Not exact matches
And while Gladiator was by no means a failure, and did
well at the
box office, it never
quite managed to be the film we all expected it to be.
In the seven years since that threequel set
box office records and earned a
Best Picture nomination, the studio has had some generally liked if not
quite loved triumphs (Finding Dory, Brave, Monsters University), one film that most would agree is at least in contention of «masterpiece» status (Inside Out), and some perplexing, unprecedented misses (Cars 2 & 3 plus the aforementioned
Good Dinosaur).
Look at Halloween, The Fog, The Thing, Big Trouble in Little China, They Live, and this review's subject, Escape from New York: That's
quite a run of films that are
well remembered by many fans today, even if they didn't all set the
box office ablaze.
2014 already brought us the modestly effective teen tearjerker adaptation, The Fault in Our Stars, which performed
quite well at the
box office.
Lousy
box office and middling - to - poor reviews ensure that these filmmakers probably won't get carte blanche next time out, and while their results aren't
quite strong enough to place on my legit
best - of list, the auteur madness sure was fun while it lasted.
If this doc doesn't make that list, it will probably recede from most radars and not
quite live up to its strong word of mouth and potential (although $ 700,000 at the
box office is nothing to scoff at) which would be tragic in my mind, because it is one of the
best documentaries of the year and if it gets on the shortlist, it has a
good chance of getting nominated (but not to win, as I'll explain in a bit.)
It's done
quite well at the
box office though, and was one of three films scored by Trevor Rabin which all appear in the Box Office Top Ten in the same week, at the time of writing this review - quite a feat for the compos
box office though, and was one of three films scored by Trevor Rabin which all appear in the Box Office Top Ten in the same week, at the time of writing this review - quite a feat for the com
office though, and was one of three films scored by Trevor Rabin which all appear in the
Box Office Top Ten in the same week, at the time of writing this review - quite a feat for the compos
Box Office Top Ten in the same week, at the time of writing this review - quite a feat for the com
Office Top Ten in the same week, at the time of writing this review -
quite a feat for the composer.
Hampered at the
box office by its perceived similarity to the previous year's «The Truman Show,» it still offered the actor a chance to carry a picture, and he managed
quite well, thanks to the natural zaniness he brought to the part.
To its makers, the most troubling thing about Chipwrecked would have to be its
box office performance, which was
quite good, but not nearly as
good as its blockbuster predecessors.
The makers of this film know that these films have a bit of a
box office ceiling, in that the Muppets, while popular in the United States, don't fare
quite as
well at the worldwide
box office.
The film has already earned
well over 100 million dollars at the
box office, but our critic says it's not
quite as
good as he expected it to be.
It's hard to deny that recent remakes Friday the 13th (2009), Fright Night (2011), Fame (2009) and so on all figured their namesake originals would provide millions of free marketing and extra dollars at the
box office, but by virtue of being remakes of
well known, and usually
quite popular, films they have to work harder to convince audiences that they are worth the time.
All three Big Five sweepers did
quite well at the
box office, but none rank among the inflation - adjusted all - time highest grossers list.
The film did
quite well at the
box office and for some it was a bit more then what was expected.
Two big movies in recent months have much in common: they're fictionalized accounts of real events, they're written and directed by top Hollywood players, and they're doing
quite well at the
box office.