Yet today, that same thesis is liable to provoke a firestorm as intense as when Supreme Court Justice Clarence Thomas started paying compliments to such extremist and
radical notions as Aristotelian natural law theory.
Not exact matches
Pluralism, much
as it continues to be prized among liberals, is a self - destructive
notion rejected by both
radicals and conservatives.
For example, what has come about in the shift of imagery exemplified in the new physics and in emergent thinking generally represents not so much a reaction
as a
radical reconception of fundamental
notions, altering the modern consciousness itself.
James took up this
notion of Kierkegaard's and advanced the
notion of thinking forward
as we live forward in his Essays on
Radical Empiricism, p. 238.
We can understand this failure
as Percy's again having independently reached the same conclusion
as MacIntyre: that the ethical can not be simply radically chosen, because the
notion of the
radical choice is itself only at home in the aesthetic mode.
Southern writers whose assessments of the Civil War defamed the North and idealized the South, share in the blame,
as do
radicals in the civil rights movement who promoted the
notion that American principles are racist.
Yet so entrenched is the concept of religion
as belief in authoritative, ready - made doctrines that when that
notion is challenged the whole edifice of religion may be rejected,
as in traditional naturalistic humanism or the more bizarre «
radical theologies» currently in vogue.
We shall not achieve it immediately, but we shall strive,» even his slight qualification of optimism gave warning of a
radical shift toward a realistic temper.1 Whatever realism there has been in the spirit of democracy, and there has been a great deal, it has generally had superimposed upon it a vision of perfection, and with a
notion of man's life
as continually moving toward a higher and higher good.
Consequently,
radical empiricism fully conceived is not only an epistemological
notion, but a pragmatic
notion.3 (The pragmatic side of this lesson has been overlearned by most of today's neopragmatists, who are so skeptical of epistemological beginnings that they seem to treat knowledge
as sheerly speculative and fasten to pragmatic tests to determine the viability of a speculation in a world that, for all they sometimes seem to know and care, is made only of words and wild guesses about how words might be newly arranged.)
While Tinder never explicitly equates his
notion of agape with rights - based claims, he is not
as careful
as he might have been to make clear the
radical distinction between these two ideas.
To arrive at this
radical notion, Hauser draws on his own research in social cooperation, neuroscience, and primate behavior,
as well
as on the musings of philosophers, cognitive psychologists, and most important, the theories of MIT linguist Noam Chomsky, who in the 1950s proposed that all humans are equipped with a universal linguistic grammar, a set of instinctive rules that underlie all languages.
In the past, she's portrayed characters with no trouble accepting a variety of ridiculous
notions, ranging from metal - skinned murder skeletons and men with spider powers, to the racial superiority of whites and M. Night Shyamalan's role
as a writer of
radical, world - changing power.
Taking the commercial colour chart
as its point of departure, the exhibition emphasises a
radical transformation in the post-War Western art that is characterised by the departure from such
notions as originality, uniqueness and authenticity.
Andre was at the forefront of this crusade, and his sculptures — comprised of systems of regular units placed in grid - like formations and lying flat on the ground — became synonymous with this
radical new form of art. 100 Copper Square is an outstanding example of the work he created in the 1960s and rejects the
notion of sculpture
as an object mounted on a pedestal and viewed from a distance.
After digesting its lessons in our school days, many painters have rediscovered the once -
radical notion from the 1960s and 70s that how we make paintings is just
as important
as what we paint.
The
radical underpinnings of Art & Language, for instance,
as seen in a propagandistic series of Ten Posters from 1977, are juxtaposed with two later works dealing with the suppression of information in abstract painting — yet the
notion of an anonymous author remains constant.
At CCS Bard she will continue this research further, intertwining the artist's garden in a layered field of research including contemporary
notions of ecology, the anthropocene, botany, practices of community - and
radical gardening,
as well
as the more cultural historical tradition.
The
notion of walking
as a form of sculpture was considered a
radical idea when the artist, at age 22, made a work, titled A Line Made by Walking (1967) and gave new meaning to an activity
as old
as man himself, states Nicholas Serota, director of Tate Britain in London: «nothing in the history of art quite prepared us for the originality of his actions.»
With this new and relatively
radical body of work, however, Davis introduced the
notion of depicting a three - dimensional abstract shape emanating from the wall
as a monochromatic form.
Though
radical politics were unusual for such an artist, the conception of landscape
as a repository of history was a common aspect of contemporary views of the land and of romantic
notions of landscape.
Woods's capacity
as a gifted technician and
radical theorist of contemporary architecture resulted in a singular body of work that undermined current
notions of how to successfully create places in which to live and work.
Converge 45: YOU IN MIND is conceived
as an «art convergence in four chapters» that takes an acute and particular care about the idea and ethos of Portland's inherent positivity to amplify (for good purpose) the generous hand of independent artists whose practices tend towards perpetuating / activating the now
radical notion of our cultural commons... It is my intention with YOU IN MIND that the projects we exhibit and / or present, focus on artists who have a «public» in mind, conceptually, structurally and / or are actively present within the resulting work itself.
But reports of Apple adopting OLED
as part of a
radical, all - glass redesign for next year's iPhone have popped up repeatedly in recent months, and the
notion of Apple using a third device to introduce it isn't new either.