Maybe it just doesn't
quite fit the narrative...
Not exact matches
But the
narrative doesn't
quite fit.
The origins of the Code of Harry, the set of rules that's helped to curtail serial killer Dexter Morgan's (Michael C. Hall) homicidal tendencies and put them to «good» use, has been discussed and detailed
quite thoroughly throughout Dexter, and now it seems
fitting that the code's formation is of central interest to the
narrative arc of the show's final season.
The sequence doesn't
quite fit in with the
narrative of the rest of the film, save for the fact that its rapid - fire pacing keeps the film moving.
There's not really time during Seven Psychopaths to think through how, or if, all its almost - clever
narrative puzzles
fit together, and after the movie's over, it doesn't
quite seem worth worrying about.
This footnoted approach
fits all too well within the historical
narrative that MoMA, despite its best efforts, has never been
quite able to shake: that after representation was subsumed into abstraction, and abstraction was reduced to Minimalism, painting could only repeat itself.
Lester Johnson (1919 — 2010) was an innovative figurative painter who has never
quite fit into any of the accepted
narratives of postwar American art, and that alone makes his work worthy of a longer look.