Sentences with phrase «radical groups including»
A coalition of radical groups including Greenpeace and Jeremy Rifkin's Foundation on Economic Trends objected strenuously.
https://www.newscientist.com/ Not exact matches
France has been a steady advocate of a leading, «avant - garde» group of countries that could be gradually extended to include other EU members as they feel willing and ready to accept radical sovereignty transfers to European institutions.
Engineering contractor Calibre Group has announced a radical restructuring that includes a partial buyout of minority shareholders, delisting from the ASX, and the purchase of Sydney - based company Diona for $ 45 million.
On the other hand, radicals insist, we should not suppress the diverse convictions, ideologies, theories, and discourses of the new included groups.
TONY CAMPOLO: This new group of young people that you sometimes call «ordinary radicals» includes some who are living in the intentional community called the Simple Way.
This concept was supported vigorously by important labor and left - wing Zionist groups, including the radical Marxist Ha - Shomer Ha - Tzair kibbutz movement, the Ahdut Ha - Avodah socialist party, the Poale Zion Smol (Left Workers of Zion) party, and the Mapam party (which at one time embraced the other groups); and by such significant political figures as Haim Margalit - Kalvarisky (a member of the Zionist Executive), Bert Katznelson (a founder of Ahdut Ha - Avodah and of the Histradut federation of labor), and Henrietta Szold (the first woman member of the Zionist Executive and founder of Hadassah, the Women's Zionist Organization of America).
While there is so far no evidence that the brothers were associated to international jihadist groups, in August 2012, soon after returning from a long visit to Russia, Tamerlan created a YouTube channel with links to a number of videos including sermons or interviews with radical preachers.
Most people (Americans included) fear any right wing radical group.
Sen. Kirsten Gillibrand (D., N.Y.) is keynoting a conference in Brooklyn featuring several controversial artists, including a group that teaches kids how to become «radical agents of social and political change» using principles of the Black Panther Party.
Warren has a number of skeletons in her closet, including close links to radical left - wing pressure groups and a record of helping corporate interests suppress asbestos liability lawsuits.
Democratic Senate candidate Elizabeth Warren has a number of skeletons in her closet, including close links to radical left - wing pressure groups and a record of helping corporate interests suppress asbestos liability lawsuits.
He also hinted at a raft of radical policies to be unveiled by Corbyn, including more taxes on big corporations and the rich — defining this group as those who earn more than # 70,000 to # 80,000 a year.
It turned into a heated discussion on radical transparency including open relationships and group sex.
Including Carlos Huber of Arquiste perfumes, Jason Ascher (Barneys» in - house beauty consultant), Radical skincare, and Sunday Riley — the group debated about what it means to maintain a good skincare regimen and at what age it's necessary to start using anti-aging products.
The film operates chiefly as a character piece: on the one side is a group of left - wing radicals fronted by Brigitte Kuhlmann (Pike) and Wilfried Böse (Daniel Brühl); on the other sits Israel's top brass including Prime Minister Yitzhak Rabin (Lior Ashkenazi) and Defence Minister Shimon Peres (Eddie Marsan, late for his The Death of Stalin audition); and in the middle Nonso Anozie emphatically steals the show as Uganda's chuckly despot Idi Amin.
Led by Robert Redford, as a former»60s radical long gone underground, the multigenerational group includes a politically paranoid breaking - and - entering expert named Mother (Dan Aykroyd), a former CIA man bounced from the Company (Sidney Poitier), a 19 - year - old computer whiz kid (River Phoenix) and a blind audio expert named Whistler (scene - stealer David Strathairn).
Declaring that «small improvements are no longer acceptable,» a group of corporate executives in California is calling for a radical restructuring of the state's schools, including reducing the required period of formal schooling by four years.
Selected solo and group exhibitions include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; and Radical Presence at The Studio Museum in Harlem among many others.
Selected solo and group exhibitions for 2013 - 2014 include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.
Recent group shows include Prospect 1.5, Prospect 2 and Prospect 3 New Orleans Biennials; a / wake in the water: Meditations on Disaster at the Museum of Contemporary African Diasporan Arts (MoCADA), Brooklyn, NY; and Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem and the Contemporary Arts Museum Houston.
