Sentences with phrase «queer culture in»
Thesis title: «The Lesbianism of Marcel Proust: An Analysis of the Traits of Female Queer Culture in In Search of Lost Time»
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Work from 1861 to 1967 by artists with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of queer culture in David Hockney's Going to be a Queen for Tonight 1960.
Hannah Quinlan and Rosie Hastings: «Our work poses questions that bridge the gap between the past, present and future of queer culture in the UK»
Rainer Werner Fassbinder plays a working - class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.
Not exact matches
Though people may describe themselves by using terms like «gay» or «queer» which are commonly used in today's culture, as Christians who believe in man created in the image of God, we should ask if these cultural terms are, in fact, true ontological categories of the human person, in accord with the blueprint of human existence.
Anawati, Introduction à la théologie musulmane: Essai de théologie comparée (Paris, 1948)-- Note in their announcement of purpose: «C'est un fait que le dialogue ne s» est que peu engage encore entre la culture occidentale (chrétienne ou déchristianisée) et la culture arabo - musulmane.
About Blog I'm an Australian student who created Radfem Resources as a place for all those interested in radical feminism, queer politics and lesbian culture / history to find relevant media and material.
More than just queer friendly, in Toronto queer culture.
Explore the story of the queer gaming community, «gaymer» culture and events, and the rise of LGBTQ themes in video games in this documentary.
Released by United Artists in 1980, William Friedkin's notorious thriller about a straight cop (Al Pacino) who goes undercover in New York's hardcore gay leather scene to catch a serial killer remains to this day the most graphic representation of queer culture to come out of Hollywood.
Her background is in screen, media and cultural studies and her research examines the representation of gender, queer and youth identities, digital culture, and new forms of screen media.
Ingo Cando is the creator of Wotever World and Queer Experiments, monthly talks about topics that touch queer art and culture in the Attic at the Hackney PictureQueer Experiments, monthly talks about topics that touch queer art and culture in the Attic at the Hackney Picturequeer art and culture in the Attic at the Hackney Picturehouse
Current research interests are focused on the history of the New Queer Cinema, the status of film festivals as loci of film culture, and an inquiry into shifting modes of documentary in the internet age.
Equity in education, teacher education, content and / or disciplinary literacy, content and language integrated learning (CLIL), multi-lingualism and schooling, evaluation of learning, Systemic Functional Linguistics and educational linguistics, discourse analysis, queer theory, linguistic diversity among students with special needs, (auto) ethnography, and youth culture
If you are genuinely curious to learn more about this, most of my knowledge and education on the subject is thanks to the work of Bani Amor, «a queer travel writer, photographer and activist from Brooklyn by way of Ecuador who explores diasporic identities, the decolonization of travel culture, and the intersections of race, place and power in their work.»
It draws upon zine culture from the same time period that helped establish radical queer communities, so now we see games about self - care, prison abolition, safe and consensual sex practices, and many topics we rarely see in epic games.
In this epilogue of «Committing the Perfect Crime: Sexuality, Assemblage and the Postmodern Turn in American Art» (2008) from Phaidon's «Art & Queer Culture,» Johnathan Katz examines the relationship between Rauschenberg's assemblage and homosexualitIn this epilogue of «Committing the Perfect Crime: Sexuality, Assemblage and the Postmodern Turn in American Art» (2008) from Phaidon's «Art & Queer Culture,» Johnathan Katz examines the relationship between Rauschenberg's assemblage and homosexualitin American Art» (2008) from Phaidon's «Art & Queer Culture,» Johnathan Katz examines the relationship between Rauschenberg's assemblage and homosexuality.
In Reviews, current and recent exhibitions by Carsten Nicolai, Min Jungyeon, Rosa Barba, Ragnar Kjartansson, Kendell Geers, Ulrike Heise and Tomie Ohtake, and Book Reviews including What Art Is, Art & Queer Culture and Money, Trains, and Guillotines.
The arrival of queer art in the early»70s forced the discussion of art and sex — who got to depict it; what it should look like — into the culture at large.
