Not exact matches
At 31 years old, I'm 3
classes away from my undergraduate, have run
and lost a State Senate
race, can debate Hayek
and Keynes with economics Professors, debate Nietzsche
and Schopenhauer with philosophy professors,
and talk occupy
politics with working
class youth, unemployed workers
and homeless bums on the streets of Atlanta.
What kind of witness could we be to our communities, as fragmented as they are by
race and class and economics
and politics, if the very makeup of our congregations signaled the «manifold wisdom of God» (Eph.
What set of Evangelical leaders are ready to champion the cause of Christian unity across
race and politics and class?
Everyone must somehow put together his convictions about such matters as knowledge, the mass media, art, manners, work, play, nature, health, sex,
class,
race, economics,
politics, international relations,
and religion into a pattern for the formation of character through the curriculum.
We surveyed 51 members of the Denver Broncos on the subjects of
class,
race, religion, upbringing,
politics and more
«This
race will be a choice between a community advocate who stands for ethics reform in government, supporting small businesses
and middle
class workers,
and equality for all people, or a out of touch 1 % er who represents big business, back door
politics as usual,
and the conservative agenda,» Small said.
He added: «If someone said to me why I am so interested in
politics and being an MP
and all that, I want to show you can be of my
race and my
class and be a front bench member, a back bench member, a fully paid up member of the Conservative party.
Instead, as the various seminars
and lectures on subjects as diverse as Walden
and rocket science, it's a film of ideas, darting effortlessly between debates on society,
race,
class,
politics and much, much more, while adding up to something that feels like a coherent piece of work.
They probe a film's underlying ideology by examining representations of
class, gender,
race, sexuality,
politics and religion.
Long after the marketing dust has settled
and every pundit, blowhard
and Facebook friend has weighed in on it in terms of
race,
class, gender, identity, representation, Hollywood,
politics, the president
and these contentious times in which we live, there will be this: «Black Panther» is one heck of a fun cinematic joyride.
The case takes on greater meaning in the community, bringing to the forefront America's hardened views on
race,
class and gender
politics.
«Escape From Guantanamo Bay,» on the other hand, is too busy cracking jokes about
race,
class,
and politics (let alone juggling a romance subplot) to understand what was so funny about the original in the first place.
It's a perfectly nice movie, if you can get past some sticky social
politics in terms of
race,
class,
and economics.
The report advocates making
race,
class and gender
politics the «overarching framework» for all teaching courses at the U.
I pay particular attention to their
politics on
race,
class, inequality,
and social change as we interrogated local challenges through a curriculum that explicitly framed inequality as structurally rooted.
Taking the contested relationship between the popular sectors
and the Venezuelan state as a point of departure, Iselin Åsedotter Strønen explores how notions such as
class,
race, state, bureaucracy, popular
politics, capitalism, neoliberalism, consumption, oil wealth,
and corruption gained salience in the Bolivarian process.
As she did with Half of a Yellow Sun, Adichie creates a multigenerational tale, spanning three continents
and incorporating the complicated
politics of Lagos, the slippery codes of
race and class,
and the emotional network of family
and friends.
Daryl Carter, author of Brother Bill: President Clinton
and the
Politics of
Race and Class,
and Dorothy Padgett, author of Jimmy Carter: Elected President with Pocket Change
and Peanuts, talk about the presidency.
While she spins a rangy tale of parents
and children, husbands
and wives, domestic distress
and acrimonious academic
politics, she takes an incisive look at
race and class and the divisive
politics surrounding them in America today
and does so with non-racist humor
and grace.
In some cases, these were to protect artwork that truly was not meant to be touched, but in large part these norms had nothing do with preservation
and everything to do with 19th century
politics of gender,
race and class control,» according to Cantor Fine Art.
This year's transmediale Marshall McLuhan Lecture is delivered by Sarah Sharma, who has focused on the intersectional
politics of time,
class, gender,
and race in her work.
We engage a wide audience, particularly young people, in discourse
and debate on issues surrounding the
politics of
race,
class and gender.
Artists like Lorna Simpson
and Marcel Dzama have used collage techniques as a means of addressing topics like fantasy,
race,
class,
and politics, while the collective assume vivid astro focus merges magery from the Internet
and analog sources alike.
The Peru - born, Spain - based artist Daniela Ortiz addresses nationality, colonialism,
race and class to look at the
politics of citizenship.
Inequality,
class,
race,
politics, identity: it's all there to be teased out if you want, but Lew
and Locks have built an exhibition that is multivalent, personal, almost conversational.
