About Blog A place for people who are not radical feminists to ask about, discuss, and debate
radical feminism with radical feminists.
About Blog A place for people who are not radical feminists to ask about, discuss, and debate
radical feminism with radical feminists.
Not exact matches
She rejects a limiting view of
feminism as the quest for women's equality
with men in favor of
radical feminism's focus on «the autonomy, independence, and creation of the female Self in affinity
with others like the Self» (GFF 11).
Radical feminism, associated
with deep hurt and anger, emphasizes female jurisdiction and overcoming evils of patriarchy.
Nobody really believes that the effects of
radical thought on mainstream marriage or sexual life has been altogether positive, and «
radical feminism» has been displaced largely (outside the academic world)
with a chastened defense of women's rights (and some appreciation of the dilemma of the resulting birth dearth, lonely single moms, and all that).
In the mid-sixties, most of the proponents of the civil rights movement segued into the anti-Vietnam war movement, then into the more generalized counterculture,
with all of its continuing sideshows of
radical feminism, gay advocacy, and so forth.
Washington (CNN)- The charges ranged from promoting «
radical feminism» to espousing religious teachings out of step
with the Catholic Church.
Third World liberationism,
radical feminism, unilateral disarmament, socialist utopianisms» there is little substantive change but, by scissors - and - paste magic, all the speeches and manifestos begin and end
with alarums about ecotastrophe.
«In this anthology, we are exploring how we are informed by and participating
with those mothers, especially
radical women of color, who have sought for decades, if not centuries, to create relationships to each other, transformative relationships to
feminism and a transnational anti-imperialist literary, cultural and everyday practice.»
But I have no doubt that the Blue Labour agenda would not be possible in practice without
radical, democratic, campaigning
feminism and that its thinking would have been deeply impoverished without a sustained engagement
with feminist thinking.
When Boreman came out
with stories of violent abuse, beatings, threats at gun point, and gang rape, she found supporters in Gloria Steinem (who, played by Sarah Jessica Parker, ended up in the cutting room), Andrea Dworkin and Catharine MacKinnon (whose
radical feminism does not appear in the film, even though MacKinnon is credited as an adviser).
Linda Marchiano made a religious argument against pornography while also falling in
with mainstream feminist heroine Gloria Steinem and two hugely divisive intellectual flamethrowers from the most
radical wing of
feminism, Andrea Dworkin and Catherine Mackinnon, who at times made common cause
with the religious right in their efforts to destroy the porn industry.
Rail: Most of us who have followed your work for a while know that you identify
with the experimental spirit and
radical politics of the»60s and»70s, especially
feminism, as seen in the works made by artists such as Joan Semmel, Howardena Pindell, Louise Fishman, and Harmony Hammond.
The Austrian - born Pop artist's
radical uses of new materials to explore the body, relationality and technology were prescient, intersecting
with emerging discourses about
feminism and appropriation.
«A Year of Yes: Reimagining
Feminism at the Brooklyn Museum continues
with We Wanted a Revolution: Black
Radical Women, 1965 — 85.
Art and the Feminist Revolution» and «Global
Feminisms»)
with major projects such as Hauser Wirth & Schimmel's «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» (curated by Paul Schimmel and Jenni Sorkin), on view at the Los Angeles gallery through September 4, and «
Radical Women: Latin American Art, 1960 — 1985» (curated by Cecilia Fajardo - Hill and Andrea Giunta), opening in 2017 at UCLA's Hammer Museum as part of the Pacific Standard Time: LA / LA initiative.
She curated Roots of «The Dinner Party»: History in the Making (2017), co-organized Marilyn Minter: Pretty / Dirty (2016 — 17) and the Brooklyn presentation of
Radical Women: Latin American Art, 1960 — 1985 (2018), and assisted
with initiatives for the 10th anniversary of the Sackler Center, A Year of Yes: Reimagining
Feminism at the Brooklyn Museum.
Asawa's life encompasses many stories
with timely echoes: of a woman artist who came to prominence before the first wave of postwar
feminism, of a Japanese - American who went from finishing high school at an internment camp to Black Mountain College, one of the most
radical of all American experiments in arts education; of an artist whose oscillating career has typified the vagaries of the artist's life in America.
Blum & Poe is pleased to present our first solo exhibition
with the English artist Linder, who is internationally renowned for her collage technique,
radical feminism, and punk aesthetic.