It brings together eight artists and collectives from different geographic locations, socio - political perspectives and moments in time who share an impulse to
question social constructions of power.
Not exact matches
The conversations delve into survivor guilt, the meaning of sacrifice, and the central
question of proper
social construction.
The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters
constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and
question evolving power structures and
social norms.
Both artists
question social mechanisms and the
construction of individuality.
Answering these
questions has often entailed the examination of
social norms, values, hierarchies and categories, which are all highly articulated human
constructions that are oddly meaningful and somewhat arbitrary at the same time.
Questions arise around material
constructions and the way architecture stages man's movements, whilst the act of recognising
social confines offers an opportunity for expression, revolt and ultimately, enlightenment.
The artists will reflect on cultural
constructions and
social frameworks in the special context of China and how all these form individual identities and artistic practices as well as define relations in the system that we urgently need to
question.
His work explores
questions of
social life and agency, using sound, performance, text and sited
constructions.
Film plays a central role in their mutual explorations of identity and movement: Through the work of three emerging international artists, Quarantina, currently exhibiting at John Hansard Gallery,
questions the place of the individual within
social constructions.
Skeptic did not complete survey but, had I done so, would have been highly critical of the
construction of
questions which would not have passed
social psych 101 when I studied!
The one significant book on the subject I've come across (and I haven't looked exhaustively, so please enlighten me if there is more out there) The
Social Construction of Climate Change: Power Knowledge Norms Discourses, ME Pettenger really deals only with the
question of how climate change advocacy fails to capture the policy agenda.
One possible explanation for the high mean of this
question may be given based on the fact that it states a somewhat socially desirable condition and by means of
social construction, culture, peer pressure and
social conformity / compliance people often tend to admit that they are happier than they really are.