Sentences with phrase «radical choice in»

Not exact matches

The Lockean logic subjects all human relationships to radical scrutiny, valorizing choice and voluntarism as the sole basis of legitimacy in any human bond.

In the face of a growing religious right - wing backlash against civil rights movements, reactionary Christians and radical feminists alike have advocated a choice: either accept Christian teaching or become liberated and leave the bondage of patriarchal religion behind.

Positively stated, it is women's choice for radical connectedness in biophilic be-ing.

We can understand this failure as Percy's again having independently reached the same conclusion as MacIntyre: that the ethical can not be simply radically chosen, because the notion of the radical choice is itself only at home in the aesthetic mode.

The political objectives of the student revolutionaries of 1968, whether in Paris or Chicago, came to nothing, but there did take place a radical change in the sexual mores of the Western world, and the novels which followed The Professor's Daughter depict eros as Satan's weapon of choice.

This difference in radical choices is, therefore, the epicenter of human dignity.

And since the world has a radical freedom, being in fact the realm of choice, such as we know at the human level in conscious decision but which in differing mode is present at every level, this may be not only a «natural» recalcitrance but a quite definitely elected refusal to move.

His adeptness with this sort of exposition is especially on display in his chapter on the «left wing» of the Reformation, the dissident radicals who rejected any alliance between the «world» — and hence the state — and the Church, on the grounds that Christian faith was above everything else a personal religious choice for the individual.

Given the increased diversity, selectivity, and competitiveness which cable brings in the choice of programs, it is unlikely that the movement of syndicated programming into cable will bring about a radical increase in the audience of religious programs.

Laura Tingle, «Choice: the simple but radical idea in the Harper report» (AFR, 23 September 2014) Laura Tingle, «A simple but radical idea» (Australian Financial Review, 23 September 2014, page 7)

Slightly radical choice given that in the Bundesliga everyone's go - to choice has been Dortmund for so long but this year they've got a fantastic squad.

Voters in the 19th Congressional district are being offered a choice between longtime resident John Faso with a proven track record of cutting budgets, lowering taxes, and working with lawmakers from both sides of the aisle and a radical New York City academic, with no roots in the district, who supports higher taxes, the Iran Nuclear Deal, and ever larger government in Washington.

In 2002 the Department for Work and Pensions published detailed proposals of future HB in «Building Choice and Responsibility: A Radical Agenda for Housing Benefit»In 2002 the Department for Work and Pensions published detailed proposals of future HB in «Building Choice and Responsibility: A Radical Agenda for Housing Benefit»in «Building Choice and Responsibility: A Radical Agenda for Housing Benefit».

The «beating, radical heart» of the government was shifting power away from the centre to ordinary people, allowing them more choice over services, greater transparency about state spending and greater ability to get involved in running and shaping local services in their communities, he said.

But his speech will be familiar to you if you've heard any Lib Dem cabinet minister rehearsing why they firstly had no choice but to go in with the Tories and why this will be a radical government.

In the 1970s, as well as daring to wear trousers to work, she made another radical choice and went back to college.

She explained the science: «Free radical damage from stress, pollution, and poor diet choices are huge factors in premature aging and overall skin quality.

Even a decade ago, treating cancer in one breast by removing both — known as a contralateral prophylactic mastectomy («contralateral» meaning opposite side, and «prophylactic» meaning preventive)-- would have sounded like a radical choice.

In making the radical artistic choice to tell the story as if it were being enacted by players on a stage, Wright falls passionately in love with his own fanciful artificeIn making the radical artistic choice to tell the story as if it were being enacted by players on a stage, Wright falls passionately in love with his own fanciful artificein love with his own fanciful artifices.

Wilkerson sees his film, no less than his family, as caught up with these cultural artifacts in the continuing movement of history — a history in which you might decide to be a liberal (if you're content to congratulate yourself) or, as a better choice, a radical.

The most radical choice of all in Annihilation isn't everything it leaves unsolved, but the way it reveals itself to be a movie more invested in personal impulses than possible extraterrestrial invasions.

