Sentences with phrase «questions around contemporary art»

Vogel's research interests include legacies of feminist and identity - based practice, as well as the performative and ethical questions around contemporary art production and criticism.

Wendy's research interests include legacies of feminist and identity - based practice, as well as the performative and ethical questions around contemporary art production and criticism.

Not exact matches

Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and life today.

Alison Jacques Gallery invites you to a panel discussion addressing historic, contemporary and future questions around the value of women's art, with speakers Melissa Gordon (artist), Isobel Harbison (critic and curator), Rehana Zaman (artist), and Marina Vishmidt (writer), chaired by Fiona McGovern (Director, Alison Jacques Gallery).

She will speculate on the following inter-related questions: What does it mean to be in the middle of a student protest for a historian of contemporary art who grew up near Paris around 1968?

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin - a laboratory for conceptual, intellectual, and artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around «Western art» and «non-Western art».

Moderated by London - based curator Kathy Noble, this panel discussion should be one of the highlights of the four - day program We (Not I), a series of discursive meetings, presentations, and events that address questions around the role of «we» in contemporary art practice.

As the first occasion on which such a considerable group of contemporary works from the Cisneros Collection have been shown in the United States, this exhibition is unique in that it showcases the innovative challenges the collection has posed to the question of how, where, and to what end contemporary art has been produced around, in, and about the region we call Latin America.

Thursday 8 Sep Welcome and introduction from each of the Syllabus partners; Eastside Projects, New Contemporaries, S1 Artspace, Spike Island, Studio Voltaire and Wysing Arts Centre followed by artists» presentations about their work and concerns around their practice, drawing out shared themes and overriding questions.

When contemporary art does electrify the public, which is surely the case right now, the art itself is often part of an urban spectacle, a trophy floating atop the cultural maelstrom, and there can be no question that the blissed - out atmosphere in the Chelsea galleries this season has everything to do with New York's emergence as the ultimate amusement park for sophisticated tourists around the globe.

As such, it presented a challenging and timely examination of a complex set of questions around contemporary labour conditions and their implications within the context of art but also more widely.

Recent attempts to define contemporary art (and contemporaneity) as an era distinct from the modern and the postmodern have all revolved around the question of our relationship to history.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin — a laboratory for conceptual, intellectual, artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around the «West» and the «non-West».

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.

«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around SERIOUSLY FUNNY.

«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around

Answering crowd - sourced questions proposed by people around the world, this live video discussion features Nat Trotman, Associate Curator, Solomon R. Guggenheim Museum; Alison de Lima Greene, Curator of Contemporary Art and Special Projects, Museum of Fine Arts, Houston; and Christine Y. Kim, Associate Curator of Contemporary Art, Los Angeles County Museum of Art.

Throughout the extensive solo exhibition at Platform - L Contemporary Art Centre, Isaac examined inevitable and fundamental questions around capitalism, labour and the art market of our tiArt Centre, Isaac examined inevitable and fundamental questions around capitalism, labour and the art market of our tiart market of our time.