Sentences with phrase «race and culture through»

Layal's areas of interest include the poetics and politics of representing gender, race and culture through art; contemporary art from the Middle East and globalization; and feminist critical theory.

Not exact matches

God in His will through history had into reality seemingly illogical or cruel events to happen in our world, but no one is spared if the purpose is for the good of humanity, wars pestilence even the holocust has a reason and purpose beyond our comprehension at our times but will be reveald in the future, The Phillipine catasthrophy for example is viewed by some as Gods punishment, we experienced the brunt of natures punishing power but it also unveiled the true feelings and concern of the whole world in helping us materially and spiiritually by aiding and consoling us that was unprecedented in history, The whole world had demostrated, to me, a kind of humanitarian concern and love that trancends races and culture, A kind of demonstration by higher being the we humans is one with Him.The cost of human lives and misery is nothing in history compared to its positve historical consequences
It is a commitment of men and women to the supremely worshipful reality called God, as this reality is believed to disclose itself to us, but it is not an individualistic commitment, since it demands full participation, to a greater or lesser degree, in a corporate experience conveyed through the ages by a community of men and women drawn from the most varied backgrounds and races, classes, nations, and cultures.
The film explores art, race and politics through youth culture in Cali.
Critical pedagogy extends critical theory - the neo-Marxist examination of the relationship between power and culture, aimed at addressing issues of class, race, gender, and social justice through the remaking of societal institutions - to the realm of schools.
Written for teacher educators, higher education administrators, policy makers, and others concerned with issues of race, the book is comprised of four parts that each represent a distinct perspective on the struggle for racial justice: contributors reflect on their experiences working as educators of Color to transform the culture of predominately White institutions, navigating the challenges of whiteness within teacher education, building transformational bridges within classrooms, and training current and inservice teachers through concrete models of racial justice.
Presentations include: analyzing student - teacher perception to improve school culture and climate; dropping everything to write to increase standardized test scores; using hip - hop to engage students in the writing process; advising math, literacy and test prep boot camp to address fundamental skills; transforming culture through continuity, expectations, and organization; promoting courageous dialogues about the perceptions of race; and discovering bills and taxes through real - life applications.
Transforming the Culture of Teaching and Learning: Four Race to the Top - District Grantees» Implementation of Personalized Learning is the second report from a study that followed four Race to the Top - District grantees from Fall 2013 through the start of their third year of implementation in Fall 2015.
James Brown's impact on American popular culture reverberates so deeply through music and race relations that writers are still attempting to uncover the man behind the legend.
Set in Liberia and the United States from 1975 through 1991, The Darling is a political - historical thriller — reminiscent of Greene and Conrad — that explodes the genre, raising serious philosophical questions about terrorism, political violence, and the clash of races and cultures.
FOR HALF A CENTURY, Hammons has been exploring the intersection of race, poverty and American culture, often through a lens of wit and irony (i.e. the ornate basketball hoop).
Through its work, Iniva has continued to encourage the study and interrogation of cultural identity and difference, most recently in its 2011 exhibition Entanglement: the ambivalence of identity, but also previously in exhibitions such as Alien Nation (2007), which explored science - fiction, race and contemporary art and Veil (2003), which addressed the veneration and vilification of the veil in contemporary culture.
Minott's work explores how dance is perceived through the prisms of race, queer culture, gender and class.
She is interested in how dance is perceived through the prisms of race, queer culture, gender and class.
Through an array of campy stereotypes that range from a suspicious housewife peering out a window to a Divine-esque drag queen, Gaignard interrogates her own intersectional identity as a biracial woman as well as the often murky, difficult terrain of race, class, and gender in contemporary culture.
The project brings together artists, scholars, and performers through portraiture, food, and dialogue to examine race and culture.
Exploring the painful history of American race relations through large - scale silhouette installations, Walker's work transforms historical materials, literary sources and popular culture, challenging us to access buried emotions about our nation's past.
