I felt like I could connect with my peers on major topics related to our research and together ask some really hard
questions about globalization.
Reacting to radical changes taking place internationally in the late»80s and early»90s, these shows — «In Transit,» «The Final Frontier,» and «Trade Routes» — posed
questions about globalization's social, economic, cultural, and intellectual exchanges, and grappled with issues as wide - reaching as neoliberal capitalism and as specific as the situations facing individual cities.
Not exact matches
Sri says the author nails the limitations to retraining the unemployed, raising
questions about a key tenet of
globalization.
It is this solidarity that makes us raise
questions about the dominant models of
globalization.
Many also have raised
questions about the impact of
globalization on the condition of women, on gender issues, on
questions of migration, and as we are going to be discussing in this Consultation on the situation of human rights.
The
question is
about the implications of the suggestion that there is no clash between
globalization to gather together scattered elements to its own center and integrate them into the fabric of the Church's life.
When used in the historical terms with which I prefer to use it,
globalization in so many ways sums up the dominant and encompassing reality (note that I underscore this word) of the collective life of people and nations in our time, so potent and full of issues and
questions for or against human development, so that it presses upon everyone who wants to make sense of the times in which we live, or who wants to be concerned
about «keeping and making life more human».
Robert Buck's canvas «At the end of the day...» (Holding area, U.S. Customs and Border Protection Nogales Placement Center, Nogales, AZ, June 18, 2014) insinuates
questions about the nature of beauty and
globalization — of civilization and its current discontents — by evoking luxury goods, fashion and décor.
«It's
about the
questions brought upon those communities by
globalization and urbanization.»
A reviewer in the NYT described it as «A protracted exploration of the aesthetic, social and spiritual dimensions of industrialization and
globalization... Raises some sigificant and sobering
questions about the impact that we, as humans, make on our environment» As Brett Wallach noted, «The landscape is as good as a book to get you thinking.»
A reviewer in the NYT described it as «A protracted exploration of the aesthetic, social and spiritual dimensions of industrialization and
globalization... raises some significant and sobering
questions about the impact that we, as humans, make on our environment.»