Sentences with phrase «questions about cinema»

Taking time off from his dual career, Greenwood answers readers» questions about cinema, music, guitars and fighting.

Not exact matches

My love of international cinema deepened into larger questions about the origins of human societies and cultures.

Cianfrance asks questions about life and legacy too meandering for the film's good, resulting in an admittedly saggier middle section, but he reached way beyond the regular confines of indie cinema with Pines» episodic, decades - spanning tale, and that can not be ignored.

It bets the house on them, gambling on the possibility that an old - fashioned morality play asking Big Questions about faith, activism, and the futility of trying to save the world will pay off in a moment when even serious American cinema — i.e. films unconcerned with Skywalkers or Infinity Stones — comes at least partially steeped in irony.

If there's ever a question as to what the Sixties are about as a movement in American cinema, Newman's The Hustler and Hud are the thesis statements that launch Warren Beatty's end - of - decade transitional dissertations Bonnie & Clyde and McCabe & Mrs. Miller.

• Finally, reader questions, including queries about a hypothetical five - film Best Picture slate, an apparent influx in populist cinema finding room in the Oscar race and how we all got our starts in the blogosphere.

In the first essay of the three, Dong Hoon Kim asks questions about the definition of Japanese cinema in light of the occupation of the Korean peninsula and the validation of the Japanese cinema laws there during this time.

Moreover, the essay makes a contribution to the question at hand about the definition of Japanese cinema by making an analogy with sparks and circuits, inviting the reader to ask whether Japanese cinema runs through a short circuit of its own, or whether it can ignite other circuits with those cinemas that it interacts with, globally.

Through his personal account of programming and researching Japanese cinema for more than two - and - a-half decades, Nornes raises important questions about the reception of Japanese films in Western film festivals, and the role of Japan as a site where filmmakers from other Asian countries can learn more about Western filmmaking.

With all eyes on the current escalating international crisis and flexing of nuclear arms, this film is compelling in its relevance to our present reality, and uses it as a platform to raise some appropriate questions about the boundaries of art and the role of cinema.

Chambre 666 was filmed in room 666 at the Hotel Martinez during the Cannes Film Festival in which such luminaries as Jean - Luc Godard, Werner Herzog, Steven Spielberg, Rainer Werner Fassbinder and Michelangelo Antonioni are all put the question: «Is cinema a language about to get lost, an art about to die?»

That uncertainty is doubtless the reason for its low placing in this list, because there's no question about the film's quality: this is a near - perfect example of pure cinema.

In part one of our talk, Walter takes questions from other leading sound designers Ren Klyce and Gary Rydstrom about his work, talks about how documentary film has affected modern cinema style, discusses his work in Apocalypse Now and The Conversation, and ends the episode with a discussion of the use of music in The Godfather and The English Patient.

Collection of resources on talking about movies television and cinema including sentence builders, vocab builders, framing questions for conversati...

This time, The Gamesmen discuss the cinema, talk American Thanksgiving, reveal what they've been playing, plus do a question - and - answer about Wii U!

Martin's work often raises questions about what it means to be «touched» by cinema and alternates playfully between luring the viewer through sensuous images and lush archetypes, and pushing them back into an awareness of artifice.

-- One of the recommendations made to French president François Hollande in response to his questions about funding the country's cultural activities involved taxing smart phones, tablets, and other internet accessible devices, newer distributors of cultural content that have skirted France's «cultural exception» policy, which taxes cinemas, radio, and TV stations in order to prevent a «globalizing influence of [the] entertainment industry.»