The Biennial, despite showing largely emerging or mid-career artists, is being railed against by underdog artists,
curators and institutions as «the establishment,» which
leads us to an interesting
question: As the widely accepted establishment, how can a critique of the establishment be effectively launched from the Whitney?
The exercise
led to very insightful discussions about time, space, imagination, and ended with many
questions, including the difference between an artist and
curator.