Sentences with phrase «question as a point of departure»

The foreword, written by editor in chief Daniel Dawkins, briefly brings up this question as a point of departure for the book A Hideo Kojima Book: The Ultimate Guide to Metal Gear Solid.
One Thought Fills Immensity features important early works such as Firenze II (1992), the first work in which Plensa took the concept of the question as a point of departure.

Not exact matches

again, the only way that you presume those questions are merely material & physical in nature is if you * already assume * naturalism as your philosophical point of departure.
If you're a classroom teacher and are interested in trying out this idea, here are a few questions that might serve as a good point of departure for teaching discipline:
Taking this shift and the artist's penchant for experimentation across media as a point of departure, Winslow Homer and the Camera questions how new visual technology impacted the artist's production and engagement with subjects, and unveils how photography became increasingly a part of Homer's visual investigation and broader creative practice.
Using Dara Birnbaum's video work from 1979, Kiss the Girls: Make Them Cry, as a point of departure, the contemporary works in this exhibition bring to the fore questions surrounding desire and gratification, sensuality and aggression, ownership and objectivity, representation and reality.
In a way, by using this book as a point of departure, this exhibition explores and questions the role of certain books and how some of them affect entire generations of artists, becoming unofficial guides that dictate and influence artistic creation in a certain period of time.
For Tom Burckhardt (b. 1964) the idea of absurdity has been a compelling point of departure which has led him to push and question the very integrity of a painting as an object.
The course took the Walker exhibition Question the Wall Itself, particularly the practice of Marcel Broodthaers, as a point of a departure to investigate methods of critique immanent to the work.
The noted portrait photographer employs photography as a point of departure for a series of new paintings that show the ways in which photography (and its translation into other media) can leave a lot of questions hovering about what represents reality.
For each Study Session, an artist, writer, or cultural worker selects a work of art on view in the Whitney's galleries as a departure point for thinking through an urgent question in our contemporary political landscape.
The group presentation takes its point of departure from one of the most important exhibitions in history of exhibition making: Questioning Reality — Image Worlds Today, 1972 curated by Harald Szeemann as a part of Documenta 5.
This discussion led to the question of whether a show could take «scores,» or written instructions by artists, as a point of departure, each of which could be interpreted anew every time they were enacted.
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