The foreword, written by editor in chief Daniel Dawkins, briefly brings up
this question as a point of departure for the book A Hideo Kojima Book: The Ultimate Guide to Metal Gear Solid.
One Thought Fills Immensity features important early works such as Firenze II (1992), the first work in which Plensa took the concept of
the question as a point of departure.
Not exact matches
again, the only way that you presume those
questions are merely material & physical in nature is if you * already assume * naturalism
as your philosophical
point of departure.
If you're a classroom teacher and are interested in trying out this idea, here are a few
questions that might serve
as a good
point of departure for teaching discipline:
Taking this shift and the artist's penchant for experimentation across media
as a
point of departure, Winslow Homer and the Camera
questions how new visual technology impacted the artist's production and engagement with subjects, and unveils how photography became increasingly a part
of Homer's visual investigation and broader creative practice.
Using Dara Birnbaum's video work from 1979, Kiss the Girls: Make Them Cry,
as a
point of departure, the contemporary works in this exhibition bring to the fore
questions surrounding desire and gratification, sensuality and aggression, ownership and objectivity, representation and reality.
In a way, by using this book
as a
point of departure, this exhibition explores and
questions the role
of certain books and how some
of them affect entire generations
of artists, becoming unofficial guides that dictate and influence artistic creation in a certain period
of time.
For Tom Burckhardt (b. 1964) the idea
of absurdity has been a compelling
point of departure which has led him to push and
question the very integrity
of a painting
as an object.
The course took the Walker exhibition
Question the Wall Itself, particularly the practice
of Marcel Broodthaers,
as a
point of a
departure to investigate methods
of critique immanent to the work.
The noted portrait photographer employs photography
as a
point of departure for a series
of new paintings that show the ways in which photography (and its translation into other media) can leave a lot
of questions hovering about what represents reality.
For each Study Session, an artist, writer, or cultural worker selects a work
of art on view in the Whitney's galleries
as a
departure point for thinking through an urgent
question in our contemporary political landscape.
The group presentation takes its
point of departure from one
of the most important exhibitions in history
of exhibition making:
Questioning Reality — Image Worlds Today, 1972 curated by Harald Szeemann
as a part
of Documenta 5.
This discussion led to the
question of whether a show could take «scores,» or written instructions by artists,
as a
point of departure, each
of which could be interpreted anew every time they were enacted.