Sentences with phrase «radical practice»

The built environment was often a field in which inquiries about the marriage of art and technology in the»60s found expression, and was accordingly high on the agenda for radical practices in that decade.

STUART BRISLEY's radical practice over four decades has played a fundamental part in the development of installation and performance art in Britain.

Artist Albert Potrony invites educators to debate school readiness using the Play as Radical Practice toolkit.

More recently, she curated The Display Show (2015 - 16), an exhibition in three parts, further investigating notions of display through radical practices from twentieth century artists, designers and architects, in addition to the ideas of contemporary artists.

The radical practice of hospitality begins with each child, each knock, each phone call: Every interruption of the day is a manifestation of Christ.

Outside of Jerusalem the church did not adopt such a radical practice of sharing communal resources, but the special concern for the poor was continued.

His radical practice comes after irate voters in November tossed out longtime incumbents implicated in lobbying scandals and as public interest groups clamor for more transparency in the way Congress does business.

According to Pawan Bareja, PhD, «Mindfulness is a radical practice where instead of turning away, we actually turn towards our difficult emotions and hold them with curiosity and compassion.»

Although managers in most walks of life take for granted the utility of rewarding effective employees and sanctioning ineffective ones, this is a radical practice in education.

The people who sought out this radical practice were often those who had been labeled «monsters» by society — faces mangled by fire and other disasters, outsized tumors making it impossible to lead normal lives.

She is the author of Art Workers: Radical Practice in the Vietnam War Era (University of California Press, 2009); Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (Thames & Hudson, 2016); and Fray: Art and Textile Handicraft (University of Chicago Press, 2017).

The ideas of «Conceptual Art» introduced by Sol LeWitt in the1960s sought to set art free from the shackles of formalism, and his radical practice had a profound and widespread influence on the artists of his generation and beyond.

He was particularly attracted to exploring metaphors that reflected the relationship between nature and art, and his radical practice brought him into proximity with other artists working in a similar manner.

If there is any one thing that distinguishes Dieter Roth's anarchic dadaist assemblages from all else that has come on the scene since, it is that their inflection of a radical practice is coextensive with Roth's own life.

It provides the first ever overview of Bollinger's brief, but extremely intense, artistic career, and provides an opportunity to rediscover the radical practice of this exceptional artist who, in his own words, was «not interested in the aesthetics of form but the fact of form»; who considered his work «not as primarily expressive through form but declarative through state».

She is the author of Art Workers: Radical Practice in the Vietnam War Era (U California Press, 2009), Art in the Making: Artists and their Materials from the Studio to Crowdsourcing (with Glenn Adamson, Thames & Hudson, 2016), and Fray: Art and Textile Politics (U Chicago, 2017).

Documenting «rich, bold and radical practice» and «live and lively» performances, the publication traces a 50 - year through line of works — public interventions, studio actions, and performances before live audiences, photographers and video cameras.

Bryan - Wilson is the author of Art Workers: Radical Practice in the Vietnam War Era; Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (with Glenn Adamson); and Fray: Art and Textile Politics.

A leading figure in the landscape of post-war Italian art and proponent of the influential Arte Povera movement, Fabro is renowned for his radical practice that offered a re-evaluation of sculptural form via a rigorous approach to spatial context, material and meaning.

Since the 1990s, small bands of Appalachian residents, regional environmental groups, and more recently the EPA have fought what often seemed like a futile battle against mountaintop - removal mining, the radical practice of blowing the tops off mountains to get at the coal seams underneath.