Sentences with phrase «quality of the painting exhibited»

Not exact matches

The canvas and blocks provide information about qualities of the object that are missing from the silkscreened image, while the angled image of the photo - silkscreen exhibits properties that are both similar to and different from those of the painted object.

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

Work by Rory MacArthur May 14 — June 8, 2009 Carol Jazzar is pleased to present New Abstraction, an exhibit of new abstract paintings rooted in gesture, space and the qualities of the paint.

The second part of the exhibit showcases her series, Man Made (2013 - 15) interactive video paintings inspired during an art residency in Beijing where the World Air Quality Index on a clear day hovers around 350 (Los Angeles is 75 on a bad day).

When looking at her paintings, the artists who come readily to mind comprise a passage from the 1950s,»60s and»70s and into our own time: Anni Albers, Lee Bontecou, Alberto Burri, Franz Kline, Robert Rauschenberg, Jasper Johns, Cy Twombly, and Alan Shields; while the organic quality of her work, particularly being exhibited in Italy, resonates with the tradition of arte povera.

Co-founder of curatorial platform Sweety's, as well as participant at Skowhegan School of Painting and Sculpture, restrepo castaño has exhibited in spaces such as SOMA (Mexico,) Musée de l'Élysés (Switzerland,) and Bruce High Quality Foundation (New York,) Museum of Jaén (Spain.)

Wesselmann's inquiries into the material qualities of painting evolved, and in 1972 he exhibited a Standing Still Life for the first time at the Sidney Janis Gallery in New York, along with a selection of smaller works from his Bedroom Paintings series.

Instead of his irreverent drawing aesthetic, Farhi exhibited one of his signature «drum head» paintings, the biggest I've seen; it had the soothing quality of one of Agnes Martin's sublime white paintings.

A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.

Also, working with metal plates and the printing press made me think of starkness and the dense quality of metallic paint, which I began to use in my first diptych that was exhibited in Miami Basel, prior to «From Heat to Sub-Zero.»