Layal's areas of interest include the poetics and politics of representing gender,
race and culture through art; contemporary art from the Middle East and globalization; and feminist critical theory.
Not exact matches
God in His will
through history had into reality seemingly illogical or cruel events to happen in our world, but no one is spared if the purpose is for the good of humanity, wars pestilence even the holocust has a reason
and purpose beyond our comprehension at our times but will be reveald in the future, The Phillipine catasthrophy for example is viewed by some as Gods punishment, we experienced the brunt of natures punishing power but it also unveiled the true feelings
and concern of the whole world in helping us materially
and spiiritually by aiding
and consoling us that was unprecedented in history, The whole world had demostrated, to me, a kind of humanitarian concern
and love that trancends
races and culture, A kind of demonstration by higher being the we humans is one with Him.The cost of human lives
and misery is nothing in history compared to its positve historical consequences
It is a commitment of men
and women to the supremely worshipful reality called God, as this reality is believed to disclose itself to us, but it is not an individualistic commitment, since it demands full participation, to a greater or lesser degree, in a corporate experience conveyed
through the ages by a community of men
and women drawn from the most varied backgrounds
and races, classes, nations,
and cultures.
The film explores art,
race and politics
through youth
culture in Cali.
Critical pedagogy extends critical theory - the neo-Marxist examination of the relationship between power
and culture, aimed at addressing issues of class,
race, gender,
and social justice
through the remaking of societal institutions - to the realm of schools.
Written for teacher educators, higher education administrators, policy makers,
and others concerned with issues of
race, the book is comprised of four parts that each represent a distinct perspective on the struggle for racial justice: contributors reflect on their experiences working as educators of Color to transform the
culture of predominately White institutions, navigating the challenges of whiteness within teacher education, building transformational bridges within classrooms,
and training current
and inservice teachers
through concrete models of racial justice.
Presentations include: analyzing student - teacher perception to improve school
culture and climate; dropping everything to write to increase standardized test scores; using hip - hop to engage students in the writing process; advising math, literacy
and test prep boot camp to address fundamental skills; transforming
culture through continuity, expectations,
and organization; promoting courageous dialogues about the perceptions of
race;
and discovering bills
and taxes
through real - life applications.
Transforming the
Culture of Teaching
and Learning: Four
Race to the Top - District Grantees» Implementation of Personalized Learning is the second report from a study that followed four
Race to the Top - District grantees from Fall 2013
through the start of their third year of implementation in Fall 2015.
James Brown's impact on American popular
culture reverberates so deeply
through music
and race relations that writers are still attempting to uncover the man behind the legend.
Set in Liberia
and the United States from 1975
through 1991, The Darling is a political - historical thriller — reminiscent of Greene
and Conrad — that explodes the genre, raising serious philosophical questions about terrorism, political violence,
and the clash of
races and cultures.
FOR HALF A CENTURY, Hammons has been exploring the intersection of
race, poverty
and American
culture, often
through a lens of wit
and irony (i.e. the ornate basketball hoop).
Through its work, Iniva has continued to encourage the study
and interrogation of cultural identity
and difference, most recently in its 2011 exhibition Entanglement: the ambivalence of identity, but also previously in exhibitions such as Alien Nation (2007), which explored science - fiction,
race and contemporary art
and Veil (2003), which addressed the veneration
and vilification of the veil in contemporary
culture.
Minott's work explores how dance is perceived
through the prisms of
race, queer
culture, gender
and class.
She is interested in how dance is perceived
through the prisms of
race, queer
culture, gender
and class.
Through an array of campy stereotypes that range from a suspicious housewife peering out a window to a Divine-esque drag queen, Gaignard interrogates her own intersectional identity as a biracial woman as well as the often murky, difficult terrain of
race, class,
and gender in contemporary
culture.
The project brings together artists, scholars,
and performers
through portraiture, food,
and dialogue to examine
race and culture.
Exploring the painful history of American
race relations
through large - scale silhouette installations, Walker's work transforms historical materials, literary sources
and popular
culture, challenging us to access buried emotions about our nation's past.