The «80s: Grey Paintings includes a group of six canvases that were part of an important exhibition at Pace's Soho gallery in 1990 that represented a radical departure from Martin's previous work.
Other contributions analyze and document particular works by the artists of And / Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, among others, including an essay by Michael Wang on Ryan Trecartin.
Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).
Collectives and women's initiatives to be discussed in the course will include: The Women Art School at The Cooper Union, Heterodoxy Club in Greenwich Village, New York Radical Women, Redstocking, The Black Panthers, The Young Lords, Colab, Fashion Moda, ABC No Rio, Guerrilla Girls, Group Material, Grand Furry, fierce pussy, WAC, Black Lives Matter, #MeToo, and others.
The artist has also participated in several group exhibitions, including Engender at Kohn Gallery, Los Angeles, 30th Anniversary Exhibition, Part Deaux, at Jack Hanley Gallery, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, American Optimism at Able Baker Contemporary, Portland, Fathoms at Radical Abacus, Sante Fe, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery, A Thing of Beauty at Geoffrey Young Gallery in Great Barrington and New Paintings By at Jack Hanley Gallery.
His work has been featured in numerous group exhibitions including Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Greater New York 2010, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); Intense Proximity, La Triennale, Palais de Tokyo, Paris (2012); Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis (2014 — 15); the Belgian Pavilion at the Venice Biennale (2015); The Revolution Will Not Be Grey, Aspen Art Museum, Colorado (2016); and the Gwangju Biennale, South Korea (2016).
June 24 - July 16: «Let the Players Play,» paintings and drawings July 22 - August 13: «Radical Vaudeville; A Big Group Show,» including paintings, drawings & sculpture
Recent exhibitions include White ppl think I'm radical, a two - person presentation with Hamishi Farah at Arcadia Missa and, At this stage, a group exhibition at Château Shatto.
In recent years, the work has been featured in major group exhibitions including «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» We Wanted a Revolution: Black Radical Women, 1965 - 85,» and «Soul of a Nation: Art in the Age of Black Power.»
In the spirit of revolution, the group was generally involved in radical change, not just in the way that the show was received but also in what it could stand for — the company had (and continue to have) a social justice agenda, often including protests for the rights of women or Aboriginals.
Works by AfriCOBRA artists are featured in group exhibitions including «Soul of a Nation,» «We Wanted a Revolution: Black Radical Women, 1965 — 85,» and «Art of Rebellion: Black Art of the Civil Rights Movement.»
Nengudi's work was included in the 2017 Venice Biennale and has been featured in major recent group exhibitions, such as We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, New York (2017); Blues for Smoke, Whitney Museum, New York (2013), and Radical Presence: Black Performance in Contemporary Art, Contemporary Art Museum Houston (2012).
Major group exhibitions include Viva Arte Viva at the 2017 Venice Biennale; Soul of a Nation: Art in the Age of Black Power at Tate, London, and Crystal Bridges Museum of American Art; We Wanted a Revolution: Black Radical Women, 1965 — 85 at the Brooklyn Museum; Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum, Houston, and the Studio Museum in Harlem; Now Dig This!
Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan, published last year by MIT Press, «examines three key figures in Japanese art of the 1960s who made radical and inventive art,» including Japanese conceptual artist Matsuzawa Yutaka, Kansai - based art collective The Play and a regional collective Group Ultra Niigata.
On the reverse of the card, «The Blk Art Group was formed in the early 1980s by a radical group of young black artists including Eddie Chambers, Keith Piper, Donald Rodney and Marlene SGroup was formed in the early 1980s by a radical group of young black artists including Eddie Chambers, Keith Piper, Donald Rodney and Marlene Sgroup of young black artists including Eddie Chambers, Keith Piper, Donald Rodney and Marlene Smith.
Luis Camnitzer is included in the group exhibition Back to Sandbox: Art and Radical Pedagogy curated by Jaroslav Andel at Western Washington University.