Roy Grundmann who is Associate professor of Film Studies and also expert on Michael Haneke's films wrote about euthanasia in Amour: «Haneke submits the more provocative claim that such a choice, even when fueled by radical compassion and even in the arena of romantic love, is never completely altruistic.»

Since embarking on Park Chan - wook and Jim Jarmusch signed films, Wasikowska (who was in Park City with Nicolas Pesce's Piercing) has ben making some radical film role choices and so we got to speak to her and chat with Chris Ohlson on how his partnership has evolved.

EW: «In making the radical artistic choice to tell the story as if it were being enacted by players on a stage, Wright falls passionately in love with his own fanciful artifices.&raquIn making the radical artistic choice to tell the story as if it were being enacted by players on a stage, Wright falls passionately in love with his own fanciful artifices.&raquin love with his own fanciful artifices.»

This most radical of choice based schools — where students and teachers never meet in physical classrooms and state funding flows on a performance - based, demand - driven model — has largely avoided the political and legal tangles that have stymied other reform efforts.

Sylvia Lazos, policy director at Educate Nevada Now — a program launched by The Rogers Foundation to advocate for improving public education — called Nevada's school choice law «the most radical voucher program in the country.»

The reform agenda led to a state takeover, the expansion of charter schools, an introduction to school choice via the removal of geographic attendance zones, as well as a radical racial shift in teachers.

The entire pet industry must unify in order to successfully repel ongoing attacks by radical activists on pet owners» freedom of choice.

With Haze out in the wild garnering a poor reaction among the gaming press, Free Radical needed a comeback, and TimeSplitters 4 seemed like an obvious choice.

It runs to Post-Impressionism, Cézanne, and van Gogh in Arles — and through them to tough choices and radical alternatives.

However, a radical change was needed of course, in order to turn that scenario into a reality — soon after arriving at the college, Zorio made a choice to forego his interest in painting and instead focus on sculptures.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

ARTnews: One theme running through South of Pico is how these artists related to the materials they used in an attempt to transfigure objects that had been neglected or disused — and how radical such a choice was at the time.

In Off the Grid, we see lifestyle choices that differ from the norm: from radical self - sufficiency to a more pragmatic search for harmony with nature.

Although one of the radical choices regarding the show was to include Ad Reinhardt, I really do think his work during that period does fit in the context of the show.

Maymon is the recipient of the Rudin Prize for Emerging Photographers, the Young Artist Award from the Israeli Ministry of Culture and Sport, the Joshua Rabinowitz Foundation Prize for the Arts, the IAAB and Culture - Spaces scholarship and residency in Basel, and the Critics Choice Award in the Radical - Jung Festival in Munich.

Cancer research was set back many years as a result of a similar battle, with radical surgery emerging as the treatment of choice in spite of the evidence, based mostly on the status of surgeons.

So long as we live under this corporate capitalist system we have little choice but to go along in this destruction, to keep pouring on the gas instead of slamming on the brakes, and that the only alternative — impossible as this may seem right now — is to overthrow this global economic system and all of the governments of the 1 % that prop it up and replace them with a global economic democracy, a radical bottom - up political democracy, an eco-socialist civilization.

The small choices that have brought me a semblance of better balance have been profoundly radical decisions such as: take holidays (in the past two years I've been to England, Ireland, Argentina, and Uruguay), ride my mountain bike more, go kayaking with a friend, visit with family every chance I get, keep in regular contact with friends, eat healthier and better, make time for things that I enjoy such as reading, listening to music, playing sports, and engaging in other healthy activities that I actually enjoy.

Self - determination should not be viewed as a one time choice, but as an ongoing process which ensures the continuance of a people's participation in decision making and control over its own destiny... This view makes it possible for incremental changes to be implemented rather than forcing parties to agree on definitive changes which can be too radical for some and insufficient for others.

When you realise that you have become involved in an affair of the heart outside of your marriage, you will need to make a radical choice either for your marriage partner or for the other person.