Sentences with phrase «quality of paint did»

The abstract qualities of these paintings don't directly compete with the representational elements but work together to create a vibrant tension.

Not exact matches

We need more quality in the striker position and I think Wenger has painted himself into a corner by saying that any forward purchased will not replace but play with Giroud, where is the desire to do better or simply show up when there's a lack of direct competition.

I am so impressed with the quality of our Kathe Kruse doll that I didn't even flinch when Audrey wanted her to get her face painted with her at the fall festival.

There are so many great films out there... and all the quality movies deserve recognition... but The Revenant is simply an astonishing achievement, and i am not surprised at all it just wins awards after awards.Let's see if it also wins the Oscar.I agree that this film is not for everyone, and many just don't like it.But movie is art, and just like art... some people love it and some not.Like a painting... even if we all look at the same painting, some of us will see more in it.It is the year of Alejandro G.Inarritu, the year of Leo..

I purchased my 2014 in Feb this year, and was surprised at the poor build quality, A very plastic steering wheel poorly trimmed seats and a headliner that started to hang after one week, a seat - belt that didn't work out of the factory and paint peeling of the front bumper, Oh yes, Loud cabin (engine noise) Now it does have its good side, Great road holding and accurate breaks, This car will give you over 30 mpg, I drive it hard, Just install a K&N filter and its good, Nice try ford but no cigar, I payed my $ 22k and could have done much better and got more for my money,,

Many automotive journalists fancy themselves design experts, often examining a new car's looks almost to the point of absurdity, from the quality of the paint finish to the dash - to - axle ratio, and when we find something we don't like, it's blacklisted for eternity.

You wont find better quality.; One of the nicest looking GTR's we have seen the car sits lovely on a stunning set of wheels with the perfect offset.; We can deliver this car anywhere in the UK on our personal low loader truck and we can also organise export deliveries too.; Particulars incude; -; Genuine Midnight purple R33 GTR with matching paint codes and BNCR33 chassis number.; 66524 miles; Toad cat1 alarm with certificate; Previous mots to warrant the miles; Rac tracker; Recent mot with no advisories; Gtr 400R Front bumper; HKS Stainless steel exhaust.; 18» Veilside split rims with nearly new tyres; Unmarked bodywork NO STONECHIPS AND STRACHES; Brembo brake calipers with D2 floating discs; DTM Cup mirrors; Triple Plate Clutch; Short shift gear box; Piggyback Ecu; Blitz Boost Controller; Electronic Valve Controller; Oil Catch Tank; Apexi Twin Air Filter; Hks front mount intercooler; Twin HKS Sequential Dumpvalves; Lightened Belt Pulleys; Front and Rear Strut Braces; Tein Coilovers; First registered 01/03/1995; Imported 01/09/2005; Last keeper since 17/04/2014; Comes with Skyline owners manuals in English;;; WE CAN DELIVER NATIONWIDE AND WE CAN TAKE ANY CAR IN PART EXCAHNGE.; PLEASE DO NT FORGET TO LOOK ON PUR WEBSITE FOR 50 + PICS OF THIS CARof the nicest looking GTR's we have seen the car sits lovely on a stunning set of wheels with the perfect offset.; We can deliver this car anywhere in the UK on our personal low loader truck and we can also organise export deliveries too.; Particulars incude; -; Genuine Midnight purple R33 GTR with matching paint codes and BNCR33 chassis number.; 66524 miles; Toad cat1 alarm with certificate; Previous mots to warrant the miles; Rac tracker; Recent mot with no advisories; Gtr 400R Front bumper; HKS Stainless steel exhaust.; 18» Veilside split rims with nearly new tyres; Unmarked bodywork NO STONECHIPS AND STRACHES; Brembo brake calipers with D2 floating discs; DTM Cup mirrors; Triple Plate Clutch; Short shift gear box; Piggyback Ecu; Blitz Boost Controller; Electronic Valve Controller; Oil Catch Tank; Apexi Twin Air Filter; Hks front mount intercooler; Twin HKS Sequential Dumpvalves; Lightened Belt Pulleys; Front and Rear Strut Braces; Tein Coilovers; First registered 01/03/1995; Imported 01/09/2005; Last keeper since 17/04/2014; Comes with Skyline owners manuals in English;;; WE CAN DELIVER NATIONWIDE AND WE CAN TAKE ANY CAR IN PART EXCAHNGE.; PLEASE DO NT FORGET TO LOOK ON PUR WEBSITE FOR 50 + PICS OF THIS CARof wheels with the perfect offset.; We can deliver this car anywhere in the UK on our personal low loader truck and we can also organise export deliveries too.; Particulars incude; -; Genuine Midnight purple R33 GTR with matching paint codes and BNCR33 chassis number.; 66524 miles; Toad cat1 alarm with certificate; Previous mots to warrant the miles; Rac tracker; Recent mot with no advisories; Gtr 400R Front bumper; HKS Stainless steel exhaust.; 18» Veilside split rims with nearly new tyres; Unmarked bodywork NO STONECHIPS AND STRACHES; Brembo brake calipers with D2 floating discs; DTM Cup mirrors; Triple Plate Clutch; Short shift gear box; Piggyback Ecu; Blitz Boost Controller; Electronic Valve Controller; Oil Catch Tank; Apexi Twin Air Filter; Hks front mount intercooler; Twin HKS Sequential Dumpvalves; Lightened Belt Pulleys; Front and Rear Strut Braces; Tein Coilovers; First registered 01/03/1995; Imported 01/09/2005; Last keeper since 17/04/2014; Comes with Skyline owners manuals in English;;; WE CAN DELIVER NATIONWIDE AND WE CAN TAKE ANY CAR IN PART EXCAHNGE.; PLEASE DO NT FORGET TO LOOK ON PUR WEBSITE FOR 50 + PICS OF THIS CAROF THIS CAR!!

