Sentences with phrase «radical nature of art»

The group is a global coalition affirming the radical nature of art.

Not exact matches

The work is geometric in nature and takes its cues from Constructivism, Suprematism, and Latin American modernism — art movements that came to being in order to address the radical changes of the modern era, be they political, social, visual, or otherwise.

The Idiosyncratic Pencil is an experimental group exhibition inspired by both the Fluxus art movement of the 1960s and William Henry Fox Talbot's groundbreaking 1844 The Pencil of Nature, each a radical break from past methods of art production.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

ZERO was established in the aftermath of World War II; seeking new beginnings, with idealistic and utopian ambition, the group strove to produce a radical and optimistic global art that dissolved boundaries and embraced elemental forces of nature.

He participated in British Art Show 7: «In The Days Of The Comet», and in «Radical Nature» at Barbican Art Gallery, London; «The Associates», Dundee Contemporary Art; «What You See is Where You're At», The Scottish National Gallery, Edinburgh and «Younger than Jesus», X New Museum, New York (all 2009).

He participated in «Cornelius Cardew and the Freedom of Listening», CAC Bretigny; «British Art Show 7: In The Days Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; Kunsthaus Zürich, Zürich; and «Younger than Jesus», New Museum, New York; In 2008 he received the inaugural Derek Jarman Awarof Listening», CAC Bretigny; «British Art Show 7: In The Days Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; Kunsthaus Zürich, Zürich; and «Younger than Jesus», New Museum, New York; In 2008 he received the inaugural Derek Jarman AwarOf The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; Kunsthaus Zürich, Zürich; and «Younger than Jesus», New Museum, New York; In 2008 he received the inaugural Derek Jarman Awarof Modern Art, Edinburgh; Kunsthaus Zürich, Zürich; and «Younger than Jesus», New Museum, New York; In 2008 he received the inaugural Derek Jarman Award.

Radical Nature draws on ideas that have emerged from Land art, environmental activism, experimental architecture and utopian thought — ideas that propose a new «radical nature» to reconcile the earth's needs with those of humRadical Nature draws on ideas that have emerged from Land art, environmental activism, experimental architecture and utopian thought — ideas that propose a new «radical nature» to reconcile the earth's needs with those of humaNature draws on ideas that have emerged from Land art, environmental activism, experimental architecture and utopian thought — ideas that propose a new «radical nature» to reconcile the earth's needs with those of humradical nature» to reconcile the earth's needs with those of humanature» to reconcile the earth's needs with those of humankind.

Wyeth's work was as rural as Warhol's was urban, his nudes as earthy as Warhol's girls (and boys) were dirty, but while the rural can easily look picturesque to the city dweller, and might appear to pander even unintentionally to wide appeal, urban art is by nature of its situation radical and intended for a strictly limited, edgier audience.

In 2009, at the Barbican Art Gallery in London, he curated the exhibition «Radical Nature: Art and Architecture for a Changing Planet 1969 — 2009,» which will serve as a critical point of departure for the 11th Taipei Biennial.

He was co-curator of the 2016 Liverpool Biennial and has worked on acclaimed exhibitions including Radical Nature — Art and Architecture for a Changing Planet 1969 - 2009 (2009) at the Barbican in London.

Between 2007 and 2009 he served as curator at the Barbican Art Gallery, where he realized the large - scale exhibitions Martian Museum of Terrestrial Art and Radical Nature — Art and Architecture for a Changing Planet 1969 - 2009 (2009).

Of all these artists, Pollock probably made the most radical contribution to art since Picasso because of his entirely new and original approach to the very act of painting which was indivisible from the nature of his imagerOf all these artists, Pollock probably made the most radical contribution to art since Picasso because of his entirely new and original approach to the very act of painting which was indivisible from the nature of his imagerof his entirely new and original approach to the very act of painting which was indivisible from the nature of his imagerof painting which was indivisible from the nature of his imagerof his imagery.

This transformation of the picture plane was «expressive of the most radical shift in the subject matter of art, the shift from nature to culture.»

He participated in «Cornelius Cardew and the Freedom of Listening», CAC Bretigny; «British Art Show 7: In The Days Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; and «Younger than Jesus», New Museum, New York (all 2009of Listening», CAC Bretigny; «British Art Show 7: In The Days Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; and «Younger than Jesus», New Museum, New York (all 2009Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; and «Younger than Jesus», New Museum, New York (all 2009of Modern Art, Edinburgh; and «Younger than Jesus», New Museum, New York (all 2009).

This paradox in his art grew out of his own nature, which was a complex mix of traditional and radical elements.