Organized by the Art Institute of Chicago, this traveling show explores how the topic of food has «allowed American artists both to celebrate
and critique their society, expressing ideas relating to
politics,
race,
class, gender, commerce,
and how these categories define American identity.»
«Second Sight challenges us to consider what can be grasped when we think beyond what lies in plain sight, providing a forum for conversations about difference
and new scholarship in the
politics of
race,
class,
and ability in contemporary art,» said Bowdoin College Museum of Art Co-Director Anne Collins Goodyear.
«Outsiders who come here to help don't understand that we play by different rules,» said a friend who has spent her life in New Orleans, where unique intersections between
politics,
race,
class,
and corruption make for a particularly heady brew.
If economic
class continues to be one of the most bitter flash points in American
politics,
race is, ever, the other,
and never more so than in an election year marked by surges of xenophobia
and instances of police violence directed against black citizens.
«Over the course of 20 years Simmons has often used boxing as a leitmotif in his work to address the
politics of
race,
class and professional sports,» the gallery notes.
One of the most important
and celebrated contemporary American artists, Carrie Mae Weems has for over thirty years investigated issues of
race, gender,
and class,
and her artwork continues to raise important questions about cultural identity
and the
politics of representation.
The two 1960s artists whose careers
and products may be considered to have formed a bridge between the visual past (the omnipresent black figure, overtures to visual modernism,
and the need to acknowledge the
politics of
race)
and a visual future for African American art (artistic singularity over racial unity, narrational / perceptual simultaneity,
and the interjecting of
class, gender,
and sexuality into art) are Bob Thompson
and ROMARE BEARDEN.
For me the election revealed a raw
and urgent need for drastically different priorities, risks,
and experimentation to advance a compelling conversation about
race,
politics,
and class that we need in this new # 45 era.
Under the mentorship of MCASD's Education
and Engagement Director, Cris Scorza; Education Manager, Mario Mesquita;
and Gallery Educators; TAG members will explore Food Justice as the focus of their artistic practice, ranging from science,
race,
politics and history, as well as
class structure
and economy.
The collective has received international recognition for its work on
race,
class,
and gender justice in projects such as Rethinking Nordic Colonialism (2006)
and their upcoming exhibition space CAMP (Center for Art on Migration
Politics).
For example, a very interesting common theoretical standpoint that was shared
and jointly built during this week, was the understanding of black radical imagination as a Marxist approach that could engage utopia
and a post-capitalist future from the perspectives of
class,
race and gender
politics.
Her paintings
and drawings of the human figure open up a dialogue with viewers about
race identity, belonging,
class, power
and the
politics of how we look at others.
As discussions at the intersections of gender,
race, cultural background, ability, age,
class, education,
politics and values are expanded, the significance of community remains important.
Textiles
and dress tell much about the
politics and culture of a society, reflecting on gender,
class,
race and sexuality.
Focusing particularly on how the ideas of the 1960s» counterculture on subjects such as gender, sexuality,
race,
and class have permeated the desires of the «silent majority,» Jones» re-staging reveals the shifts in our understanding of feminism
and politics over the past half - century.
We Choose Art: A Feminist Perspective is a group exhibition that will include works by a variety of Los Angeles based artists, each of whom touch upon concepts of
race,
class, culture,
politics, social commentary,
and / or gender from a feminist perspective.
Showcasing the works of six artists from the United Kingdom
and Nigeria, Japan
and Southeast Asia, «BODY / PLAY /
POLITICS» considers the ways in which bodies are coded: which bodies count,
and how are these bodies marked by external forces such as
race,
class, nation
and gender?
Against this trend, Mark Wallinger's work has, since the 1980s, consistently addressed issues of
race and class in the construction of British identity; what he calls «the
politics of representation
and the representation of
politics.»
The topic of food allowed American artists both to celebrate
and critique their society, expressing ideas relating to
politics,
race,
class, gender, commerce,
and how these categories define American identity.
The exhibition culminates with contemporary examples by Carol Bove, Wade Guyton, Rashid Johnson, Glenn Ligon,
and Rudolf Stingel, artists who employ the supposedly «neutral» aesthetic tropes of Minimalism to explore the
politics of
race,
class,
and technology.
In his new body of work Simmons continues to excavate
politics, music,
race and class within American
and British culture.
I am only writing to warn you that one of the most evil
and deceptive things that those «in power» do is «make the people busy» with in - fighting (party -
politics and male vs. female
and race,
class and other division) mindless entertainment
and so on.