Sentences with phrase «radical performance by»

A New York Times writer declared that «there's not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon.»

Not exact matches

The transition from a radical regime guided by a utopian ideology to a pragmatic one with a laser - like focus on maintaining power by delivering superior economic performance is one of the main drivers for how China has managed to engineer an economic revolution since the late 1970s.

His acceptance of the outcasts — one of his most radical acts — pointed to an identity defined by one's relationship to God rather than by cultural standards of performance.

They stuck by him during his nadir last summer, when his leadership of the party seemed doomed - indeed, the organisational, campaigning and social media nous of the pro-migrant radical left probably saved him, and certainly boosted his general election performance.

Mr Corbyn said he was positive about improving his party's poll ratings and its performance at the ballot box, but also risked disappointing some senior Labour MPs by dismissing the radical idea of a «progressive alliance» with the Liberal Democrats.

It is doubly significant because it counters immediate fears voiced by senior Tories that the SNP's remarkable performance could force the UK into giving much more radical powers to Scotland.

in Medicine and Science In Sports and Exercise found a similar boost in aerobic performance while the subjects kept up levels of glutathione, a molecule that promotes cellular health (and usually diminishes as it fights free radicals released by intense exercise).

Another trial in Medicine and Science In Sports and Exercise found a similar boost in aerobic performance while the subjects kept up levels of glutathione, a molecule that promotes cellular health (and usually diminishes as it fights free radicals released by intense exercise).

Gravity becomes a character study driven by a riveting central performance and a radical thrill ride delivered with near real - time urgency which thrusts you through its implausibilities.

There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

When Andrew decides to contribute a film to the Humpday fest (a real - life amateur porno festival sponsored by Seattle alternative weekly The Stranger), a piece of art that will «push boundaries,» Ben proposes (in front of a crowd of artist - types) that the two of them — two straight men — have sex on camera as a radical performance piece.

When a friend is killed by the police, though, they commit to becoming real revolutionaries, and as their first act, they bust a noted radical, Dhari (Nathaniel Martello - White, in a terrific performance), out of prison.

It was pretty radical, by New York standards, ordering school districts to evaluate teachers using student performance data as one of the key measures of teacher competence.

When conversation turns to early -»70s race specials, everyone thinks of the 2.7 RS and its ducktail bootlid, but the CSL was by far the more radical machine, even before it sprouted rubber sideburns, because the car on which it was based, the 3.0 CSi, offered far less performance than a 911 2.4 S.

A radical reinterpretation of the Q60 coupe, hinting at a performance hybrid powertrain and inspired by Formula One energy recovery systems.»

The radical Honda Civic Type R Prototype builds on the low and wide proportion of the new Civic Hatchback and is enhanced by muscular body styling and modifications to aid aerodynamic performance.

Even more radical in the context of [sport], however, is the idea of relating masculinity to performance, for the very notion of performance strips [sport] of its spontaneity, its essential naturalness, and subjects a chance series of athletic events, governed by instinctual, precognitive behavior, to the analytical potential of scripting — quite literally, to the process of representation.

- Dave Sinaguglia Even more radical in the context of [sport], however, is the idea of relating masculinity to performance, for the very notion of performance strips [sport] of its spontaneity, its essential naturalness, and subjects a chance series of athletic events, governed by instinctual, precognitive behavior, to the analytical potential of scripting — quite literally, to the process of representation.

There, he revealed his deep passion for performative practices and so - called «outsider» artists with two trailblazing shows: «Radical Presence: Black Performance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaPerformance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaperformance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated black artists.

Participant Inc hosts a series of performances by radicals who emerged on that scene at that time Wednesday night.

He recently curated a long weekend of newly commissioned performances by Desirée Holman, Naomi Rincón Gallardo, and Jacolby Satterwhite exploring eccentric science fictions, utopian possibilities, and radical futures as part of Performance in Progress.