Different exhibitions and events have taken diverse approaches to lesbian, gay, trans *, bi - and intersexual and queer biographies, themes and concepts in history, art and culture.
By setting intimate moments alongside landmark events (such as the Black Popular Culture Conference in 1991, the truce between the Crips and the Bloods in 1992, the Black Male exhibition at the Whitney in 1994, and the Black Nations / Queer Nations Conference in 1995), the archive constructs collective and private narratives to comment on identity, desire, sexuality, and loss.
In 2011, Frantz co-curated with Mia Locks the exhibition Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 as a part of the first Pacific Standard Time: Art in L.A., 1945 — 198In 2011, Frantz co-curated with Mia Locks the exhibition Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 as a part of the first Pacific Standard Time: Art in L.A., 1945 — 198in Los Angeles, 1945 — 1980 as a part of the first Pacific Standard Time: Art in L.A., 1945 — 198in L.A., 1945 — 1980.
2002 Queer Visualities, Cur Carl Pope and Jonathan Katz, Staller Art Center, Stonybrook Univ, NY Charlie, Cur Maurizio Cattelan, Ali Subotnik, and Bettina Funcke, PS 1, NY (catalog) Mango, Talwar Cur Melissa Chiu and Edwin Ramoran, Gallery, NY Slant, Diverseworks, Houston, TX Columbia MFA Thesis Show, Curated by Eungie Joo, Mink Building, NY Homegrown, Commons Gallery, Barney Building, New York University, NY Culture in a Jar, Longwood Arts Center, Bronx, NY SAVAC Annual Exhibition, Living Arts Centre, Ontario, Canada
GAY GOTHAM: ART AND UNDERGROUND CULTURE Queer creativity in the 20th century is celebrated in this exhibition that includes familiar figures like Andy Warhol, Mae West, Leonard Bernstein and Robert Mapplethorpe.
She is interested in how dance is perceived through the prisms of race, queer culture, gender and class.
Treleaven's artistic origins are in small - gage filmmaking and self - published zines that made an enduring contribution to independent, queer, and underground culture.
As a lesbian artist, Eisenman also tapped into — as Art in Print magazine put it — «the queer rebellion that prevailed in the early»90s in a New York City riven by the culture wars and the AIDS crisis.»
He works on issues of performance and performativity in the contemporary visual arts, as well as on queer theory, queer cultures and their histories.
Wild chases, aspects of queer culture, captive balloon flights and a karate disciple in a mosque, who lifts off during his Koran studies in a Yoga position, these are the elements of Altındere's absurdly ironic as well as sharp - tongued work.
We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Cloudin U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Cloudin Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and CloudIn a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and CloudIn Pursuit of Mists and Clouds.
In February, at the Schomburg Center for Research in Black Culture in Harlem, Dr. Jordana Saggese, Kim Drew, Dr. David Clinton Wills and Juliana Huxtable were part a symposium titled «Basquiat and Contemporary Queer Art,» focusing on Jean - Michel Basquiat as a symbol of black geniuIn February, at the Schomburg Center for Research in Black Culture in Harlem, Dr. Jordana Saggese, Kim Drew, Dr. David Clinton Wills and Juliana Huxtable were part a symposium titled «Basquiat and Contemporary Queer Art,» focusing on Jean - Michel Basquiat as a symbol of black geniuin Black Culture in Harlem, Dr. Jordana Saggese, Kim Drew, Dr. David Clinton Wills and Juliana Huxtable were part a symposium titled «Basquiat and Contemporary Queer Art,» focusing on Jean - Michel Basquiat as a symbol of black geniuin Harlem, Dr. Jordana Saggese, Kim Drew, Dr. David Clinton Wills and Juliana Huxtable were part a symposium titled «Basquiat and Contemporary Queer Art,» focusing on Jean - Michel Basquiat as a symbol of black genius.
Additionally, she organized The Little Things Could Be Dearer (2014), which included the work of Carina Brandes, Melanie Gilligan, Ulrike Müller, and Michael E. Smith; and Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 (2011) at ONE National Gay & Lesbian Archives in Los Angeles as part of the Getty's Pacific Standard Time initiative.
