His praxis focuses on creating
queer black spaces, curating exhibitions with fellow members of art collective The Lonely Londoners and hosting his own monthly club night Body Party.
Not exact matches
Also in attendance in support of their shows were Orange Is The New
Black stars Danielle Brooks, Lea DeLaria, Taryn Manning, Natasha Lyonne and boyfriend Fred Armisen,
Queer Eye «s Karamo Brown, Antoni Porowski, Tan France, Bobby Berk and Jonathan Van Ness, Love «s Gillian Jacobs and Paul Rust, Arrested Development «s Tony Hale, Big Mouth «s Nick Kroll, Lost In
Space «s Mina Sundwall, comedians Ali Wong and Dave Chappelle, Santa Clarita Diet «s Liv Hewson, Stranger Things «Noah Schnapp, One Day at A Time «s Isabella Gomez, Luke Cage «s Alfre Woodard, 13 Reasons Why «s Tommy Dorfman, Ajiona Alexus, Timothy Granaderos, Chelsea Alden and Anne Winters, Seven Seconds «Regina King and The Crown «s Jodi Balfour.
Newtown Social Club offers rock show most nights of the week, with popular Australian acts and cult international artists sharing the
space, while underground venues like Red Rattler and
Black Wire nurture active punk, jazz, and
queer performance scenes.
Chase's paintings and drawings focus on
queer black bodies in everyday
spaces and emotional states of being that range from intimate, poetic, and visceral.
A group of friends and collaborators that came together to address the lack of
spaces explicitly for
black and brown artists, Sweety's developed and continues to provide a platform for
queer artists of color.
2011 Spann, Maria, My
space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as
black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes
que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.
2011 Spann, Maria, My
space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December 2011 Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December 2011 Kennedy, Maev, Message in a big bottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as
black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes
que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.
Through an engagement of
queer affective
space, I cultivate what I call a «poetics of bafflement» that works through slippages among aesthetics, blackness and desire (homoerotic and otherwise) to engage the affective and sociocultural dynamics of
black belonging.
This exhibition explores notions of biomythography and non-traditional archiving through performance, photography, collage, video, and sound installation to collectively merge personal histories and recontextualized narratives to hold
space for a
queer,
Black radical tradition
Inspired by Cheryl Dunye's seminal film The Watermelon Woman and held in conjunction with the twentieth anniversary of the film's release, the exhibition looks to collectively merge personal histories and recontextualized narratives to hold
space for a
queer,
Black radical tradition.
Tagged as: AIDS, Alicia Grullon, Antonio Lopez, Arturo Vega, Bannerette, Ben Davis, Ben Pinder, Björn Meyer - Ebrecht,
Black and White / Project
Space, BRIC, BRIC TV, Brittany M. Powell, Brooklyn Hi - Art Machine, Bushwick, Buzz Slutzky, Carl Siciliano, Christian Lord, Christopher Stout Gallery, coco fusco, Daniel Bejar, David Gleeson, david lynch, El Museo Del Barrio, Emily Greenberg, Eraserhead, Eric Gottshall, Erin Donnelly, Esteban del Valle, gentrification, Greg Sholette, Guy Ben - Ari, Hot Summer Nights, Housing Works, IFC Center, Isabella Cruz - Cong, Jeremy D. Olson, John Holmstrom, K8 Hardy, Kate Sopko, Kenyon Farrow, Kiara St. James, Lauren Frances Adams, Leah Wolff, LGBTQ Civil Rights, los ojos, Martha Rosler, martha wilson, Mary Mihelic, Meredith Talusan, Mildred Beltre, Nadia Rossi, Neil Goldberg, Oasa DuVerney, Peggy Diggs, Pride, Pride 20/20, Professor Katherine Franke, PUNK Magazine, queens museum,
queer, Rachel Stern, Ritchie Torres, Roberta Bayley, Ruby Pester, Sandra Schulman, Sean Capone, Sheryl Oring, Smack Mellon, Stephen Squibb, Strap - On Projects, Studio 10, t.Rutt, Ted Riederer, The Ramones, Thomas McCarty, vincent tiley