An innovative new exhibition at MOCA Los Angeles charts
radical experimentation in southern Californian architecture since 1980.
Not exact matches
The negative investment thesis seems to rest upon confidence that central bankers, and the Fed
in particular, will steer a course away from
radical monetary
experimentation that will return to a normal structure of interest rates and robust economic growth.
What is clear is that a
radical programme for British and continental European social democracy is unlikely to emerge from «ivory tower» blueprints, rather through a constant process of «bold, persistent
experimentation»,
in FDR's memorable phrase.
Yet it can also accommodate Chytilová's beautiful play with textures and super-slow motion
in Automat Svět (At the World Cafeteria), pointing to the
radical experimentation which would fully blossom between her and Kučera
in Sedmikrásky (Daisies, 1966) and Ovoce stromů rajských jíme (Fruit of Paradise, 1969).
Arranged thematically, the show explores her pioneering work
in portraiture, still life and landscape painting, paying particular attention to her most
radical period of
experimentation during the 1910s.
These paintings, numbering almost two hundred works, are testament to a long and fascinating career of inventiveness,
experimentation, and
radical development
in the production of art.
«Through their pieces, the artists featured
in this exhibition investigate alternative frameworks for perception, often occupying its margins — responding to conditions of invisibility as well as what can not be represented — through
radical experimentation.»
Some of the earliest works featured
in the exhibition are Sharif's newspaper caricature and comic strip drawings of the 1970s, which predate his
radical shift towards
experimentation and conceptualism.
In the decades that followed, Horst's
experimentations with
radical composition, nudity, double exposures, and other avant - garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939).
49 Cities is a call to re-engage cities as the site of
radical thinking and
experimentation, moving beyond «green building» toward an embrace of ideas, scale, vision and common sense combined with delirious imagination
in the pursuit of empowering questioning and re-invention.
While Tate Britain explores Turner's celebrated late career
in which he embarked on
radical experimentations with technique, process and material, the V&A delves into the story behind Constable's master paintings — many of which have only received rightful recognition
in the modern age.
One of great joys of «The Freedom Principle» is that it takes us back to the apex of postwar modernism, when avant - garde music was venturing into uncharted territory and the black -
radical tradition
in the us was figuring itself through sonic
experimentation and its visual analogues.
Their works
in this exhibition collectively demonstrate both the heritage and the legacy of Jess and Duncan's
radical experimentation.
Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired by the complex and contradictory city I live
in (the city of Chicago) and the incredible community of hard working, sincere, talented artists who I am surround by and have the privilege of working alongside and
in collaboration with every day (too many and to diverse to name individually here) / / by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / / by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / / by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / / by ideas of
radical intimacy and transformation and ephemerality and
experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and living structures / / by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / / by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / / by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a few.
In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term, that sustains u
In my most recent work, I hope to live
in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term, that sustains u
in the tradition of landscape painting, experiencing it for what it has always been: an occasion for
radical experimentation and confrontation with the world,
in the broadest sense of the term, that sustains u
in the broadest sense of the term, that sustains us.
Organized thematically and chronologically to explore Gutai's inventive approach to materials, process, and performativity, the exhibition explores the group's
radical experimentation across a range of media and styles and demonstrates how individual artists pushed the limits of what art could be
in a postatomic age.
Oiticica's method of
radical experimentation explains why these works have been, until recently, relatively unknown despite their significance
in the history of contemporary art.
Unfolding
in two parts throughout 2018, «Be Not Still: Living
in Uncertain Times» addresses concerns of the present social and political climate through a
radical new model of
experimentation and inquiry.
It is an aesthetic that links many of the women artists who feature
in this issue, including Barbara Hepworth (1903 — 1975), whose forthcoming Tate Britain exhibition celebrates not only her long life of
radical experimentation (both
in the creation of her artworks and also the way they were to be experienced by the viewer), but also how important an international figure she became, with exhibitions across the globe from a relatively young age.
The exhibition will include key works from 1963 to the early 1970s, encompassing a period of
radical experimentation for the artist and presenting the range of variation he was able to achieve
in his constructions.
Jean Dubuffet and Larry Poons: Material Topographies will explore the
radical experimentation of both artists as they began to utilize unorthodox materials and reject traditional concepts of pictorial space
in search of a direct, physical language.
Once associated with young women and amateur «Sunday painters,» the medium became,
in the hands of Winslow Homer and John Marin, a theater for
radical experimentation.
Organized thematically and chronologically to explore Gutai's unique approach to materials, process and performativity, Gutai: Splendid Playground explores the group's
radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean
in a post-atomic age.
This exhibition focuses on a
radical moment of
experimentation and success
in her oeuvre.