Sentences with phrase «racing movie does»

Not exact matches

everything is made up of atoms (don't believe me do some research) its the different variables of heat and light and things like that that cause different reactions to make different things and these things when they interact can create something completely different and you and slowly the process of mitosis or miosis starts to work and form stuff hell i learnt that in high school and it was a catholic one at that a millions of years ago i bet the universe was completely different and had things in it that our minds cant even imagine that have since changed over time from action and reaction to what we have today and in another million years who knows with all the different gases we pump into the air and the weather getting more intense on both ends of the scale life as we know it will be different the human race will have to evolve to survive and will probibly form into a slightly different species hell maybe well evolve into 2 different species like in the movie time machine

That Pimlico match in»38 is the emotional center of the picture, the most artful racing movie Hollywood has ever done.

But they did zero in on movies by controlling for a wide range of extenuating factors, including race, household income, school performance, parenting styles, smoking among friends and family members, and even personality traits such as rebelliousness.

I'm a very Humble fun loving person like cooking, reading, independent, go ing to the movies and open to ideas I do Believe we are all Gods Creation I don't Discriminate against No one Religion or Race.

Love to do anything outdoors, especially fishing!Like football, music, movies, crafts, C OOKING, cars, working on cars, car races, swimming, camping, and much more.Independent, passionate, ro mantic, kind heart, unique, smart.and much more.

I'm 5» 10» I'm mixed race mother is white father black so it looks like I have a tan year round I don't drink or smoke but I don't mind people who do I love movies music I collect I Love Lucy Dolls I have quite a few of them I haven't been in a dating situation in about four years I like reading...

I like to do lots of different things like boating / fishing / camping / hunting, movies, cuddling at home, amusement parks, motorcycles, races (all kinds), working outside, hangin» with friends and BS «ing... like I...

Though the movie doesn't exactly open with a lot of promise - Hemsworth's character is, for example, first glimpsed seducing a nurse à la James Bond - Rush eventually settles to become a consistently engrossing drama that boasts a handful of genuinely exciting racing sequences (although, by that same token, it's hard not to wish that filmmaker Ron Howard had spent a little more time on the individual races).

This is a very tough movie that does not skimp on either the beauties or horrors of the world of horse - racing.

But for me as a fan, it's an opportunity to not to see the same shit that's been done for five movies now, while also opening up the casting to some actors from different races that I love to have a chance to play an iconic character.

The Hollywood Foreign Press Association might have a slightly different sense of humor than stateside critics, who didn't like the movie nearly as much as they liked «The Lego Batman Movie,» which was left out of the race entimovie nearly as much as they liked «The Lego Batman Movie,» which was left out of the race entiMovie,» which was left out of the race entirely.

Johnson doesn't show up until the fifth (official) entry in the «Fast & Furious» series, and he sits out a lot of the seventh movie, but he's a big part of what made this franchise jump from a decent series of car - racing movies to one of the best and biggest action franchises on the planet.

Whipp: Ron Howard's racing movie, «Rush,» didn't find the audience it deserved, but enough academy members might have seen it to score deserved nominations for Daniel Brühl in supporting actor and cinematographer Anthony Dod Mantle.

It's January, the Oscar nominations are out there and everyone's giving their two cents about Hollywood race / gender bias, complaining that their favorite movie didn't get enough attention, and praying to the golden - statue gods that Leonardo DiCaprio finally nabs that elusive award he's been chasing since he was five years old or something.

It makes the Oscar race kind of a farce, ultimately, because though good movies do win in this climate (Moonlight, for instance, is a great movie), the reasons they seem to win can seem a little bogus when seen through this lense.

I know as much now about CART racing's strategy and appeal as I did prior to watching the film, leading me to believe that the amount of knowledge one possesses about the «sport» going in will greatly influence the degree to which one enjoys the movie.

When it begins Thursday night with a story of international rivalry and cult - of - hothead - personality (tennis drama «Borg / McEnroe» with Shia LaBeouf as John McEnroe)-- and continues over the following 10 days with movies about race, environmentalism, globalism, feminism and politics — TIFF will engage with the current moment as few cultural events do.

After creating a hyper - stylized art deco backdrop and playing with a bit of straightforward character development that makes Rogers something resembling a human being before pumping him full of mysterious chemicals that transform him into a super version thereof (The irony of using genetic experimentation to create a race of supermen to fight the Nazis is lost on just about everyone here), the movie gradually loses its design flair and human element for hastily assembled sequences of derring - do.

So here's to the SAG for giving the Big Sick a well deserved boost in a race that really doesn't deserve a movie this good.

That also makes me wonder about the Oscar race itself, and why some movies get into the box and others don't.

«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea

Like the best sports movies, the 1970s - set Formula One racing drama Rush doesn't just use its sport as a backdrop.

But if they don't — if any of these powerful movies about women get snubbed for best picture, or the women that anchor them get left out of the best - actress race in favor of films that won't make a dent in any other category (I see you, Victoria & Abdul)-- it might be time for a serious intervention.