Great fuel economy Limited repairs over the course of the vehicle life Quality workmanship - great sewing on the interior seats Small part reliability (door handles, seat handles, knobs, etc.) Pop - down door leading to trunk Fold down back seat leading to trunk Limited recalls Great resell value High exterior paint quality «They just don't breakQuality workmanship - great sewing on the interior seats Small part reliability (door handles, seat handles, knobs, etc.) Pop - down door leading to trunk Fold down back seat leading to trunk Limited recalls Great resell value High exterior paint quality «They just don't breakquality «They just don't break»

Cons: Build quality is poor (body panels are a bit off - the hood fit is particularly poor, white body paint doesn't match bumper color, a few interior rattles even with just 3000 miles), dealer service is the worse I've experienced anywhere (Major World Dodge in NYC), side mirrors are too small and have blind spots no matter how they are adjusted (definitely get the tech package with blind spot detection), hard to see the front of the car over the scoop (Dodge does not offer front parking sensors).

Once you sign up for the painting, email us a quality digital photo of your pet ([email protected]) and we'll do the rest.

The Chef's artistic inspirations don't have the durable quality of a painting, but are momentary marvels - limited to the short time a guest takes to appreciate his meal before eating it.

We do the wine tasting and then have a discussion of our art - creating process, tell stories about the landscape scenes we paint, show them how we hand - prepare painting surfaces in the studio, talk about the quality, locally ground paints we have on our palette.

I have seen over the past few years the example of many artists working within the daily painting groups (which I do also) they have produced more work, less quality and lowest pricing you can imagine.

This third generation of Postmodern Neo-Abstraction, can and does, reproduce painting - like products without addressing first person visual involvement with originality, talent, quality, beauty, ugliness, specificity, thought, critique or irony.»

But after doing a few graphite drawings, I felt I was missing some of the expressive quality you get from painting, so I decided to give charcoal another go.

Barbara Rose: The 1960s and»70s was a moment when there was very serious, analytic painting in which people were doing very subtle work — often in close - valued colors, and acknowledging the material quality of the canvas, but in a different way than the people favored by Clement Greenberg.

Often incorporating song lyrics or names of former lovers, rendered illegibly, Dutcher does not attempt to hide the blemishes and humble qualities of his paintings» surfaces in order to emphasize their human touch.

Crosman writes that these paintings «don't depict Seal Point but rather are meditations on the ineffable qualities of a place as Walker has experienced it — color, light, motion, shape, texture — recording the narrative of how the artist feels about this special location over the course of changing seasons, months and years.»

He's not interested in the sensual qualities of paint; as a painter, he gets the job done.

Those of us who speak about things that are inherently silent regularly trudge off dutifully to gallery shows with guarded expectations, hoping to find quality north of finger painting and an installation that doesn't resemble a grad student's notion of chaos theory.

The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression not of the world as it is, but as it is remembered.1 While the artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did not discriminate between the most significant details of memory and the most obscure.

Fairfield Porter wrote in ArtNews (1955) that «the most studied and successful paintings... have a solid weight of color and light in the right place and proportion, making them both heavy and sparkling, miraculously not paradoxical, and more French than Expressionist, with qualities few painters today seem to understand as well as he does.»

The paint quality is quite unpleasant — but he has achieved, by the end, a kind of monumentality and permanence that watercolours don't have.

When asked what artists came to mind when she thought of Patrick Wilson, Marvin mentioned several that the art genome did not link to Wilson's work: David Mitchell, who translates out - of - body experiences into photographic abstractions that look strikingly similar to Wilson's paintings; Johnnie Winona Ross, a painter who captures the attractive and intimate quality of Wilson's compositions but also channels Agnes Martin and the landscape of the Southwest; and James Siena, whose highly detailed, vibrant paintings are derived from mathematical systems, varying from Wilson's own mode of production yet sharing a similarly immersive quality.

