Sentences with phrase «racist cop»

The phrase "racist cop" refers to a police officer who holds prejudiced or discriminatory beliefs and treats people unfairly based on their race or ethnicity. Full definition
At one point J is pulled over by two racist cops who believe that a black man in a flashy car must have stolen it.
The Bay Area's own Sam Rockwell won a Screen Actors Guild Award on Sunday, Jan. 21 for best supporting actor for his performance as a dimwitted racist cop in «Three Billboards Outside Ebbing, Missouri,» and made sure to give a shoutout to his hometown roots.
Sam Rockwell counts supporting actor nominations already from the Golden Globes, Independent Spirit Awards, the Critics» Choice Award and Screen Actors Guild for his turn as a complex racist cop Dixon in Martin McDonagh's Three Billboards Outside Ebbing, Missouri.
«Out - of - control police who respond to minor violations with overwhelming force, toleration of racist cops, siege - like conditions in some cities and city neighborhoods, and record - high incarceration — all of these are evidence of a growing police state.»
In a lesser developed movie, Chief Willoughby (Woody Harrelson) would be brash and incompetent and his deputy Dixon (Sam Rockwell) would be a stereotypical one - note racist cop with no redeeming qualities who gets some kind of comeuppance at the end.
He manages to make racist cops likeable, protective mothers highly petulant, lonely kids seem to be the real grownups, and he has no problem turning everything upside down and watching what these people do.
The first film award of the night was a mild surprise: Sam Rockwell won Best Supporting Actor for his performance as the violent, racist cop Jason Dixon in Three Billboards Outside Ebbing, Missouri.
Rockwell, a favorite of McDonagh's, transforms his body and gait to play a dimwitted racist cop of violent impulses.
While many have claimed the film's handling of Sam Rockwell's racist cop character is problematic at best, one black voter said the film was his «favorite» and it would be getting his number - one slot for Best Picture.
READ MORE: «Three Billboards Outside Ebbing, Missouri» Trailer: Frances McDormand and Martin McDonagh Go to War Against Racist Cops
The Confessions Of A Dangerous Mind, Moon and The Way Way Back actor has been called a revelation here for his turn as a mama's boy racist cop whose eventual arc results in redemption.
To watch his kind and benevolent mentor, Chief Willoughby (Woody Harrelson), see a lurking goodness within this dumb - as - a-stump racist cop permits to accept his abrupt rehabilitation.
The film caught some flack for its racial and gender politics once it hit wide release with The Ringer's K. Austin Collins distilling why, in a year where the Academy is once again facing a potential #OscarsSoWhite crop of nominees, Rockwell's performance as a redeemed racist cop may not be the narrative Hollywood wants to push:
In one example from the film, when Dillon's racist cop happens upon a serious traffic accident, he risks his own life to save the life of a black woman trapped inside her car.
From the good cop / racist cop dynamic of Willem Dafoe and Gene Hackman, respectively, — here to investigate the disappearance of three civil rights workers — to the rather blunt dialogue.
What if it's not about a corrupt, racist cop finding absolution in a cold, cruel world?
Which is lucky for them, I guess, otherwise we'd have aerobatic racists cops flying through the air.
Three Billboards got something very right about women's rage, but it also got something very wrong about race — no small matter for a film set in Missouri in 2017 that features an openly racist cop who dances around the n - word and has tortured a black man in police custody.
Like others in this darkly comic story, Rockwell's aggressive, racist cop seems predictable from the get - go.
Carl shoots a starter pistol through an open window, unleashing a police raid spearheaded by Philip Krauss (Will Poulter), the sadistic, racist cop in charge.
His character, the dim and racist cop Dixon, is the most controversial figure in the film, but Rockwell handles a tricky balancing act with grace and will surely be rewarded.
Do Harrelson's prickly Willoughby, and more essentially, Sam Rockwell's racist cop Jason Dixon ever provide.
Racist cops have got to go!»
A racist cop receives a heart transplant from a black
Bulworth leaves Nina's house and goes strolling in the «hood» and ends up trying to be a combo of Jerry Lewis and James Cagney in one acting performance, helping some drug dealing boys in the street from getting beat on by a racist cop.