Like many, I hope Aaron Paul finds success, but his post - «Breaking Bad» big screen career gets off to a lackluster start in Need for Speed, an unintelligent and underwhelming racing movie that won't do much for anyone who isn't riveted by the sights and sounds of fast cars in motion.

One doesn't have to strain their brain to see Gosling as a viable Best Actor player, with the movie itself aiming squarely at the Best Picture race.

At the recent press day, Tarantino and his actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from other movie sets, how Leigh and Russell played off each other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran actors who have been with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.

The Oscar race can do great things for movies.

Others were perhaps anticipating the appearance of a giant monster, but when the science fiction elements do eventually arrive, the devastation that greets protagonist Michelle is courtesy of a bio-mechanical race of sentient aliens - a threat that is almost unrecognizable from the first Cloverfield movie.

Things escalate in the election race to places I didn't think the movie would go.

It wouldn't be just another movie with dumb sheep who don't know better when a killer is after them; it would be both a physical and mental race to see who'd come out on top: the clever killer or the clever kids.

People can be unsatisfied with how the movie deals with race, but it doesn't make the movie racist.»

«Frustratingly close to being something very special indeed, the movie never mentions race because it doesn't have to.

In this case, Lin serves up a piping - hot Supreme with everything on it: There are classic car races; spy movie accoutrements; an ecclesiastical devotion to the ever - growing family (the fam's 10 - deep at this point, not counting Brian's new kid); the»70s fantasy of Luke Evans» Owen Shaw and his grungy, car - flipping Formula 1 racer; Letty's soap - opera return from the grave; her vicious smackdown with Gina Carano; that giant set - piece between Vin Diesel and a tank; and the other giant set - piece between Vin Diesel and a jumbo jet — Furious 6 doesn't stop.

Secretariat Rated PG for brief mild language Available on DVD and Blu - ray The horse race movie has been done, over and over and over again.

It's clear, then, that the script's sitcom - level approach to the subject matter fares much better than one might've anticipated, although there's no denying that, at a ludicrously overlong running time of 110 minutes, How to Be Single does peter out to an increasingly palpable degree as it progresses - with, especially, the movie's final third relying far too heavily on hackneyed sequences that are either egregiously padded - out or completely needless (eg a character frantically races to the hospital).

Much like Best Picture, this was a two horse race, and while Shaun the Sheep Movie was a lot of fun in its Buster Keaton - y approach, with no discernible dialogue in the whole film, it didn't speak to me the way its betters did.

Progress that a movie that deals as directly as Compton does with race and the police exists in any form, I guess, but it's cold comfort in the face of what feels like a treadmill built on a Moebius strip.

It wasn't so much about doing a remake, even though I love the Herbie movies, but I was really attracted to the story of this girl who wants to race NASCAR and ends up with a magical car.

He doesn't write off the beauty of the movie past, he revives it with images like two Wakandan horsemen racing on the ground against T'Challa's sleek fighter in the sky.

As things stand now, I don't think the Joker has cause to frown (or resort to his chicanery in defense), but the whole set - up of this Oscar race certainly does make you wonder: Hmmm, how might this derby contest change if, say, the eventual distributor of «Dean Spanley» hired more samurai Oscar consultants and the movie managed to dodge further nasty reviews (granted, a big «if») and if this time O'Toole actually agreed to hang out in L.A. to campaign, then maybe... maybe...?

The trailer does riff on how the movie delivers difficult messages about class, race, and systemic injustice in a package that's undeniably appealing for kids, but in my opinion, that's one of Zootopia «s biggest strengths.

So how did the latest car racing action movie turn out?

Rush is a movie I hadn't heard of before researching for this article, and I don't know much about Formula 1 racing, but it looks like it might be really good.

It does what a street racing movie needs to do, but little else.

Final Verdict: Despite a messy plot, Need for Speed does deliver as a fun, high - octane racing movie.

Did any of you like Crash, a movie with a structure worthy of a bad 19th - century melodrama that proves it's just as bogus to make race a relentless, all - defining issue as it is to make it a non-issue?

If it doesn't fit the character as Fitzgerald plainly intends, the characterization is at least in line with the movie's simpler pleasures, which amount to taking in the polish of well - designed sets (Daisy's introduction in a room drenched in flowing white curtains is particularly memorable) and the sheen of the computer - generated ones (The sight of the city's skyscrapers being constructed in a sweeping pullback shot is a doozy, while Gatsby's race through city streets in his custom roadster shows the movie's occasional technological limits).

No one should be surprised that the director would construct another movie on this cracked ethical foundation, but that doesn't mean Django Unchained has anything important to say about race, or that anyone should use race to attack or defend it.

Eager to piece together any reason for the lack of a clear frontrunner for this year's Oscar race, Variety's Peter Bart has put out a thesis: it's because movie critics like bummer movies that Academy voters don't.

The question of colour is everywhere in Southside With You — the African exhibition Obama takes Michelle to before the gathering, in a rundown part of town where the black community can't get a local centre built; the movie date, where they see Spike Lee's just - released Do The Right Thing, which prophetically highlights the race riots that would resurface during Obama's presidency.