Or does the material quality of the paint guide the formation of images?

Her works push the boundaries of a two - dimensional medium; the irregular triangles in the «Giant Maiden» series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage - like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

AF: A lot of your paintings have an unfinished quality to them, you can see pencil lines, or there are areas with no paint on them, how does that work into your aesthetic?

Looking at reproductions doesn't even hint at the transcendent quality of her paintings, revealed in their glory here.

Could it be this painterly quality to Dean's films that led the NPG, in collaboration with its neighbour the National Gallery, and the Royal Academy (whose offering I haven't seen, as it doesn't open until the end of May), to the decision to divide the present survey of her work into the three traditional painting genres — portraiture, landscape, still life?

However, unlike Schapiro, Meyer didn't join the Pattern and Decoration movement, but instead went on to create lyrical all - over compositions in diluted oil paint, inspired by the translucent qualities of watercolor.

MFThe great length of the painting and its linear and graphic quality has to do with measurement, and also with musical staves and notation.

I am sure Tracey Emin is here because of her name, but there is a great group of watercolour and ink drawings by Lucia Nogueira — who understood how to use tentativeness as a positive quality, as well as full - on emphatic colour against the whiteness of the paper — and a group of Callum Innes works that are to do with veiling, and the way layering of colour affects the luminosity of watercolours, which all depend on how light passes through the paint and is reflected back at us.

It's as if the mineral quality of the paint, the pigment, has been carefully weighed and allotted to each area, and could be accounted for, tabulated, as a mineral just as much as it could be considered a form or even part of a representation... Just as the picture balances paint's physicality with its depictive utility, it achieves a synthesis between seemingly opposed ideas of creative work: it attracts without beckoning; it presents a woman who turns to us but does not need our presence for her self - definition, who is naked but not sexualized, and for whom creative expression comes through a medium of repetitive work.»

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Both Capogrossi and Damian (especially Capogrossi) seemed to be interesting and sort of acceptable here because of their (well, in the case of Capogrossi) quite original image — in the case of Damian because of a rather rough quality that made him pretty close to (or rather made him seem pretty close to) American painting, not the precious kind of European painting that we didn't like any more.

Being open ended, the phrases did not convey a clear message but rather gave food for thought to the viewer which gave them a highly contemplative and poetic quality, which merges this body of work into the more abstract future series of paintings that the current lot belongs to.

In no way do these fall below the general level of quality of the works in the latest exhibition, and stylistically, they are largely compatible with the paintings on view.

[14] 160 paintings from the show, were offered as a donation to the Tate, including Thomson's painting of Serota, but «not surprisingly» [15] rejected by Serota, who said, «We do not feel that the work is of sufficient quality in terms of accomplishment, innovation or originality of thought to warrant preservation in perpetuity in the national collection.»

MS: The gestural qualities of the TGA works definitely have a stronger connection to subconscious «expression» than any of my other paintings and most of my works do have a particular focus on materials and process.

They do harken to the formal qualities of her paintings, but her ability to wrest relationships between layers, and to create new kinds of textures, is eye - opening.

I'm going to keep this blog short — the images can do most of the talking — but I do want to tell you that if you love painting you are going to be be impressed by the quality and variety of what you see at Santa Monica's Bergamot Station the next time you drop by.

One critic recently wrote that he felt that in all the artists in the first generation there was one element in common: a syntactical conception (having to do with surface, paint quality, a way of acting before the canvas).

Depending, as it does, upon the individual, upon the subjective and automatic and personal qualities of the that man, the painting can be no better than the artist.

«The sheer number of women who currently practice abstract painting and the undeniable quality of work being produced, force me to consider what abstract painting has to do with modernism, history and feminism.»

Ingres would perhaps be the most apt comparison for this, for it has the same sensitive and lucid draughtsmanship, but in colour, atmosphere, and, above all, quality of paint, arguably it surpasses anything which Ingres ever did.

«Letter From Uccello # 1,» can be thought of as an homage to the «abstract» qualities of Uccello's work, but the painting itself doesn't ring a specific Uccello bell.

The qualities that McBride, like others, woke up to in Eilshemius do not exist only in the eye and mind of the beholder but also inhere in the paintings as aesthetic objects.

Not only does this inform his painting practice, but also gives insight into the creative process in a physical from that can be touched, held, and examined — showing the potent transformational qualities of the medium, as well as the frailty.

He translates these images into both drawings and paintings, and, in doing so, he makes use of the iconic quality of pictures, which the media and art use daily - each according to its own agenda.