Sentences with phrase «quotidian world»

The ideologies of artistic practice may motivate painters and fix their positions in the discourse of art history, but for viewers of the work itself, the painting exists as image and / or object - an image or object whose relationship to the quotidian world of perception is ambiguous and multivalent.

By the late Tang dynasty, landscape painting often embodied the universal longing of cultivated men to escape their quotidian world to commune with nature.

Even later in his long career, as other artists began to adopt Abstract Expressionism, he continued to work slowly and methodically in a realist mode, drawing inspiration from both the old Victorian houses of small New England towns and the mundane, quotidian world of the city, featured in such famous paintings as the Art Institute's Nighthawks.

Parallel - world thrillers like Another Earth (2011), Coherence (2013), and The One I Love (2014) borrow the same formal template: by deftly deploying off - screen space and point - of - view editing, they conjure multiple universes and doppelgängers within a realistic, quotidian world.

Not exact matches

As completely unprecedented and literally out of this world as the experience was, when the crew of Apollo 11 came back to Earth, they still had to handle some of the more quotidian aspects of business travel.

The world of Psalms is often pragmatic, anchored in the immediacy and the urgent concerns of quotidian existence.

Tough also leaves out the work of world - renowned child development researcher Ed Tronick, who describes everyday or «quotidian» resilience that develops over time in early childhood in an attuned caregiving environment.

As Roy stands in a field, with the boy in his arms, peering with great anguish at the eastern horizon behind a line of trees, the suspense is no less unbearable for the fact that we know that what we're about to see is the most quotidian thing in the world: as The Beloved sang in 1990, it's just the sun rising.

Could it be that now the artist has fallen off the art world's fashion hitlist, Gormley's work can be seen as it is — quotidian and overrated

Beyond the museums, villas, and grand urban plans that by the mid-20th century had become emblematic of a modern architecture, Giedion was concerned with the chairs, tables, beds, bathtubs, and kitchens — the objects that more immediately organized quotidian life and increasingly shaped the way humans engaged with the world.

But as with the images in Heterotopia, the quotidian reality is discernible, leaving viewers with the uneasy yet uplifting suggestion that the world is what we think it is only because of long - held and often unconscious patterns of association.

Ruppersberg is one of the most important figures to emerge from the conceptual art movement associated with the California Institute of the Arts in the 1970s, and his work has consistently worked to bridge the divide between art experience and the quotidian experience of the world.

2017 Colonial Stories, GL Holtegaard, Holte, Denmark From Life, The Royal Academy of Arts, London, UK Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World, Yale Center for British Art, New Haven, Connecticut, USA toured to Kensington Palace, London, England Quotidian, Pearl Lam Galleries, Shanghai, China Summer Exhibition, Royal Academy, London, England Un bal masqué (A masked ball), Le Chateau de Nyon, Switzerland Diaspora Pavilion, International Curators Forum Mentoring Programme, Venice Biennale, Italy Tous, des sang - mêlés, MAC / VAL, Vitry - sur - Seine, France Public View, Bluecoat, Liverpool, UK

The spirit of Yu Hong's creation most often arises from her personal life and the surroundings of quotidian existence, constructing a world which ingeniously fuses together perceptions of time and memories, as well as adeptly seizing the sporadic emotional evolution of human experience.

For the Hepworth Wakefield, now in its fifth year, and described by its director Simon Wallis as but a «toddler» of the museum world, this gift is a major boon — one they hope will be emulated by more quotidian collectors.

Using quotidian stuff, Barlow makes us see the world afresh, causing us to reflect on materials, their weight and heft, and on the expressive possibilities of theatrics and fakery.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Contrary to Western images of the Arab world, which often depicted marginalized or dehumanized subjects, photographs by indigenous Middle Eastern residents captured the quotidian lives of these changing communities.

The Picnic verges on the quotidian — be it a musical instrument, a stick, or a signature — the pieces hinting at their resemblance to existing prototypes in the world.

Raccontare un mondo, PAC, Milan, Italy 2017 Un Bal Masque / A Masked Ball, Le Chateau de Nyon, Switzerland 2017 Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of The Modern World, Yale Centre for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, England (catalogue) 2017 Les Eclaireurs (The Enlighteners), Foundation Blachere aux Palais des Papes 2017 Diaspora Platform, Palazzo Pisani, Venice, Italy 2017 Tous de Sang Meles, MAC / VAL, Vitry en Seine, Paris 2017 Leisure Land Golf, York Art Gallery, York, England 2017 Cure Cubed, Cure 3 Charity Exhibition, Bonhams, London, England 2017 Quotidian, Pearl Lam Gallery, Shanghai, China

His use of quotidian items such as old furniture and domestic appliances appears by turns indifferent and sentimental, but his works» real poetic power derives from their engagement with a core idea in Taoist philosophy — the dialectic between the individual and the world.

The slippage between the tactile world and the virtual one, conjures a picture caught between thingness and immateriality — a quotidian gauntlet.