - digit multiple of earnings or a low price in relation to liquidation value, I missed out buying into higher - quality businesses like Asian Paints and Pidilite, which compounded capital at high rates of return for a long time.
I have seen over the past few years the example of many artists working within the daily painting groups (which I do also) they have produced more work, less quality and lowest pricing you can imagine.
Viewed from the standpoint of certain painters, like De Kooning and perhaps Pollock, about whom there is no reason to imagine any real Soutine influence, certain qualities of composition, certain attitudes toward paint which have gained prestige here as the most advanced painting, are expressed in Soutine in unpremeditated form.
Ironically, George Hoffman's paintings, recently on view at Show Room on the Lower East Side, possess the quality Benjamin so admired in film, a unique «distracting element... primarily tactile, being based on changes of place and focus which periodically assail the spectator.»
Other Porsches coming to Raleigh include the handcrafted 356 Gmund of 1949; the Type 550, the company's first true race car; a 1958 Speedster 1600 Super that was raced by Steve McQueen and now belongs to his son Chad; Janis Joplin's psychedelic Porsche Type 356C (which was painted by her roadie Dave Richards and is housed in the Rock and Roll Hall of Fame); the 901 Prototype, model for the beloved 911, from 1963; and an ever - faster series of race cars that incorporate fiberglass, titanium, and the aerodynamic qualities of ground effect.
In the end he found what he was looking for, which was not so much a new principle as a more comprehensive one: and it lay not in Nature, but in the essence of art itself, its «abstractness» — the qualities of the medium alone — as a principle of consistency makes no difference: it is there, plain to see in the paintings of his old age.
But it is precisely this impenetrability to logical analysis as far as his method is concerned, that quality of the surface which appears as if it had happened rather than was «made,» which unexpectedly reminds us of the most original section of the new painting in this country.
Braman creates abstract geometric sculptures and paintings in a distinctive color palette of rich pinks, blues, and purples, in which she simultaneously foregrounds the formal qualities of her materials while referring to her own personal narrative.
Untitled (Golden Yellow) Acrylic on canvas, 72 x 60 inches Ian Hughes October 9 — November 8, 2014 Over the arc of his career, Ian Hughes has honed a distinctive visual language in which paint reveals its lushest and most viscous qualities while simultaneously giving shape to bio-reminiscent forms that have a compelling life of their own.
Barbara Rose: The 1960s and»70s was a moment when there was very serious, analytic painting in which people were doing very subtle work — often in close - valued colors, and acknowledging the material quality of the canvas, but in a different way than the people favored by Clement Greenberg.
His current solo exhibition at the South London Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.
Organized by the Mennello Museum of American Art with an extension of four paintings at The Orlando Museum of Art, Bo Bartlett: American Artist features the seductive quality of oil paintings, which stems partly from his large canvases and polished aesthetic.
Formalist critics, especially Clement Greenberg (1909 - 1994), made much of perceived flatness as one of the qualities through which modernist painting distinguished its claims on our attention from those of all the other contemporaneous arts.
I visited the show on a dull grey afternoon, unusual for New York, and the light crawling through some glass panels in the ceiling seemed to have to work hard to illuminate the paintingswhich are so clearly designed to invite and set off different qualities and movements of light.
As in his earlier Stadtbild (Townscape) paintings, two of which are featured in the exhibition, Richter's primary motivation is the expression of the material quality of paint.
His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.
The tactile quality of Innes's paintings continues in his new works on paper, a number of which will be included in the exhibition.
Other, more risqué themes in this collection include the depiction of strip shows and cabaret dancers, also adding to the active quality of this body of work which separates it from the rest of the artist's paintings.
«I am particularly interested in the metaphysical aspects of painting; achieving that special quality of formal unity which can instil an almost involuntary yet visually intelligent response from the viewer... for me, tying painting into the realm of the «visual» holds it somewhat apart from the image dominated world of the merely «visible»
Revisited forty years later, these paintings of Reed's, which have a lilting, narrative quality even in their abstraction, invite an approach to Wool's word works through the themes of artistic progeny and cyclical exchange.
The paintings I had created were a surface lacking the quality of illumination which the slides possessed, a lack of illumination which often diminishes the paintings I see today in comparison to their on - screen «reproductions».
Both qualities are evident in Knight's Heritage, an important transitional piece in which Truitt still employed a brushy texture to define the paint surface and actual grooves to mark the three divisions (elements she abandoned in her later, smoother work) but began to break out of the somber tones of her earliest work and embrace glowing color.
