He found ideas for an objective use of colour that stimulated a new,
radical approach to his painting.
During the late 1940s and early 1950s, Pollock's
radical approach to painting revolutionized the potential for all Contemporary art following him.
During the late 1940s Pollock's
radical approach to painting revolutionized the potential for all contemporary art that followed him.
Julie Mehretu's
radical approach to painting speaks directly to the time in which we live.
During the late 1940s Jackson Pollock's
radical approach to painting revolutionized the potential for all contemporary art that followed him.
Post World War II Jackson Pollock's
radical approach to painting revolutionized the potential for all subsequent Contemporary art.
Not exact matches
The sudden fusion of these disparate schools of thought and technique would birth a wide body of new works and
approaches to painting and sculpture, with artists like Klee and Miró driving forward
radical new ideologies in the creation of abstract works.»
The development of a conceptual
approach to painting in his late work was a
radical evolution in Tworkov's practice.
While celebrated for his
paintings, Miró strove
to «destroy
painting» through an art form that transcended the two - dimensional plane and was an early pioneer of construction; a
radical approach to making that forever transformed the discipline of sculpture.
As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance
to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which
to record, collect, or index the direct imprint of elements from the real world is especially central
to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular
approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane»
to account for this
radical shift, through which «the
painted surface is no longer the analogue of a visual experience of nature but of operational processes.»
Delacroix's dramatic, Romantic
approach to painting paved the way for modern art, asserts a show at the National Gallery in February, while in Bath the Holburne Museum marks its centenary year with a display of figurative work by 19th - century
radicals, the Impressionists.
During this period Piet Mondrian's
painting Composition No. 10, 1939 — 1942, characterized by primary colors, white ground and black grid lines clearly defined his
radical but classical
approach to the rectangle and abstract art in general.
He leaves behind a vast, influential body of work characterized by a
radical, conceptual
approach to painting.
She witnessed first hand
painting's resurgence in the 1980s through the vibrant Köln - based art scene, where
radical and experimental
approaches to painting by artists such as Martin Kippenberger and Albert Oehlen began a dramatic expansion of the field.
Organized by the Tate with over 60 oil
paintings and watercolors, the show demonstrates the artist's determinedly
radical approach to his technique and subject matter, his awareness of his contemporaries and the market.
Moreover, his groundbreaking
approach to painting incorporates elements of sculpture, installation, design, performance, and
radical conceptual provocation.
For these artists, who were in their 30s and 40s during the 1980s, it was not a question of a «return
to painting,» but, rather, of finding a bridge between the
radical, deconstructive abstraction of the late 1960s and 1970s (which many of them had been marked by) with a larger
painting history and more subjective
approaches.
In his distinctive
approach to painting, Sullivan proposes new relationships between image and object as he negotiates his own subjective decision making with the
radical agency of his medium.
A founding member of the Brazilian Neo-Concrete movement, Clark proposed a
radical approach to thinking about
painting by treating its pictorial surface as if it were a three - dimensional architectural space.
Of all these artists, Pollock probably made the most
radical contribution
to art since Picasso because of his entirely new and original
approach to the very act of
painting which was indivisible from the nature of his imagery.
Although her move
to New York in 1994 greatly widened her
approach to painting, she still took with her significant impulses from the Rhineland art scene around Martin Kippenberg: «I began as a painter in an environment in which
painting was cool and also aggressive, and I never actually lost my belief in the
radical potential of
painting.»
Realized during Mosset's Parisian days — where in the second half of the sixties with Daniel Buren, Michel Parmentier and Niele Toroni, Mosset founded the minimalist collective BMPT — these
paintings are part of a series of circa 200 identical canvases that Mosset produced between 1966 and 1974 and epitomize his
radical approach to art making.
If you'll allow me
to paint with a very broad brush, Justices Scalia and Thomas have a
radical element
to their
approach to constitutional law.