Sentences with phrase «racial identity work»

SRI holds that the practice of ensuring that each child is successful regardless of their external or internal, social or cultural contexts requires racial identity work — exploring the role that race has played in shaping our own and our students» lives.

Better action happens when educators have the courage and skill to resist the easy answer and superficial solution, engage in racial identity work, and embrace the challenge of digging deeply into the uncomfortable, persistent, inequitable conditions and relationships that exist in too many schools.

Not exact matches

Working memory differences may be attributed to different racial identities or stereotype threat.

This course also helps them situate this particular work within the larger context of challenges and innovations in urban education by introducing participants to literature on the achievement gap, the impact of racial identity on school achievement, charter school policy and critiques, and the advent and development of charter schools serving low income students that are based on high support and high expectations.

Attitudes belong to all layers of a person's identity, whether it is their role in schools as a student, teacher, paraprofessional, janitor, school board member, or bus driver; as a member of a racial or ethnic group; whether a person is an English Language Learner, is fluent in multiple languages, or is a non-English speaker; and whether a person identifies as poor, working class, low - income, middle income or high income.

Please join NEP and the Black Teacher Project as we partner to explore the crucial work of building relationship and understanding among and across race identity groups, with a focus on using racial affinity group structures in sustained collaborative work contexts.

Thus, again, if the works can't be incorporated or tamed into discourse of gender representation, nor to the terms of the new critical language of gender, racial identity, national identity politics, they also can't be reduced to the purely formal terms of the earlier discourse that had characterized painting from the late 1940s to the 1970s.

In all of her work, our critic writes, «her aim is not to assert racial identity but to destabilize the very concept of it.»

Whereas in her previous works the racial or ethnic identities of the characters remained largely ambiguous, these figures are more clearly associated with specific groups.

Sculpture and video works by Abigail DeVille and Andrea Bowers highlight inequities based on racial, economic, gender, and immigrant identities that pervade society.

June 15 — August 11, 2007 Transformer featured dynamic artists who address issues of role - playing, racial and gender stereotypes, and gender identity through employing alter egos in their work.

By casting African American women as the «heroines» of her works, she makes a profound statement regarding gender and racial identity.

He is part of a generation of artists - such as Coco Fusco, Guillermo Gómez - Peña, Pepón Osorio, and Papo Colo - who in the 1980s and»90s explored questions of ethnic, racial, and national identity in their work.

Individually, Thomas's videos are more involved with images of womanhood, working class identity and celebrity culture, whilst Kudakwashe turns to Afrofuturism in a scrambling of racial identity and hyper - masculinity.

Yinka Shonibare's works explore the issues of postcolonialism, national and racial identity, and class through the media of painting, sculpture, photography and film.

In the exhibition, abstract paintings and sculpture from the 1960s through the 1980s by Barbara Chase - Riboud, Martin Puryear, and others show a desire to balance cultural and artistic identities, challenging the idea that work by African Americans should be viewed in primarily racial terms.

The selected pieces that comprise the titular show range from 1993 to the present day; a new work «Polvo» investigates racial identity in a series of self - portraits, while other, more haunting, works featuring depictions of flesh intersecting with beautiful Portuguese tile, as in «Folds 2.»

Featuring works from the early 1990s through the present, the exhibition focused on Fusco's critical examination of the politics of identity, military power, the history of racial thought, and post-revolutionary Cuba.

For this sculpture, Nayland Blake, a multi-disciplinary artist whose works address themes of sexual and racial identity, collaborated with Costello Tagliapietra, a husband - husband fashion design team known for their lumberjack style of plaid flannel shirts, suspenders, and bushy beards.

In 1950s Leukerbad (a place with no racial diversity) African identity is kept at a distance, evidenced not only by a bigotry for outsiders, but also paternalistic donations and missionary work in Africa's European colonies.

Since 1998 Hargrave has produced a compelling, deeply personal body of work incorporating painting, drawing, sculpture and video that explore the dynamics between race, sexuality and religion in relation to his upbringing in the south and early adulthood as an African American gay male coming to terms with racial and sexual identity.

Han also explores the themes of ideal beauty and racial identity through her work in sculpture — executed in a wide range of materials and hands - on processes.

August 27, 2003 - January 4, 2004 This experimental exhibition presents four contemporary works of art that explore notions of personal, racial, and cultural identity.

Included in the USA Today exhibition is Adrian Piper's video installation, Cornered, a work that draws the viewer in with Piper's calmly - delivered monologue on her own racial identity and leaves the viewer with the potent question, «what are you going to do with this information?»

Yinka Shonibare MBE's works bring together disparate cultural references and material to explore issues around colonialism and post-colonialism within the contemporary context of globalisation, as well as issues of national and racial identity and class and cultural politics.

Sonia Boyce was born in London in 1962, where she still lives and works, and in the early 1980s emerged as a figurative painter, quickly gaining critical attention as part of the black British arts movement, for works that spoke about racial identity and gender.

Continuing a narrative on the role of the nation, the resulting work compels its viewers to acknowledge a conflicted past while speaking to a broader discussion of racial and cultural identity.

Marshall is the author of an important body of figurative work in which he explores the themes of identity — national, gender, and especially racial identity — in an attempt to contextualize the Afro - American experience in today's sociopolitical situation.

The gift strengthens the Nasher Museum's growing collection of contemporary art and includes work that engages with issues of gender relations, sexual identity and racial and cultural identity.

Aguilar's now iconic triptych, Three Eagles Flying (1990), set the stage for her future work by using her nude body as an overt and courageous rebellion against the colonization of Latinx identities — racial, gendered, cultural and sexual.

