Luckily, Birmingham, Alabama, (where I live) is close to Nashville, and my brother and several of my friends are musicians that were happy to answer
any questions about the musician lifestyle I had along the way.
Not exact matches
But at least some of what the service is going through raises
questions not just
about its core value — namely, that it's run by
musicians for
musicians — but also
about its long - term prospects as a competitive streaming business.
They asked them
questions about their family background, attitude toward music, their beliefs
about themselves as
musicians, and
questions relating to peer influence and other variables.
Even if the film in
question isn't already a vanity project
about the
musician's life (Glitter, Purple Rain, Moonwalker and so on), there's a tendency for singers to either play themselves or needlessly draw attention to their presence.
As aggressively arty as its title,» (Untitled)» is ostensibly
about a romance between an avant - garde
musician (Adam Goldberg, sporting his usual neanderthal scowl) and a trendy gallery owner (delicious Marley Shelton), but the script has more provocative
questions in mind
about art itself.
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,»
about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young
musicians as they grapple with
questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
The strangest and most uncompromising of all
musician biopics, Jean - Marie Straub and Danièle Huillet's 1968 debut feature, The Chronicle Of Anna Magdalena Bach disregards most conventions of costume drama to ask some very human
questions about history, what it takes to be an artist, and what movies can tell us
about ourselves.
«Eat That
Question» Sells to Sony Classics Sony Pictures Classics acquired worldwide rights to the documentary «Eat That
Question — Frank Zappa In His Own Words,»
about the legendary composer -
musician.
That post has since been removed, but it leads us now to this
question: Was the
musician in error
about what game he was hired for?