Sentences with phrase «radical art program»

«Very broadly, one could state that Pomona, between 1969 and 1973, had the most radical art program, not only in California, but probably in the U.S.,» says Rebecca McGrew, senior curator at the Pomona College Museum of Art.

Not exact matches

BILLY YALOWITZ and students from the Community Arts Practices program at Tyler School of Art will present «Radical Jewish Philadelphia,»

Radical Women Public Engagement programs are supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.

Harris created About Face: The Evolution of a Black Producer for ALTERNATE ENDINGS, RADICAL BEGINNINGS, Visual AIDS» video program distributed internationally for Day With (out) Art 2017.

Swept away by the radical, energetic techniques of his teacher, Melchert became Voulkos's studio assistant at the University of California, Berkeley, later establishing his own program at San Francisco Art Institute.

It also builds upon a number of projects from the Smart's recent past, like the arts - based learning space GalleryX, our Interpreter in Residence program, and the conversations around hospitality catalyzed by Feast: Radical Hospitality in Contemporary Art.

The work featured in the exhibition was consistent with Butler's gallery program in its radical break with previous forms of art - making.

Whitney Kimball, our 3rd AUX Fellow, will present programming celebrating and examining the rough and incandescent world of radical collective making with a survey of collaborative performance art events in -LSB-...]

The Diane and Bruce Halle Foundation also supported the Hammer Museum's recent exhibition «Radical Women: Latin American Art, 1960 — 1985,» the Whitney Museum's 2016 Carmen Herrera survey, a traveling survey of Cuban art that stopped at the MFA Houston and the Walker Art Center, and the Museum of Modern Art's Lygia Clark and Joaquín Torres - García retrospectives, among other exhibitions, and gave to programs at the Berkeley Art Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, FloriArt, 1960 — 1985,» the Whitney Museum's 2016 Carmen Herrera survey, a traveling survey of Cuban art that stopped at the MFA Houston and the Walker Art Center, and the Museum of Modern Art's Lygia Clark and Joaquín Torres - García retrospectives, among other exhibitions, and gave to programs at the Berkeley Art Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, Floriart that stopped at the MFA Houston and the Walker Art Center, and the Museum of Modern Art's Lygia Clark and Joaquín Torres - García retrospectives, among other exhibitions, and gave to programs at the Berkeley Art Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, FloriArt Center, and the Museum of Modern Art's Lygia Clark and Joaquín Torres - García retrospectives, among other exhibitions, and gave to programs at the Berkeley Art Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, FloriArt's Lygia Clark and Joaquín Torres - García retrospectives, among other exhibitions, and gave to programs at the Berkeley Art Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, FloriArt Museum & Pacific Film Archive and the Norton Museum of Art in West Palm Beach, FloriArt in West Palm Beach, Florida.

Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.

JC: I don't think I realized how radical my program was; I was just so angry at the rampant sexism of the art world that I felt impelled to try and challenge it in some way.

[1] Here Steinberg conveys the almost dizzying effect of looking at Matisse's all - over fields of pulsating color, which art historian Hal Foster Yve Alain Bois would later identify (in a 1994 essay fittingly titled «On Matisse: The Blinding: For Leo Steinberg») as the radical core of Matisse's pictorial program beginning around 1906.

Presented as a looping video program throughout the day in MAD's sixth - floor Project Space, ALTERNATE ENDINGS, RADICAL BEGINNINGS is the 28th annual iteration of Visual AIDS» longstanding Day With (out) Art project.

Three Duets, Seven Variations, a special series for the Performa 13 biennial, pairing six intergenerational artists for seven programs, is presented as part of Radical Presence: Black Performance in Contemporary Art.

This program is a part of Radical Presence: Black Performance in Contemporary Art.