He was particularly interested in the effect of the soft, malleable qualities of the lead that became visible through the thin layers of paint which he applied to the surface.
Natalie Reusser's experiments evolve from a fundamental engagement with the materiality of canvas and paint to a body of work, in which the textile qualities of the supporting material become the focus.
Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.
CA: My work in this show began with an earlier 7» x 9» painting of Google's search page with my name typed into the search bar, which I came to because I was trying to imagine the «man without qualities» as a painting, as a self portrait.
Beck's tendency to tear, carve, and burn the wood and canvas on which she paints echoes the ephemeral quality of materials and of mortality itself.
There is also a performative quality in his works, which becomes clear not only when Linnenbrink pours the resin with its added pigments onto the image carrier, or drills holes in the hardened paint layers of some paintings.
Join Lorimoto, our crowned - monarchs - of - the - outliers, for this high quality and well worth the trip exhibition which will include the large scale drawings of ornate fungus by Alex Chowaniec, paired paintings by Max Yawney, two kinetic sculptures by Charlotte Becket, and a larger than life sculpture called «Chainsaw Blue» by Nao Matsumoto.
These images attain their effect largely from Cooke's instinctual and highly physical handling of paint, which endows it with an elemental quality.
The process of revealing images, concerns a rigid, obsessive practice as the painter applies layer upon layer of paint at the same time of day, capturing a specific quality which reflects the ongoing progression of nature: the seasons, the weather and the amount of light available.
And Nancy Miller with her visually striking geometric paintings which have an almost 1950s design quality but are kicked into 2013 by the colour and their lack of consistency and regimentation which works in her favour making them so much more than just another soulless hotel lobby wall filler.
These figures share the gallery space with the viewer in a poetic and unusual way; the paintings are hung close to the floor which implies a corporeal relation, complimented by the sculptural quality of the artist's figures with their bold outlining and blocks of colour.
Another typical quality of Hylden's works are the artist's broad gestures with paint, which end up overlapping each other and affecting multiple canvases.
Asserting that abstraction «is always about something... what it is about is beyond confines of language,» Sarah Braman creates abstract geometric sculptures and paintings on pieced - together plywood panels, in which she simultaneously foregrounds the formal qualities of her materials while referencing home, family life, and nature.
''... The found object quality of these works draws on histories and practices in painting such as abstract minimalism of the»60s and»70s, quietly positioning an apparent similarity to these real world objects which are rudimentary tools for identification,» according to Karma.
In our case we chose to create — or suggest — a dialogue between historical works on paper, abstracts from 1968 to 1988 by Eugene James Martin (1938 - 2005), and bring them into a conversation with small - scale paintings by three abstract painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality in their work.
They are characterized by a meticulous attention to detail, a special quality of light and a slow pace, made up of long pauses, which reveal an essence of each object, of each line, that neither painting nor photography would be able to capture in the same way.
Famous authors, such as the above - mentioned painter Jackson Pollock, Morris Louis, and Helen Frankenthaler used it to produce flowing, most often abstract paintings and compositions which celebrated pure color, or the pure quality of the canvas surface as was the case during the Post-Painterly Abstraction movement.
This is one possible journey through the work, during which we might dwell on shapes and lines, variations of touch and tone, alerted to qualities of paint as space is mapped and atmosphere created.
Elsewhere along this cycnical - hopeful spectrum of belief and self - improvement are Tyra Tingleff's painting on raw linen, «Respect pop but we're broken up», the rough and dense quality of which reveals its shapes slowly, and Neil Beloufa's award - winning 2007 film «Kempinski».
The installation will be shown alongside paintings by J.M.W. Turner, another famous ex-resident of Margate who returned regularly to the seaside town for its unique quality of light and skies, which he considered «the loveliest in all of Europe.»
I am sure Tracey Emin is here because of her name, but there is a great group of watercolour and ink drawings by Lucia Nogueira — who understood how to use tentativeness as a positive quality, as well as full - on emphatic colour against the whiteness of the paper — and a group of Callum Innes works that are to do with veiling, and the way layering of colour affects the luminosity of watercolours, which all depend on how light passes through the paint and is reflected back at us.
Her sources stem from images that freely circulate on the internet and her paintings take on a hybrid quality in which objects are placed in a limbo of distorted familiarity.
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