2012 Radical Presence: Black Performance in Contemporary Art curated by Valerie Cassel Oliver, Houston, TX Regarding Warhol, curated by Mark Rosenthal with Maria Prather, Ian Alteveer, and Rebecca Lowery, New York, NY

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

Radical Computer Music Thursday, December 3 at 6:30 pm Radical Computer Music is a performance and talk by Goodiepal, a renowned yet controversial Scandinavian electronic musician and professor of music composition.

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

Additional Radio Imagination events happening this fall include a musical performance by Nicole Mitchell and a panel discussion on radical reproduction at the Huntington; and a screening of short films at REDCAT curated by Erin Christovale.

While the works created by these artists have previously been contextualized in terms of associations and movements ranging from Fluxus to Conceptual Art to the blanketed arena of contemporary art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practice.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tperformance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art 1909 to the Present.

Exhibition and performance highlights include: MoMA PS1 Greater New York 2005; PERFORMA 05 and a performance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance highlights include: MoMA PS1 Greater New York 2005; PERFORMA 05 and a performance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, LPerformance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, London, 2013

As part of their Flux series, the Hammer Museum hosts video greats Michel Gondry, Keith Schofield, Radical Friend and Stefan Nadelman with MMG's Allison Schulnik — who will screen «Forest,» in addition to a performance by Mia Doi Todd, Michel Gondry and friends.

YBCA presents a conversation with artist Lynn Hershman Leeson and filmmaker, artist, and writer Eleanor Coppola, moderated by art historian, critic, and curator Amelia Jones, that brings focus to Hershman Leeson's early pioneering works of radical social performances and activism of the 1960s — 1980s.

Sponsorship: Radical Presence: Black Performance in Contemporary Art is organized by the Contemporary Arts Museum Houston and curated by Valerie Cassel Oliver.

Inspired by the Hammer exhibition Radical Women, the evening features a band led by Alberto López of Jungle Fire backing performances by:

Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visuPerformance in Contemporary Art, the first comprehensive survey of performance art by black visuperformance art by black visual artists.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tperformance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to tPerformance: Live Art 1909 to the Present.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, Minneapolis, MN.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Los Angeles County Museum of Art, CA.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Coco Fusco and Lorraine O'Grady included in Radical Presence: Black Performance in Contemporary Art at the Yerba Buena Center for the Arts in San Francisco, CA, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Coco Fusco's performance Observation of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of the exhibition Radical Presence: Black Performance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel inperformance Observation of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of the exhibition Radical Presence: Black Performance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel inPerformance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel in SF Weekly.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Walker Art Center, Minneapolis, MN July 24, 2014 — January 4, 2015 Lorraine O'Grady included in Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

The exhibition Radical Presence: Black Performance in Contemporary Art, reviewed in The New York Times by Ken Johnson.

Lorraine O'Grady: A Portrait (2012) included in Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem, reviewed by Jillian Steinhauer in Hyperallergic.

Guests including Tomas Maier, Hailey Baldwin, Zachary Quinto, Rashida Jones, Sarah Jessica Parker, Diane Keaton, and J.J. Abrams spent the rest of the evening being treated to a performance by Haim, viewing the current exhibition, «Radical Women: Latin American Art, 1960 - 1985,» and enjoying dinner by James Beard Award — winning chef Suzanne Goin of Lucques.

The event is organized by Grey Art Gallery, New York University and NYU's Department of Museum Studies, in conjunction with Radical Presence: Black Performance in Contemporary Art, on view at Grey Art Gallery through December 7, 2013.

Coco Fusco and Lorraine O'Grady featured in the exhibition Radical Presence: Black Performance in Contemporary Art, curated by Valerie Cassel Oliver, at the Contemporary Arts Museum Houston.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Walker Art Center, Minneapolis, MN July 24, 2014 — January 4, 2015 Coco Fusco included in Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Recycling Religion, curated by Juan Puntes and Marat Guelman, is a group exhibition, installation, new media and performance by a radical group of Eastern European Artists and select Western counterparts.

Featuring live performances as well as objects, Radical Presence includes more than one hundred works by thirty - seven artists.