Of her works, Campbell notes: «As we approach the centennial of the Tulsa
Race Massacre, Red Summer, and other race riots that took place across the country, I offer this installation to ponder the architecture of our country and its relationship to justice, reparations, accountability, privilege, civic responsibility, codes of silence, generational trauma, tradition, legacy, apology, national inheritance, and reconciliation.&ra
Race Massacre, Red Summer, and other
race riots that took place across the country, I offer this installation to ponder the architecture of our country and its relationship to justice, reparations, accountability, privilege, civic responsibility, codes of silence, generational trauma, tradition, legacy, apology, national inheritance, and reconciliation.&ra
race riots that took place
across the country, I offer this installation to ponder the architecture of our country and its relationship to justice, reparations, accountability, privilege, civic responsibility, codes of silence, generational trauma, tradition, legacy, apology, national inheritance, and reconciliation.»
Speaking of
race, writes Imani Perry in Race and Rioting: «Yesterday was the first time that I heard race or immigrant status mentioned on broadcast television with respect to the recent uprisings and protests occurring in poor and working class suburbs across Fra
race, writes Imani Perry in
Race and Rioting: «Yesterday was the first time that I heard race or immigrant status mentioned on broadcast television with respect to the recent uprisings and protests occurring in poor and working class suburbs across Fra
Race and
Rioting: «Yesterday was the first time that I heard
race or immigrant status mentioned on broadcast television with respect to the recent uprisings and protests occurring in poor and working class suburbs across Fra
race or immigrant status mentioned on broadcast television with respect to the recent uprisings and protests occurring in poor and working class suburbs
across France.