While James T. Green also uses language and image to critique the dominant culture, he concentrates on the perception of «the other,» often raising issues of race through familiar and accessible technologies.
I draw my inspiration from the African culture and its richness as I attempt to capture through paintings the age - long traditions and values of this unique race.
ABOUT THE ARTIST Hank Willis Thomas (b. 1976, Plainfield, N.J.) regularly tackles issues of pop culture through the lenses of race, identity, advertising, and corporate branding.
She received her B.A. from the University of Alabama in Huntsville before continuing to California College of the Arts for her M.F.A. Known for her conceptual portraiture, Ojih Odutola explores the concept of race, wealth, and Nigerian culture through her work.
By using her body to work through issues of race, culture, religion and gender, Benedict sets out a unique set of DIY parameters to explore.
The exhibiting artists exponentially expand on and add to the show's themes through a variety of strategies, including: performed fictions that resituate celebrity and commodity culture; collaborative text pieces that give institutionally marginalized voices visibility; appropriation of pop culture to explore the isolation of fame; the mining of distinctly American signifiers such as varsity sports and daytime TV talk shows; and juxtapositions of post-consumer objects that read on multiple levels and often indicate how a person's race, class, gender, and sexuality can position them in a simultaneous state of hypervisibility and invisibility in American culture.
A group exhibition of emerging contemporary artists who address the ongoing HIV / AIDS pandemic in North America through the lens of childhood, education, popular culture and race, this exhibition is guest - curated by Danny Orendorff and is presented concurrently with the touring exhibition ArtAIDSAmerica, presented by the Alphawood Foundation in Chicago.
For her debut, Mohamoud further develops her large - scale installation recently featured at The Art Gallery of Ontario, through her continued investigation into binaries and aesthetics of sports culture as it relates to race and gender, through industrial sculpture, text, and printed photographs on varying...
Sonya Clark's craft and design practice explores issues of race, culture, gender, identity, and class, through the cultural power of hair.
Through his method of «unbranding,» the artist exposes how commodity culture's generalizations about race, gender, and ethnicity have come to seem almost natural to consumers.
The shockwaves that reverberated through America have come into focus again with Manson's recent death, making Helter Skelter I a timely piece that addresses the persistent issues of race, crime and celebrity culture that continue to structure urban America.
According to the Morris - Jumel, «Shonibare's art explores identity, race, gender and the cross-pollination of cultures through the use of life - sized mannequins adorned in period costumes» crafted of Dutch wax fabric (a colorful, Indonesian textile introduced to Africa by British and Dutch merchants and colonizers).
Through her investigations of visual overlaps between cultures, time periods and geographies, she confronts and examines ideas of the female body, race, beauty and community.
His «work explores identity, race, gender and the cross-pollination of cultures through the use of Dutch wax textiles, period costumes and mixed media.»
NEW YORK — At Jack Shainman, Hank Willis Thomas's new show explores race and identity through pop culture symbolism.
If some kind of «supra - intelligence» emerges collectively through culture and science, this maybe thought of the human race evolving a collective prefrontal cortex.
Through advocacy, conflict resolution, and education, this human relations organization advocates understanding and respect among all races, religions, and cultures.
Less obviously but still clearly relevant to admission is age (mature student category) cultural and economic background (through means such as interviews, personal statements / essays), and race and culture (through aboriginal admission programs, scholarship opportunities based on race gender or community membership etc..)
For 20 years, The Gottman Institute has been dedicated to maintaining greater love and health in relationships through a program of ongoing research, and a commitment to extending our services to people of every race, religion, class, culture, sexual orientation, and ethnicity.
Adoption Issues From Six to Nine: Making Choices About Race, Culture, Ethnicity, and Identity Cogen (2008) In Parenting Your Internationally Adopted Child: From Your First Hours Together through the Teen Years View Abstract Discusses specific identity issues faced by international adopted people when they are between the ages of 6 and 9 and provides recommendations for successful parenting techniques.
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