Selected group exhibitions include Radical Conceptual, Museum für Moderne Kunst, Frankfurt; Production Site: The Artist's Studio Inside - Out, Museum of Contemporary Art, Chicago; The Original Copy: Photography of Sculpture, 1839 to Today, The Museum of Modern Art, New York; Analysis of Flight Data: Art of the 1980s: A Düsseldorf Perspective, K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf (all 2010); Waiting for Video: Works from the 1960s to Today, The National Museum of Modern Art, Tokyo; and Artist's Choice: Vik Muniz, Rebus, The Museum of Modern Art, New York (both 2009).
, Cameron Rowland, Aaron Flint Jamison, Bernadette Corporation, Hito Steyerl, Terry Atkinson, Laura Poitras, and Cosey Fanni Tutti; and group projects including Nought to Sixty (ICA, 2008), Talk Show (ICA, 2009), Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose (Artists Space, 2012), Frozen Lakes (Artists Space, 2013) and and Materials and Money and Crisis (with Sam Lewitt, mumok, Vienna, 2013).
Recent group exhibitions include Between here and there: Modern and Contemporary Art in the Permanent Collection, Miami Art Museum, Miami (2010); Radical Nature: Art and Architecture for a Changing Planet, 1969 - 2009, Barbican Art Gallery, London (2009 - 2010); Wanås 2009: Footprints, Wanås Foundation, Knislinge; Fari Mondi / / Making Worlds, 53d Biennale de Venezia, Venice (all 2009); and Psycho Buildings: Architecture by Artists, the Hayward Gallery, London (2008).
Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
CUE Art Foundation is pleased to announce Radical Plastic, a group exhibition featuring artists who employ formal visual languages to address more human contexts including the problematics of bodies and gender - based constructs.
, Cameron Rowland, Aaron Flint Jamison, Bernadette Corporation, Hito Steyerl, Terry Atkinson, Laura Poitras and Cosey Fanni Tutti; and group projects including Nought to Sixty (ICA, 2008), Talk Show (ICA, 2009), Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose (Artists Space, 2012), Frozen Lakes (Artists Space, 2013), and Materials and Money and Crisis (mumok, Vienna, 2013) and Supply Lines: Photography and Logistics (National Gallery of Kosovo, Prishtina, 2015).
The artist has participated in various group exhibitions including Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (2012 - 2013, traveling); Blues for Smoke, Museum of Contemporary Art, Los Angeles (2012 - 13, traveling); Now Dig This!
Recent group exhibitions include «The Whole World is Rotten: Free Radicals and the Gold Coast Slave Castles of Paa Joe», Jack Shainman Gallery, New York, NY (2005), «Common Ground, Discovering Community in 150 Years of Art», Selections from the collection of Julia Norrell, Corcoran Museum of Art, Washington, DC (2004), «Hair Stories», Chicago Cultural Center, Chicago, IL traveling to Scottsdale Museum of Contemporary Art, Scottsdale, Arizona (2003 - 04), «Black President: The Art and Legacy of Fela Aikulapo - Kuti,» curated by Trever Schoonmaker opened at the New Museum, New York, NY and traveled to Yerba Buena Center for the Arts, San Francisco, CA, Barbican Art Gallery, London, UK (2003 - 04).
Presenting a diverse group of artists and activists who lived and worked at the intersections of avant - garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking.
Though this artist crew may indeed be «one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years,» it's still not all that diverse, especially given the fact that some of this year's best group exhibitions were centered around African American artists, including The Shadows Took Shape, 30 Americans and Radical Presence.
Selected upcoming solo and group exhibitions for 2015 include: Accumulations, Light Work Syracuse, Foto, Annin Arts, London, Number 16, Kemper Museum Of Art, Kansas City, Radical Presence, Yerba Buena Center For The Arts, San Francisco, Where Do We Migrate To, Vamlands Museum, Sweden and When The Stars Begin To Fall, ICA Boston.
Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
Group exhibitions include Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (2012), and The Studio Museum in Harlem (2013) and Deliverance, Atlanta Contemporary Art Center (2012).
Lorraine O'Grady is included in the group exhibition Elements of Vogue: A Case Study of Radical Performance at Centro de Arte Dos de Mayo, Madrid, Spain.