Not exact matches
Consciousness can not be a quality of an abstract deductive structure, yet Whitehead speaks of consciousness; hence White - head must be affirming consciousness of
human perception in the passage in
question — so the inference goes.
If the norm of the new humanity in Jesus Christ obliges us to
question the Apostle's opinions about the proper status of women and the institution of
human slavery, so also that norm obliges us to scrutinize each of his moral judgments regarding its Christian faithfulness for our time — including his
perception of homosexuality.
To answer this
question, Parise and Ernst used computational modeling and computer simulations, and identified an elementary neural mechanism that could closely replicate
human perception.
Employing a methodology similar to the field note — the notes detailing events leading up to the biological specimens» collection and inform its final classification — these three artists
question perception's role in knowledge production; they examine the gap between rational scientific systems and
human idiosyncrasies.
Questioning the relationship between
humans and objects (both virtual and physical) his practice reflects upon the way in which cinematic images are indelibly embedded in our
perception of history.
Born in London in 1950, Antony Gormley is a sculptor whose work with the
human form transcends literal representation, broaches weighty philosophical issues, and
questions perception and the nature of being.
Her images prompt
questions around representation,
perception and
human experience and remind us of the complexity of the simplest things that can be observed in nature.
One of Gormley's central themes is the
human body, which he uses in ever new constellations of large sculptural ensembles or as individual figures to investigate and call into
question issues of space and
perception.
The
human figure, animal forms, rolling landscapes, an animated universe of tumbling orbs, and crafted stage settings engage, delight, and challenge our
perceptions and beg the
question «What is real?»
Eliasson is fundamentally concerned with creating art that asks
questions about our
human perception of reality; his works draw associations to land art and architecture, the romanticism of nature and natural science.
With their work, Banz & Bowinkel
question the concept of simulated reality and thereby
human perception of the world in virtual space.
Always creating debate, Freud consistently addressed
questions of
human existence and
perception, testing, through a sustained practice of looking, the possibility of knowing and recording
human individuality.
His work focuses on
perception, spatial relationships,
human psychology, and
questions about life and death.
It is, in fact, this playfully schizophrenic viewing experience, the upending of the «fact» of photography and
human perception, and the gap between the authority of the archive and the responsibility of the public to
question that authority, in which Walid Raad confidently situates his work.
Through his works, Mike Dargas challenges us to take a closer look, to understand the nature of
human being and to
question our own emotional
perception.
Her images prompt
questions around representation,
perception and
human experience and remind us of the complexity of the simplest things we observe in nature.
Public
Perceptions of Climate Change as a
Human Health Risk: Surveys of the United States, Canada and Malta Abstract We used data from nationally representative surveys conducted in the United States, Canada and Malta between 2008 and 2009 to answer three questions: Does the public believe that climate change poses human health risks, and
Human Health Risk: Surveys of the United States, Canada and Malta Abstract We used data from nationally representative surveys conducted in the United States, Canada and Malta between 2008 and 2009 to answer three
questions: Does the public believe that climate change poses
human health risks, and
human health risks, and if...
Normally when I talk about the «Consensus Gap», the discrepancy between the 97 % consensus and the public
perception of consensus, I use a histogram of the public response to the
question «how many climate scientists agree that
humans are causing global warming?»
Of course, the scientific conclusions on nutritional values can be
questioned, but the fact remains that if you want to influence
human behaviour, you have to understand
human perceptions.