Inspired by a diverse array of visual artists, actors, musicians, writers, activists, and philosophers, including W. E. B. Du Bois, Joseph Beuys, Joseph Cornell, Parliament Funkadelic and Sun Ra, Johnson engages with questions of personal, racial, and cultural identity through his work, producing an amalgamation of historical and material references grounded in art and African - American history.

Luscious colors, complex compositions, transcendental narratives and an ability to seamlessly work across media: Marshall is shifting expectations on racial identity and art historical discourse by declaring himself and his culture Invisible No More.

His work focuses on thecurrent topics of racial identity and the language of urban culture through a wide range of media including video, performance, installation, painting, and sculpture.

Performances and new media works exploring racial identity and power structures in a digital age

Allan deSouza is a multimedia artist whose work investigates the themes of travel, diaspora, and migration and their role in forming the racial and sexual identity of the body in a social and psychological context.

Tomorrow at 7PM at The Art Institute of Chicago, join Glenn Ligon, Studio Museum chief curator and director Thelma Golden, Lynette Yiadom Boakye, and Cauleen Smith for a discussion on their work and how it examines individual and collective histories along with questions of cultural, social, sexual, and racial identity.

Meanwhile, Lorna Simpson, Adrian Piper, and MacArthur «genius» grant winners Kara Walker and Carrie Mae Weems made powerful work that broke down gender and racial stereotypes of the black woman, one of the most marginalized identities in American culture.

This gave rise to the final report to Convocation in 2016, Working Together for Change: Strategies to Address Issues of Systemic Racism in the Legal Professions, which found that forty per cent of racialized licensees identified their ethnic / racial identity as a barrier to entry to practise, while 43 per cent cited their ethnic / racial identity as a barrier to advancement.

«I enjoy working with folks who need support in managing a wide variety of issues from self - esteem and identity concerns to the stress of dealing with multiple roles, relationships, and life demands (as students, partners, friends, parents, new professionals, family members, community activists, etc.) My clinical interests include multicultural and women's issues, racial / ethnic identity development (especially among biracial / multi - racial / ethnic / cultural individuals), sexual and gender identity development, adjustment and transition issues, and building healthy relationships through assertive communication and positive self - esteem.»

I also have interests in working with grief, self - injury, and issues related to identity in a minority population (racial / ethnic, sexual orientation, religious).

-- Abuse ADHD Adoption Affairs / Infidelity Aging Agoraphobia Alcohol Abuse / Addiction Anger Managment Anxiety Asperger's / Autism Spectrum Bipolar Disorder Body Image Borderline Personality Disorder Bullying Career Change Caregiver Issues Child Behavioral Issues Chronic Illness Chronic Pain Class / Socio - Economic Issues Compulsive Behaviors Codependency Coping Skills Couple / Marital Issues Crisis Intervention Depression Developmental Disorders Disability Issues Divorce Domestic Violence Drug Abuse / Addiction Dual Diagnosis Eating Disorders Family Conflict Financial / Money Issues Friendship Problems Gambling Problems Gay / Lesbian / Bisexual (GLB) Life / Relationship Issues Gender Identity (Adults) Gender Identity (Children) Gender Roles Gender Transition Grief & Loss HIV / AIDS Hoarding Immigration / Acculturation Issues Impulsive Behaviors Infertility Intellectual Disability Intergenerational Issues Internet Addiction Kink / BDSM Relationships Learning Disabilities Life Transitions Medication Management Men's Issues Obsessive - Compulsive Disorder (OCD) Oppositional - Defiant Disorder Painful Sex / Vaginismus Panic Attacks Parent / Adult Child Parenting Peer Relationships Personality Disorders Phobias / Fears Polyamory / Open Relationships PTSD Pregnancy / Pre - natal / Postpartum Issues Pre-Marital Racial Identity Issues Remarriage / Stepfamily Religious Issues Schizophrenia School Issues Seasonal Affective Disorder Self - Esteem Self - Harming / Self - Injury Sexual Issues Sexual Assault / Rape Sexual Abuse Sexual Addiction / Compulsivity Sexual Orientation / Identity Issues Sibling Issues Sleep Issues / Insomnia Social Problems Spirituality Sports Performance Stress Suicidal Thoughts / Attempts Teenage / Adolescent Issues Testing & Evaluation GLB Issues Trans Issues Trauma Traumatic Brain Injury Video Game Addiction Work Issues Women's Issues

Grossman also worked with Linda Charmaraman, Ph.D., to examine the centrality of racial / ethnic identity for minority and white teens.

This paper reviews current research on the mixed ancestry experience and proposes a mixed ancestry racial / ethnic identity development model that incorporates Rockquemore and Brunsma's (2002) work on mixed ancestry identity types, Cross and Fhagen - Smith's (1996, 2001) life - span model of Black identity development, Cross's (1991) Nigrescence theory, Phinney's (1989) Ethnic Identity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity deveidentity development model that incorporates Rockquemore and Brunsma's (2002) work on mixed ancestry identity types, Cross and Fhagen - Smith's (1996, 2001) life - span model of Black identity development, Cross's (1991) Nigrescence theory, Phinney's (1989) Ethnic Identity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity deveidentity types, Cross and Fhagen - Smith's (1996, 2001) life - span model of Black identity development, Cross's (1991) Nigrescence theory, Phinney's (1989) Ethnic Identity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity deveidentity development, Cross's (1991) Nigrescence theory, Phinney's (1989) Ethnic Identity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity deveIdentity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity deveidentity development.

I work with clients of various racial, ethnic, cultural, sexual, and religious identities both in inpatient and outpatient settings.