Sentences with phrase «quotidian images»

Similarly, Ellis» large - scale paintings feature the reoccurring presence of uninhibited motion as black swaths of paint bob and weave their way through an amalgamation of quotidian images, objects, and colors; elegantly forging a cadence analogous to the artist's aural compositions.

His work follows a photojournalistic aesthetic of cropped black - and - white shots with strong contrasts; quotidian images that feature lovers in casual contact introduce an intimacy between the artist and his subjects that is passed on to the viewer.

Acheiving a surface that resembles flaking plaster walls, with rich pure pigment color, Gross crops and reverses quotidian images to reveal abstract shapes and forms that are at once familiar and foreign.

Not exact matches

The perpetual movements of an ocean, or the endless variations of a skyscape, reflect in Bianchi's work our shifting internal gestures and motions — in a constant movement from still to moving images where the eternal is reconciled with the quotidian.

Beshty writes further that DeFeo's object: «would appear in photographs of her home and studio, the images positioned uncomfortably between works of art, studies, and simple documentation, showing the object in its mundane existence, a nod to its modest belonging in the quotidian.

Venturing into the cool of the gallery, these featured artists meld mystery, beauty, joy and fear into images of our quotidian experience sparkling in the summer sun.

His images are psychologically complex, yet structurally quotidian, drawing attention to the power and beauty of the overlooked.

In America, Pop Art was born, investigating the unique auras surrounding quotidian objects and fearlessly appropriating the daily images that flooded the collective consciousness.

This group exhibition, organized by Walead Beshty, aims to uncover the fundamental systems that are invisible in everyday life, using works by artists like Franz West, Liam Gillick, Claire Fontaine, and Dan Flavin to question how one looks at quotidian objects and images.

The paintings are carefully observed depictions of quotidian subjects transformed into unique images that express the artist's emotional reaction to the subject.

But as with the images in Heterotopia, the quotidian reality is discernible, leaving viewers with the uneasy yet uplifting suggestion that the world is what we think it is only because of long - held and often unconscious patterns of association.

As diverse as his subject matter, Pettibon's images have included quotations from quotidian and literary works by authors including Marcel Proust, Henry James, William Blake, John Ruskin, and Art Clokey, as well as texts written by the artist himself.

In America, Pop art was born, investigating the unique auras surrounding quotidian objects and appropriating the daily images that flooded the collective consciousness.

Though they depict perfectly quotidian things — a bathroom door, a woman's suited - up silhouette, a group of flies — the works» faded, bruised quality and their severely cropped and ever - shifting layers call their coherence and authority into question, positioning the images as an event though one no longer taking place.

In installation, photography and video, the authoritative fixity of representational media is betrayed as those bodies presumed to be contained — as ghosts, as pop culture signifiers one step removed from the referent — return to haunt the image as desiring bodies, as spectres, as present absences that make even the quotidian an uncertain experience.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Contrary to Western images of the Arab world, which often depicted marginalized or dehumanized subjects, photographs by indigenous Middle Eastern residents captured the quotidian lives of these changing communities.

The images themselves became a form of found object — Rauschenberg used pictures clipped from newspapers, showing scenes both iconic and quotidian, and transformed them in his prints, while Johns made everyday imagery, like the United States flag or a target, the focal point of his work.

This exhibition at James Cohan Gallery seeks to develop these earlier ideas around what I termed «vernacular» or «everyday» abstraction: that is artistic practices that actively privilege and operate in the grey area between an essentially non-representational image / object and the use of quotidian materials and processes.

His canvases manifest his ability to transmute images steeped in commodity - culture and perceived as commercial or quotidian art into lovely visions, both separate from and contingent upon the emergent mass media which originally produced them.

Her practice revolves around stock footage and digital image banks, pulling quotidian pictures to appropriate them for projections on multi-layered surfaces.

ANDREW KREPS GALLERY The larger of this gallery's two spaces has been dimmed to screen four moving - image works by the Ohio - born artist Kevin Jerome Everson, whose laconic films explore the quotidian passages of African - American life and, more recently, the everyday consequences of the Midwest's economic downturn.

The revolution of mores, tastes, and behavior is a constant, but this transformation unfolds against timeless human rituals — talking, dancing, sunbathing, playing — which emphasizes cultural continuity rather than disjunction, and produces images that are simultaneously intimate and transcendental, quotidian and universal.

I love the ways that image, sculpture, media, the quotidian and performance can all be mashed and tweezed and re-mixed in an installation.

Known for drawings packed with thousands, even hundreds of thousands of tiny, energized marks, Linder's large - scale images of quotidian are inspired by her immediate surroundings through a process of embodied observation.

The ideologies of artistic practice may motivate painters and fix their positions in the discourse of art history, but for viewers of the work itself, the painting exists as image and / or object - an image or object whose relationship to the quotidian world of perception is ambiguous and multivalent.

There were a number of interesting, challenging, and even physically off - putting three - dimensional things included in the 2017 Whitney Biennial, and the fact that most of them seemed to explore and express the bodily, the quotidian, craft, and even a relationship with the image may indeed suggest something about the current status of sculpture within contemporary artistic practice.

Powerful, poetically charged images emerged from milling ideas and memories together with quotidian observation of objects that ceaselessly surrounded him: books, clocks, paint, canvases, boots, cigarettes.