Aiming to widen the representation of the horse and its various contexts and cultures, the exhibition curator, Sophie Mörner, in collaboration with Fotografiska, has brought together some 100 works in order to highlight issues of the contemporary role of the horse, all in a multi-dimensional presentation in which photographers, queer theoreticians and horse nerds will all find something of interest.
Sound recordings and audio collages are played while concurrent choreographed movement explores themes of the school - to - prison pipeline, gun culture in America and social justice hashtags, masculinity and queer culture, and comic relief.
Before joining MoMA PS1, Locks organized Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 - 1980 (2012), with David Frantz, at ONE National Gay & Lesbian Archives as part of the Getty's Pacific Standard Time initiative.
David appropriates elements from modernist design and contemporary culture in order to deal with issues of identity, queer politics, and complex emotional states.
He has shown recently at The Kinsey Institute (2013), Roots and Culture Contemporary Art Center (2014) and curated The Great Refusal, a citywide series of exhibitions and events dealing with queer identities in Chicago.
Terence Koh aka «asianpunkboy» is known for mixing porn, queer, and punk culture together creating a stir in the international art community.
Athey has been a crucial figure in the development of performance art and body art; club performance; intersections between punk, queer and alternative cultures; sexual politics, specifically in relation to queer practices and the politics of HIV / AIDS; and the representation of religion and ritual.
In contrast to the bleak outlook from the courtroom prior to 1967, queer culture was embraced by the British public in the form of theatrIn contrast to the bleak outlook from the courtroom prior to 1967, queer culture was embraced by the British public in the form of theatrin the form of theatre.
His research and publication interests address the intersections of race, gender, and queer sexuality in the visual culture of nineteenth - century Europe and in that of the black diaspora.
Mr. Katz works at the intersection of art history and queer history, one of the busiest intersections in American culture, and yet one of the least studied.
In response, Silano's Tear Sheets explores the visual culture and iconography of his queer predecessors to reconcile the loss and longing that permeates those affected by the AIDS crisis.
«I saw both of those kinds of things starting in queer culture and geek culture,» he said, noting that he wanted to speak to the ways in which fascistic impulses are seductive.
Prior to MoMA PS1, Locks organized Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 (2011), with David Frantz, at ONE National Gay & Lesbian Archives as part of the Getty's inaugural Pacific Standard Time initiative.
From his groundbreaking work on LGBTQ youth issues during the AIDS crisis, to his subversive writing in mainstream comic book companies such as Milestone Media, DC Comics, and Marvel, in addition to his independent work for queer and multicultural publishing, Ivan Velez: Bronx Haiku offers an engaging survey of one artist's desire to bring change and diversity into an art form that plays an indelible role in American popular culture.
In Chris's 2015 solo show «Top - A-Toppa» at Stream Gallery (Brooklyn, NY) Chris explored Jamaican culture, the complexities of gender identity, desire, tragedy, and public lynching bringing to light recent murdered queer persons in Jamaican headlineIn Chris's 2015 solo show «Top - A-Toppa» at Stream Gallery (Brooklyn, NY) Chris explored Jamaican culture, the complexities of gender identity, desire, tragedy, and public lynching bringing to light recent murdered queer persons in Jamaican headlinein Jamaican headlines.
He is particularly interested in the history of photography, ideologies of Romanticism, gender in early - American portraiture, the visual culture (s) of war, and the formulation of queer canons across the history of art.
Thus, we are enforcing aesthetic immigration clampdowns at the same time that we descend into a new culture of hate and repressive politics, queer rights being rescinded, seeing bodies on the line, and a culture in shock after seemingly moving so far forward under Obama only to see the left turn against itself.
, Fear of a Queer Planet (University of Minnesota Press), pp.230 - 238 Paul Gilroy, «Climbing the Racial Mountain: a Conversation with Isaac Julien», in Small Acts: Thoughts on the Politics of Black Cultures (Serpent's Tail), pp. 166 - 172 Craig Houser, «I Abject», in Craig Houser, Leslie C. Jones, and Simon Taylor (eds.)