Using what he calls a «
queer feminist perspective,» Simmons picked artists working today who go beyond these subjects in their work.
Not exact matches
researches the possibilities and conditions of cultural production in NYC from a
queer and
feminist perspective.
Between the supernatural and teratological, this symposium opens up debate on how the magickal and the monstrous in live art offer
perspectives on
queer -
feminist ethics, post-colonial resurgences and anti-capitalist resistance by embodying, displaying and practising the
perspectives of outcast and monstrous «others».
For what it lacks are the various voices of the unwanted «others»:
queer and
feminist perspectives and critical, hard - charging objections.
Benjamin created a coherent genealogy of practice from Duchamp forward, while Craig, at least from my
perspective, expanded the possibilities of institutional critique enormously through the inclusion of
feminist positions, as well as the beginnings of a
queer perspective.
But what we would like to draw attention to is the importance of a truly
feminist and
queer perspective when making these fundamental moral judgments about the sexuality of others.