While James T. Green also uses language
and image to critique the dominant
culture, he concentrates on the perception of «the other,» often raising issues of
race through familiar
and accessible technologies.
I draw my inspiration from the African
culture and its richness as I attempt to capture
through paintings the age - long traditions
and values of this unique
race.
ABOUT THE ARTIST Hank Willis Thomas (b. 1976, Plainfield, N.J.) regularly tackles issues of pop
culture through the lenses of
race, identity, advertising,
and corporate branding.
She received her B.A. from the University of Alabama in Huntsville before continuing to California College of the Arts for her M.F.A. Known for her conceptual portraiture, Ojih Odutola explores the concept of
race, wealth,
and Nigerian
culture through her work.
By using her body to work
through issues of
race,
culture, religion
and gender, Benedict sets out a unique set of DIY parameters to explore.
The exhibiting artists exponentially expand on
and add to the show's themes
through a variety of strategies, including: performed fictions that resituate celebrity
and commodity
culture; collaborative text pieces that give institutionally marginalized voices visibility; appropriation of pop
culture to explore the isolation of fame; the mining of distinctly American signifiers such as varsity sports
and daytime TV talk shows;
and juxtapositions of post-consumer objects that read on multiple levels
and often indicate how a person's
race, class, gender,
and sexuality can position them in a simultaneous state of hypervisibility
and invisibility in American
culture.
A group exhibition of emerging contemporary artists who address the ongoing HIV / AIDS pandemic in North America
through the lens of childhood, education, popular
culture and race, this exhibition is guest - curated by Danny Orendorff
and is presented concurrently with the touring exhibition ArtAIDSAmerica, presented by the Alphawood Foundation in Chicago.
For her debut, Mohamoud further develops her large - scale installation recently featured at The Art Gallery of Ontario,
through her continued investigation into binaries
and aesthetics of sports
culture as it relates to
race and gender,
through industrial sculpture, text,
and printed photographs on varying...
Sonya Clark's craft
and design practice explores issues of
race,
culture, gender, identity,
and class,
through the cultural power of hair.
Through his method of «unbranding,» the artist exposes how commodity
culture's generalizations about
race, gender,
and ethnicity have come to seem almost natural to consumers.
The shockwaves that reverberated
through America have come into focus again with Manson's recent death, making Helter Skelter I a timely piece that addresses the persistent issues of
race, crime
and celebrity
culture that continue to structure urban America.
According to the Morris - Jumel, «Shonibare's art explores identity,
race, gender
and the cross-pollination of
cultures through the use of life - sized mannequins adorned in period costumes» crafted of Dutch wax fabric (a colorful, Indonesian textile introduced to Africa by British
and Dutch merchants
and colonizers).
Through her investigations of visual overlaps between
cultures, time periods
and geographies, she confronts
and examines ideas of the female body,
race, beauty
and community.
His «work explores identity,
race, gender
and the cross-pollination of
cultures through the use of Dutch wax textiles, period costumes
and mixed media.»
NEW YORK — At Jack Shainman, Hank Willis Thomas's new show explores
race and identity
through pop
culture symbolism.
If some kind of «supra - intelligence» emerges collectively
through culture and science, this maybe thought of the human
race evolving a collective prefrontal cortex.
Through advocacy, conflict resolution,
and education, this human relations organization advocates understanding
and respect among all
races, religions,
and cultures.
Less obviously but still clearly relevant to admission is age (mature student category) cultural
and economic background (
through means such as interviews, personal statements / essays),
and race and culture (
through aboriginal admission programs, scholarship opportunities based on
race gender or community membership etc..)
For 20 years, The Gottman Institute has been dedicated to maintaining greater love
and health in relationships
through a program of ongoing research,
and a commitment to extending our services to people of every
race, religion, class,
culture, sexual orientation,
and ethnicity.
Adoption Issues From Six to Nine: Making Choices About
Race,
Culture, Ethnicity,
and Identity Cogen (2008) In Parenting Your Internationally Adopted Child: From Your First Hours Together
through the Teen Years View Abstract Discusses specific identity issues faced by international adopted people when they are between the ages of 6
and 9
and provides recommendations for successful parenting techniques.