Sentences with phrase «radical avant»

When will it cease to be a beacon of the radical avant - garde or a buoy of perceptual purity or a veiled wink at what came before or the face that launched a thousand quips?

Donkey's Tail Radical Avant - Garde Russian Artists Exhibition Group.

Xiamen Dada is a group formed by Huang Yong Ping with Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming in 1986, a postmodernist, radical avant - garde group.

In 1986, he formed Xiamen Dada, a postmodernist, radical Avant - garde group.

The project is driven by Romero's interest in establishing parallels between the tradition of iconoclasm and Spanish political heterodoxy in general, on the one hand, and radical avant - garde art practices, from Malevich to the Situationists, on the other.

In abstract painting during the 1950s and 1960s several new directions like Hard - edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant - garde circles.

In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.

For further instruction, however, a cluster of related gallery shows present specific aspects of the radical avant - garde movement.

Meanwhile, as a reaction against the subjectivism of Abstract expressionism, other forms of Geometric abstraction began to appear in artist studios and in radical avant - garde circles.

Not exact matches

France has been a steady advocate of a leading, «avant - garde» group of countries that could be gradually extended to include other EU members as they feel willing and ready to accept radical sovereignty transfers to European institutions.

Not willing to admit that radical theology was merely reactive, I wrote my dissertation on Karl Barth's Epistle to the Romans to show that Barth was Derrida avant la lettre.

This may mean a loosening of the ties between the Protestant intellectual and avant - garde modernism and it might even mean the start of some interesting work in the shaping of a contemporary radical ethic.

You'd think a place renowned for its avant - gardism and its radical chic would receive a less by - the - numbers treatment.

In fact, radical collective projects of the late»60s represented a crucial stage for the avant - garde cinema of that era; see, for example, Chris Marker's Medvedkin Group, also founded in 1968.

This European predigestion of our narrative, documentary, experimental, and hybrid avant - gardes gives U.S. arthouse cinema permission to be more radical than it is — to maintain fluid and more inclusive boundaries.

The films of Reygadas and Dumont have their lineage within this eclectic genealogy of modernist and avant - garde methods that seek radical alternatives to naturalistic forms of psychological performance.

Certainly the painter who best embodies the dual implications — both artistically and politically progressive — of the original usage of the term «avant - garde» is Gustave Courbet and his militantly radical Realism.

The priority of the radical revolutionary implication of the term «avant - garde» rather than the purely esthetic one more usually applied in the twentieth century, and the relation of this political meaning to the artistic subsidiary one, is again made emphatically clear in this passage by the Fourierist art critic and theorist Laverdant, in his De la Mission de l'art et du rôle des artistes of 1845:

Baker writes: «Drawing a connection between the redrawing of political borders and the subsequent exchange of ideas among previously alienated artists, the exhibition theorizes that the surge of creativity in the 1920s and 30s could have been a direct response to the mingling of Russian Constructivists (who migrated west due to the increasingly conservative Soviet policies against the avant garde) and the radical Dutch conceptualists they encountered.

César Daly, editor of the Revue générale de l'architecture, used a similar military term, éclaireur, or «scout,» in the 1840s, when he said that the journal must «fulfill an active mission of «scouting the path of the future,»» a mission both socially and artistically advanced.3 Baudelaire, after a brief flirtation with radical politics in 1848 — he had actually fought on the barricades and shortly after, in 1851, had written a eulogistic introduction to the collected Chants et chansons of the left - wing worker - poet Pierre Dupont, condemning the «puerile utopia of the art - for - art's sake school,» praising the «popular convictions» and «love of humanity» expressed in the poet's pastoral, political, and socialistic songs4 — later mocked the politico - military implications of the term «avant - garde» in Mon Coeur mis à nu, written in 1862 — 64.5

The very term «avant - garde» was first used figuratively to designate radical or advanced society in both the artist and social realms.

He draws from a history of radical art practices from Soviet avant - garde figures such as Rodchenko and Malevich, to more recent contemporary American artists Jimmie Durham and David Hammons.

Visionaries: Creating a Modern Guggenheim will explore not only avant - garde innovations from the late 19th through mid-20th centuries, but also the radical activities of six patrons who brought to light some of the most significant artists of their day.

Often cited as the father of contemporary art in the United Arab Emirates, Sharif began making art in the 1970s, but soon departed from his region's dominant art form of calligraphic abstraction and embraced the radical approaches of avant - garde movements such as Fluxism and British Constructivism.

