Not exact matches
Evidently in a
reflective mood, Anderson and Bolt express a lot of regret that they pulled out so many of the unpleasant sequences in the picture, from a
quiet intro ghost - written by Andrew Kevin Walker to the death - orgy covered lavishly, I remember, in an issue of FANGORIA.
Yet the exhibition also manages to be, in many ways, very subtle — powerfully
quiet and nuanced, and the omnipresent jazz and blues playing in the background create a
reflective mood in which to experience the work.