Rockwell, as a racist cop, polished his flaky instability to a diamond hardness in «Three Billboards Outside Ebbing, Missouri,» and it was certainly his time to get one of these awards, but it was Dafoe's time, too.
Interview: Sam Rockwell Discusses Playing a Racist Cop in Three Billboards Outside Ebbing, Missouri — «I Met With This Former White Supremacist»
Sam Rockwell won an Oscar earlier this year for his portrayal of a violent and racist cop in Three Billboards Outside Ebbing, Missouri, but the actor isn't taking the usual post-Oscar path.
«He plays a racist cop in a way that makes us understand where the racism comes from,» Travers said.
Written and directed by Martin McDonagh, the black comedy takes place in the titular midwestern town and features Rockwell as a racist cop who goes toe - to - toe with a grieving mother (Frances McDormand) after local law enforcement fail to prosecute her daughter's murderer.
Sam Rockwell won best supporting actor for playing a racist cop in Three Billboards and Allison Janney won best supporting actress for playing an unforgiving mother in I, Tonya.
However, with a narrative that switches between Mildred and Oscar - nominated Sam Rockwell and Woody Harrelson as the racist cop Dixon and cancer - stricken Sheriff Willoughby, the composer considered an approach used by Ennio Morricone in his spaghetti western scores («The Good, the Bad, and the Ugly»).
After winning his first Oscar for playing a racist cop, Rockwell plans to play yet another malicious racist.
As someone who admires the movie with a few billboard - sized reservations, I'd say the open - ended question of whether the racist cop is ultimately «redeemed» makes the story more provocative and thornily human rather than less.
I decided that it didn't, because I valued the truth of that message — that, for instance, a racist cop is perfectly capable of saving a black person's life — over the falsity of the plotting, and because I decided that this falsity was intended to articulate other truths.
Almost certain to be nominated — and I hope he wins — is Sam Rockwell, who plays a dumb, racist cop in «Three Billboards Outside Ebbing, Missouri.»
A similar vehicle belonging to a wealthy black television director (Terrence Howard) and his wife (Thandie Newton) is later pulled over by a racist cop (Matt Dillon) and his partner (Ryan Phillippe).
Matt Dillon plays a racist cop who humiliates a black couple by pulling them over for no cause and taking rude liberties with the woman (Thandie Newton) while her husband (Terrence Howard) watches helplessly.
Allison Janney continued her streak of best supporting actress wins for her performance in I, Tonya while Bafta and Golden Globe winner Sam Rockwell picked up best supporting male for playing a racist cop in Three Billboards Outside Ebbing, Missouri.
In addition, there as initially some who thought he shouldn't win because the people thought his character of a racist cop couldn't be redeemed.
After winning the first award of the evening, Best Supporting Actor, for his portrayal of the racist cop Dixon who butts head with McDormand's equally volatile heroine, Mildred, Rockwell admitted that in real life, both of their characters would've likely been sent to prison.
While Frances McDormand's performance has been hailed as a tour - de-force, the screenplay has been repeatedly criticized for its heavy - handedness and problematic redemption arc for a racist cop.
Dixon and Mildred — the racist cop and the feminist firebrand — finally pair up in the film's closing moments, joining forces and heading into Idaho to track down the man Dixon attacked.
Willoughby seems to find humor in the situation, joking that if he fired every racist cop there'd only be three left, «and all o» them are going to hate the fags, so what are ya gonna do, y ’ know?»
As Dixon, a racist cop who's a loser, a momma's boy, and a violent flake, he gives a high - wire performance, daring to make himself gnarly and dislikable, only to undergo a transformation that the actor, mining his moonstruck ability to win laughs in even the most disturbing situations, makes spiritually convincing.
If it's a «Crash» year, and it may be, Matt Dillon could win as the racist cop with a tortured private life.
and those of Algee Smith as an aspiring singer whose life is changed forever after the Algiers and of Hannah Murray as fJulie, the feisty, open - minded young woman who dares to talk back to the racist cops.
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