The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in contemporary painting today.

In the decades that followed, Horst's experimentations with radical composition, nudity, double exposures, and other avant - garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939).

And yet, though the early decades of 20th - century Russia have been firmly registered in today's art history as a time of radical social and artistic change, the uncompromising and often absurd ideas in Avant - Garde Museology appear alien to a contemporary art history that explains suprematism and constructivism in terms of formal abstraction.

In the latest issue of our magazine, Richard Shone reveals the radical work of Vanessa Bell, Deyan Sudjic celebrates Zaha Hadid's legacy, Gabriel Orozco talks about the significance of the circle, and John Milner writes on how the Russian avant - garde had to «adapt or die».

Vlaminck was merely radical and so disadvantaged, when Fauvism's domination of the avant - garde was challenged by Cubism.

Originally published in 1970 and integrated into the design of the Critical Studies curriculum at CalArts, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process - based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices — from the avant - gardes to postmodernism — with Marcuse and McLuhan serving as points of anchorage.

Luke Fowler is known for his film portraits of socially radical figures; from the avant - garde composer turned political activist Cornelius Cardew (1936 - 1981) to the Scottish psychiatrist R.D. Laing (1927 - 1989).

Luke Fowler is known for his film portraits of socially radical figures; from the avant - gardecomposer turned political activist Cornelius Cardew (1936 - 1981) to the Scottish psychiatrist R.D.Laing (1927 — 1989).

Rockenschaub's works in animation, painting, sculpture, and site - specific installation use radical reduction and concentration to push the formal vocabulary of the abstract avant - garde, but never...

There is also a chance to see avant - garde architect Claude Parent's radical installation in the Wolfson Gallery for free, as part of the Liverpool Biennial.

Rockenschaub's works in animation, painting, sculpture, and site - specific installation use radical reduction and concentration to push the formal vocabulary of the abstract avant - garde, but never strays into the color palette of more staid academia.

A study of the aesthetics, politics, and science of the Apollo era, his dissertation explores abstract art, experimental architecture, and radical design of the 1960s and 1970s avant - garde, as related to the National Aeronautics and Space Administration (NASA).

The remarkable sense of creative urgency, radical cross-fertilization, and synthesis within the visual arts — and the aspirations among the Russian avant - garde to affect unprecedented sociopolitical transformation — wielded an influence on art production in the 20th century that reverberates throughout the course of modern history.

Rebelling against aristocratic lifestyle and future as some rich guy's wife, she found a job in the avant - garde bookshop The Sunrise Turn, where she was exposed to artist and radical thinkers.

Saul is currently a co-curator of the exhibition Berthe Weill: Radical gallerist of the Parisian avant - garde to be held at the Grey Gallery, NYU in 2019.

On the one side there is the radical, avant - garde figure dedicated to the creation of new forms of art; on the other suffering, death, and disaster.

Part of the Crisis of Brilliance generation at the Slade School of Fine Art, his contemporaries included Paul Nash and Isaac Rosenberg and, after his expulsion for being too radical, he travelled to Europe with avant - garde sculptor Jacob Epstein, where he met Pablo Picasso.

Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant - garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean - Michel Basquiat.

Carlo Carra was an Italian painter whose avant - garde artwork established him as the leading figure of the dynamic and radical Futurist movement.

One of great joys of «The Freedom Principle» is that it takes us back to the apex of postwar modernism, when avant - garde music was venturing into uncharted territory and the black - radical tradition in the us was figuring itself through sonic experimentation and its visual analogues.

Childs was no stranger to radical experiments, having started out with Judson, the New York arts collective founded in 1962 and influenced by the then giants of the avant garde, Merce Cunningham, John Cage and Robert Rauschenberg.

Americans Were Radical Too, You Know — The Continental artists who sparked the bulk of the outrage were also joined by homegrown avant - gardists Marsden Hartley and John Marin.

While the exhibition's organizers, a group of artists led by Walt Kuhn and Arthur B. Davies, aimed to show off the talents of the most radical American artists, who were mostly realists, the unexpected outcome of the show was a virtual hijacking of the headlines by the European avant - garde.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to the Present.

As a result, the works in Radical Women defy not only the invisibility of female artists throughout region, but disrupt existing scholarly and curatorial narrations of late modern and early conceptual art practices across Latin America's different avant - garde movements.

As part of a radical, Black avant - garde in Los Angeles, she often collaborated with other artists including David Hammons and Maren Hassinger, among others.