Not exact matches
Does not the conception of a relative actual world of actual occasions raise the
question of
whether or not a transindividual world is a
fiction?
This is
fiction that challenges, that takes risks, that dares to bring dollops of strangeness into an ostensibly everyday narrative, that forces the reader to re-evaluate his or her perception of «reality», to
question values and beliefs
whether scientific, religious, philosophical, psychological, sociological or whatever.
While the decision reeks of censorship, an unanswered
question is
whether the effort to remove Animal Farm is part of the greater shift toward the Common Core which frowns upon using
fiction to teach English and language arts.
Whether you're a writer of nonfiction,
fiction or children's books and you've asked yourself any of these
questions...
Amazon has broadly succeeded in this by introducing its adult filter, and in many cases outright banning books that push the envelope (though the
question of
whether they should be the moral arbiter of
fiction is a debate for another time).
Now the
question I'd love to see you address in an article is
whether self - published literary and historical
fiction authors are doing better with ebook profits than those who are traditionally published.
Whether I can make any money writing
fiction is the obvious
question, but for now that concern stands apart from the authorial reality and opportunity defined by the internet as a distribution pipeline.
Whether the book in
question is
fiction or non-
fiction, the appeal of its cover goes a long way in determining if your ideal reader decides to buy it or not.
I've had lots of
questions from readers of our Fab Freelance Writing Blog who are itching to try
fiction, but aren't sure
whether they can; I said:
Coming back to the central
question here about
whether building a platform works, I think I'm going to buck the trend here and say no — at least not for
fiction.
The survey should include a
question about
whether they would find a classification system of novels based on a breakout of categories (such as those included in the literary
fiction survey) attractive.
The agent helps shape the proposal (so that it is clear how the proposed work is different from and better than the competition) or work of
fiction, finds a publisher, negotiates the contract, sells subsidiary rights to the work, intervenes when there is a controversy,
whether it be over an editorial
question or the publisher's promotion plans, weighs in with an opinion (e.g., the book cover), monitors the publishing process and steers the author's career, book by book.
In today's video blog, Ellie Kay answers your
questions about
whether some of the «opportunities» available to American consumers are in fact a good deal or just
fiction.
The
question is not
whether mean reversion is fact or
fiction, it's
whether market participants believe that mean reversion is fact or
fiction.
In tackling the
question whether good legal writers are born or developed, below I compare the expanded views of two authors on opposite ends of the writing spectrum — Bryan Garner (legal writing and usage) and Stephen King (
fiction)-- to discover their thoughts on this nature - versus - nurture controversy.