In the same topological vein but with a more explicitly scientific approach, Alyson Shotz's works try to visibilize phenomena like gravitational waves or
quantum interweaving, while Agnieszka Kurant uses the surprising
levitation of her meteorites to suggest the convergence of the artistic value of air (beginning with the iconic Paris Air bottled by Marcel Duchamp in 1919) and its property value in the current economy.